EurythmicsRevenge

Label:

RCA – PL71050

Format:

Vinyl , LP, Album, Stereo , Embossed Sleeve

Country:

UK & Europe

Released:

Genre:

Pop

Style:

Synth-pop

Tracklist

A1 Missionary Man
Arranged By [Orchestra], ConductorMichael Kamen
Backing VocalsJoniece Jamison
Bass GuitarJannick Top
DrumsClem Burke
GuitarDavid A Stewart*
HarmonicaJimmy "Z" Zavala*
KeyboardsPatrick Seymour
VocalsAnnie Lennox
Written-ByStewart*
4:40
A2 Thorn In My Side
Backing VocalsBernita Turner
Bass GuitarJohn McKenzie
DrumsClem Burke
GuitarDavid A Stewart*
KeyboardsPatrick Seymour
Saxophone, HarmonicaJimmy "Z" Zavala*
VocalsAnnie Lennox
Written-ByStewart*
4:45
A3 When Tomorrow Comes
Arranged By [Orchestra], ConductorMichael Kamen
Bass GuitarJohn McKenzie
DrumsClem Burke
GuitarDavid A Stewart*
KeyboardsPatrick Seymour
SaxophoneJimmy "Z" Zavala*
VocalsAnnie Lennox
Written-BySeymour*
4:28
A4 The Last Time
Bass GuitarPhil Chen
DrumsClem Burke
Guitar, VocalsDavid A Stewart*
HarmonicaJimmy "Z" Zavala*
KeyboardsPatrick Seymour
VocalsAnnie Lennox
Written-ByStewart*
4:10
A5 The Miracle Of Love
Arranged By [Orchestra], ConductorMichael Kamen
Bass GuitarJohn McKenzie
DrumsClem Burke
Guitar, VocalsDavid A Stewart*
KeyboardsPatrick Seymour
Keyboards [Additional]Jon Bavin
Synthesizer [Strange Synthesizer Guitar Noise], Guitar [Strange Synthesizer Guitar Noise], Noises [Strange Synthesizer Guitar Noise]Gully
VocalsAnnie Lennox
Written-ByStewart*
5:04
B1 Let's Go
Backing VocalsJoniece Jamison
Bass GuitarJannick Top
DrumsClem Burke
GuitarDavid A Stewart*
KeyboardsPatrick Seymour
Saxophone, HarmonicaJimmy "Z" Zavala*
VocalsAnnie Lennox
Written-ByStewart*
4:08
B2 Take Your Pain Away
Backing VocalsJoniece Jamison
Bass GuitarJohn McKenzie
DrumsClem Burke
GuitarDavid A Stewart*
KeyboardsPatrick Seymour
VocalsAnnie Lennox
Written-ByStewart*
4:30
B3 A Little Of You
Arranged By [Orchestra], ConductorMichael Kamen
Bass GuitarJohn McKenzie
DrumsClem Burke
GuitarDavid A Stewart*
KeyboardsPatrick Seymour
VocalsAnnie Lennox
Written-ByStewart*
3:53
B4 In This Town
Backing VocalsJoniece Jamison
DrumsClem Burke
Guitar, VocalsDavid A Stewart*
KeyboardsPatrick Seymour
SaxophoneJimmy "Z" Zavala*
VocalsAnnie Lennox
Written-ByStewart*
3:44
B5 I You
Arranged By [Orchestra], ConductorMichael Kamen
Bass GuitarPhil Chen
DrumsClem Burke
Guitar, VocalsDavid A Stewart*
KeyboardsPatrick Seymour
SaxophoneJimmy "Z" Zavala*
VocalsAnnie Lennox
Written-ByStewart*
5:00

Companies, etc.

  • Published ByRCA Music Ltd.
  • Published ByEMI Music Publishing Ltd.
  • Recorded AtConny's Studio
  • Recorded AtStudio De La Grande Armée
  • Mixed AtStudio De La Grande Armée
  • Marketed ByRCA Records
  • Phonographic Copyright ℗RCA/Ariola Ltd.
  • Copyright ©RCA/Ariola Ltd.
  • Distributed ByRCA/Ariola
  • Lacquer Cut AtDyam
  • Pressed BySonopress – B-5007
  • Printed ByTOPAC

Credits

  • Creative Director [Creative Co-Ordination]Billy Poveda
  • Design [Sleeve Designs]Laurence Stevens
  • Engineer [1st Assistant]Fred Defaye
  • Engineer [2nd Assistant]Serge Pauchard
  • Lacquer Cut ByY.D.*
  • Management [Hyper/kinetics]Kenny Smith (6)
  • Management [Overland]Gary Kurfirst
  • Management [Personal Assistant]Karen Ciccone
  • Mixed By [Mixing Engineer]Manu Guiot
  • Painting [Sleeve]Eric Scott (6)
  • ProducerDavid A. Stewart
  • Recorded By [Recording Engineer]Jon Bavin

Notes

Embossed Eurythmics logotype on front cover.
Some copies have different variants of hype stickers on front cover.

