Herbie HancockTakin' Off

Label:

Blue Note – 84109

Series:

Blue Note 80 Vinyl Reissue Series

Format:

Vinyl , LP, Album, Reissue, Stereo , 180g

Country:

USA & Europe

Released:

Genre:

Jazz

Style:

Hard Bop

Tracklist

A1 Watermelon Man
Written-ByHerbie Hancock
A2 Three Bags Full
Written-ByHancock*
A3 Empty Pockets
Written-ByHancock*
B1 The Maze
Written-ByHerbie Hancock
B2 Driftin'
Written-ByHancock*
B3 Alone And I
Written-ByHancock*

Companies, etc.

  • Record CompanyUniversal Music
  • Record CompanyUniversal International Music B.V.
  • Record CompanyBlue Note Records
  • Record CompanyBlue Note Records Inc.
  • Record CompanyCapitol Records, LLC
  • Copyright ©UMG Recordings, Inc.
  • Recorded AtVan Gelder Studio, Englewood Cliffs, New Jersey
  • Mastered AtCohearent Audio
  • Lacquer Cut AtCohearent Audio
  • Pressed ByOptimal Media GmbH – BJ62136

Credits

  • BassButch Warren
  • Design [Cover], Photography By [Photo]Reid Miles
  • DrumsBilly Higgins
  • Lacquer Cut ByKPG*
  • Liner NotesLeonard Feather
  • Mastered ByKevin Gray
  • PianoHerbie Hancock
  • Recorded By [Recording By]Rudy Van Gelder
  • Tenor SaxophoneDexter Gordon
  • TrumpetFreddie Hubbard

Notes

Recorded on May 28, 1962.

"Made in " sticker affixed to the back cover shrinkwrap on some copies.

Catalog numbers:
Spine (top), in label matrices (rimtext): 7742399
Front cover, spine (bottom): 84109
Back cover (bottom): 00602577423994
Back cover (top) ST-84109
Labels: BST 84109

Runouts are etched. In runouts, all Optimal plating symbols may be inverted (e.g., “⊥” vs “T”) and/or mirrored (e.g., “1△” vs “△↾”). For example, variant 2, side B: "2IV" is mirrored in the runouts.

A Blue Note Records release; Originally released in 1962 by Blue Note Records © 2019 UMG Recordings, Inc.
Made in the EU. Universal International Music B.V.
Blue Note® is a ed trademark of Capitol Records, LLC.
LP mastering, Cohearant Mastering

Barcode and Other Identifiers

  • Barcode (Printed): 6 02577 42399 4
  • Barcode (EAN-Code, Scanned): 0602577423994
  • Matrix / Runout (Side A label rimtext): 7742399A
  • Matrix / Runout (Side B label rimtext): 7742399B
  • Matrix / Runout (Side A label): BNST 84109-A
  • Matrix / Runout (Side B label): BNST 84109-B
  • Matrix / Runout (Side A runout, variant 1): BJ62136-01 A1 00602577423994 7742399.A KPG@CA 17
  • Matrix / Runout (Side B runout, variant 1): BJ62136-01 B1 00602577423994 7742399.B KPG@CA 16
  • Matrix / Runout (Side A runout, variant 2): BJ62136-01 A1 00602577423994 7742399.A KPG@CA
  • Matrix / Runout (Side B runout, variant 2): BJ62136-01 B1 00602577423994 7742399.B KPG@CA 2IV
  • Matrix / Runout (Side A runout, variant 3): BJ62136-01 A1 2|Γ 00602577423994 7742399.A KPG@CA
  • Matrix / Runout (Side B runout, variant 3): BJ62136-01 B1 2|△ 00602577423994 7742399.B KPG@CA