Inner sleeve either from hard cardboard or soft paper with polyethylene inner lining with lyrics.
Some copies have an additional insert sheet numbered PL71050-7B in upper right corner.
Runout parts "020", "Y.D." and any Roman numerals are etched; the rest is stamped.

— Inner sleeve:
All songs published by RCA Music Ltd. except [A3] published by RCA Music Ltd./EMI Music Pub. Ltd.
Recorded at Conny's Studio, Cologne & Studio Grand Armée, Paris
Mixed at Studio Grand Armée, Paris
[B4] recorded at Manu's party.
clem burke [sic] plays 'Premier drums & Ziljan cymbals'

— Labels:
marketed by RCA records from master recordings of RCA records. […]
made in . fabriqué en Allemagne

— Back cover:
℗ 1986 RCA/Ariola Ltd. © 1986 RCA/Ariola Ltd.
Distributed in Europe by RCA/Ariola
Distribúe en Europ par RCA/Ariola
Vertrieb in Europa durch Ariola/RCA
Printed in West : Imprimé en Allemagne

Barcode and Other Identifiers

  • Barcode (Text): 0 035627 105012
  • Barcode (Scanned): 035627105012
  • Price Code (D): SE
  • Price Code (F): RC 340
  • Price Code (UK): SS
  • Label Code: LC 0316
  • Pressing Plant ID (Embossed bass clef, side B): Bass clef
  • Rights Society (Boxed): Biem
  • Rights Society (Boxed): Gema
  • Matrix / Runout (Runout side A, variant 1): 020 B-5007 A-2 II Y.D.
  • Matrix / Runout (Runout side B, variant 1): 020 B-5007 B-2 Y.D.
  • Matrix / Runout (Runout side A, variant 2): 020 B-5007 A-2 Y.D.
  • Matrix / Runout (Runout side B, variant 2): 020 B- 5007 B-2 II Y.D.
  • Matrix / Runout (Runout side A, variant 3): 020 B-5007 A-1 Y.D.
  • Matrix / Runout (Runout side B, variant 3): 020 B-5007 B-1 II Y.D.
  • Matrix / Runout (Runout side A, variant 4): 020 B-5007 A-5 III
  • Matrix / Runout (Runout side B, variant 4): B-5007 B-3 Y.D.
  • Matrix / Runout (Runout side A, variant 5): 020 B-5007 A-5 TA
  • Matrix / Runout (Runout side B, variant 5): 020 B-5007 B-2 Y.D.
  • Matrix / Runout (Runout side A, variant 6): B-5007 A-2 III Y.D.
  • Matrix / Runout (Runout side B, variant 6): B-5007 B-3 Y.D.
  • Matrix / Runout (Runout side A, variant 7): 020 B-5007 A-1 II Y.D.
  • Matrix / Runout (Runout side B, variant 7): B-5007 B-3 Y.D.
  • Matrix / Runout (Runout side A, variant 8): 020 B-5007 A-2 IV Y.D.
  • Matrix / Runout (Runout side B, variant 8): B-5007 B-3 Y.D.
  • Matrix / Runout (Runout side A, variant 9): B-5007 A-2 III Y.D.
  • Matrix / Runout (Runout side B, variant 9): 020 B-5007 B-2 Y.D.
  • Matrix / Runout (Runout side A, variant 10): B-5007 A-2 III Y.D.
  • Matrix / Runout (Runout side B, variant 10): B-5007 B-2 II Y.D.
  • Matrix / Runout (Runout side A, variant 11): 020 B-5007 A-2 IV Y.D.
  • Matrix / Runout (Runout side B, variant 11): 020 B-5007 B-1 Y D.
  • Matrix / Runout (Runout side A, variant 12): 020 B-5007 A-2 Y.D.
  • Matrix / Runout (Runout side B, variant 12): 020 B-5007 B-1 II Y.D.
  • Matrix / Runout (Runout side A, variant 13): 020 B-5007 A-1 III Y.D.
  • Matrix / Runout (Runout side B, variant 13): 020 B-5007 B-1 Y D.
  • Matrix / Runout (Runout side A, variant 14): 020 B-5007 A-2 IV Y.D.
  • Matrix / Runout (Runout side B, variant 14): B-5007 B-2 II Y.D.
  • Matrix / Runout (Runout side A, variant 15): 020 B-5007 A-2 II Y.D.
  • Matrix / Runout (Runout side B, variant 15): 020 B-5007 B-1 Y.D.
  • Matrix / Runout (Runout side A, variant 16): 020 B-5007 A-2 IV Y.D.
  • Matrix / Runout (Runout side B, variant 16): 020 B-5007 B-2 Y.D.