Other Versions (5 of 113)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Takin' Off (LP, Album, Stereo, DG both sides) Blue Note 84109, ST-84109, BST 84109 US 1962
Recently Edited
Takin' Off (LP, Album, Mono) Blue Note BLP 4109 US 1962
New Submission
Takin' Off (LP, Album, Stereo, Ear/No DG) Blue Note BST 84109 US 1962
New Submission
Takin' Off (LP, Album, Mono, DG - S2) Blue Note BLP 4109 US 1962
New Submission
Takin' Off (LP, Album, Mono, DG Both Sides) Blue Note BLP 4109 US 1962

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Reviews

  • Meisterbommel's avatar
    Meisterbommel
    Herbie Hancock’s debut album “Takin’ Off”, originally released in 1962, remains a milestone in jazz history, captivating critics and fans alike to this day. The 2019 reissue presents this classic in a quality that does justice to both the original recording and the modern audience.

    The sound quality of the 2019 reissue is simply excellent. The meticulous remastering process has brought out the nuances and dynamic range of Hancock’s compositions and the play of his band - including greats like Dexter Gordon on tenor saxophone, Freddie Hubbard on trumpet, Butch Warren on bass, and Billy Higgins on drums - with a clarity that was previously hard to grasp. The rhythmic subtleties and harmonic transitions, in particular, are impressively showcased in this re-release.

    The album includes some of Hancock’s most famous pieces, such as “Watermelon Man”, which became a hit not only for Hancock himself but also in Mongo Santamaria’s version, becoming an essential part of Latin jazz history. The freshness and innovative force with which these compositions were recorded in the early 60s are enhanced by the improved sound quality of the reissue, making the music feel timeless.

    The balance between the instruments in the reissue is particularly commendable. Each instrument finds its place in the mix without overshadowing the others, a testament to the excellent production and mastering. This allows the listener to fully appreciate the interaction between the musicians and the individual contributions of each one.

    Overall, the reissue of Herbie Hancock’s “Takin’ Off” is a triumphant re-release that will delight both audiophiles and jazz enthusiasts. It is not only a tribute to the genius of Hancock and his fellow musicians but also a testament to how contemporary technology can help bring classic recordings to life for new generations of listeners.
    • mristuccia's avatar
      mristuccia
      Bought a copy some days ago.
      Perfectly flat, silent and centered.
      Sounds really good, no clicks nor pops even if not cleaned.
      • jazzpunk22's avatar
        jazzpunk22
        Edited one year ago
        Later BN80 Repress, w/poly sleeve ordered from Amz. Hole centered, flat, poly sleeve, clean (after dry cleaning), sounds very good.
        • nreszetar's avatar
          nreszetar
          Good pressing all around. However, extremely dirty even after a cleaning. For the money, as good as you'll expect otherwise.
          • clarinete13's avatar
            clarinete13
            Unlike my last Classic series Blue Note this is flat, distortion free and sounds great! Only minor downside is a bump on one corner due to Amazon packaging(chucked in a box). I do have the polylined sleeve so presume it is a later press.
            • Jpwlsh's avatar
              Jpwlsh
              I couldn't be happier with my copy. Dead flat and quiet.
              The mastering is excellent. Polylined sleeve too. Nice.
              • RikardLund's avatar
                RikardLund
                I have the 2019 and bhought one more (the 2022 repress). My 2019 came in regular papersleeve and the 2022 in polylined innersleeve. Have not compared the sound quality yet.

                Update: this is (ofcourse) as good as my first press but with less scuffs and more silent!
                • marcinpelszyk's avatar
                  marcinpelszyk
                  Mastering, sound quality and vinyl pressing - 5/5. Again a paper sleeve which does not give a good first impression.
                  • Monsieur_Renard's avatar
                    Monsieur_Renard
                    Sounds excellent. Almost any lp from this series is a must-have.
                    • kbell77's avatar
                      kbell77
                      I held off until a possible repress and if this is the result then I got lucky. For £26 this is phenomenally good in every way. Beautiful, immaculate, dead silent vinyl that sounds incredible. Very pleased.

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