Other Versions (5 of 159)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Revenge (LP, Album, Stereo, Indianapolis Pressing) RCA AJL1-5847 US 1986
Recently Edited
Revenge (CD, Album) RCA PD 71050 Europe 1986
Recently Edited
Revenge (LP, Album) RCA RPL-8346 Japan 1986
Recently Edited
Revenge (Cassette, Album) RCA AJK1-5847 US 1986
Recently Edited
Revenge (LP, Album, Stereo) RCA SFL1 0145 Australia 1986

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Reviews

  • Adam2211's avatar
    Adam2211
    Revenge marked the highpoint of the groups commercial success and depicts more or less the themes they started with their first album "In the garden" with great clarity. Ever took a closer look at the album cover and Annie Lennox eyes?
    If you know what that means, you know the truth about the garden ...
    • Crijevo's avatar
      Crijevo
      Edited 8 years ago
      "Revenge" marks a somewhat sentimental (if not entirely cynical) connection with "In the Garden" - Dave Stewart once explained the choice of the album's title, as a revenge by music, aimed at everyone who treated them with contempt. Now propelled into superstardom, it was easy for Eurythmics to look back on it all with some relief, although "Revenge" is far from being a "happy album". Lots of sadness surrounds the songs, written from a personal experience ("I You" is a dedication to Lennox's then-deceased father).

      Of course, tiny hints at their debut album are clearly pointed out with the very choice of title - "Revenge" of course, originally being the closing number on "In the Garden", while here additional reminder appears in the lyrics of "A Little Of You", plus in one of the 1986 album's b-sides (a completely re-arranged, but altogether a dull, overblown version called "Revenge 2"). Also there seems to be a partial re-use of a field recording that opens for "I You" (the emergency car's siren sound that's also featured earlier in the song "English Summer"). Stylistically speaking however, "Revenge" stays closer to "Be Yourself Tonight", with some of the play-safe in the duo's amazing delivery, and a strong tendency to impress. The live video from their "Revenge" tour documents one of the finest-ever concert performances in pop-rock history.

      To lesser extent, some of the songs happen to be just power-pop standards for power-pop's sake ("When Tomorrow Comes", "The Last Time" and "A Little Of You" - the latter a typical mid-80s arrangement in a manner of a Eurovision song contest winner that never was). The highlights definitely include "Missionary Man" - with its amazing, sinister harmonica opening, "Thorn In My Side", the slightly darker "Take Your Pain Away", "In This Town" (with a simulated live atmosphere) and the already mentioned, closing number - "I You", a beautifully sad ballad, augmented by a strings arrangement and a gripping sense of nostalgia, successfully avoiding the pathetic lamenting as is the case with another ballad on the album - also one of the chosen singles, "The Miracle Of Love".
      • dagsh's avatar
        dagsh
        The country here is listed as "Europe". Shouldn't it be ? You can see for yourself on the ed images of the label: "made in "
        • double-happiness's avatar
          Excellent and now widely overlooked LP, with a wide range of tempo and styles. 'Revenge' has both commercial appeal and rock credibility. Many of the tracks sound good in their own right, but it also flows smoothly as an album. 'Let's Go!' is pure throwaway one-night-stand rock, yet other tracks like 'The Miracle Of Love' and 'Take Your Pain Away' are more tender and thoughtful.

          Eurythmics started off as a New Wave / Synth Pop oddity, but with this album came of age and proved they could write memorable songs and take control in the studio.

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