Hans Zimmer – Dunkirk (Original Motion Picture Soundtrack)
Label: |
Sony Classical – 88985461482 |
---|---|
Format: |
CD
, Album
|
Country: |
Europe |
Released: |
|
Genre: |
Stage & Screen |
Style: |
Soundtrack |
Tracklist
1 | Hans Zimmer– | The Mole | 5:29 |
2 | Hans Zimmer– | We Need Our Army Back | 6:04 |
3 | Hans Zimmer– | Shivering Soldier | 2:51 |
4 | Hans Zimmer– | Supermarine | 7:59 |
5 | Hans Zimmer– | The Tide | 3:49 |
6 | Lorne Balfe– | Regimental Brothers | 5:02 |
7 | Hans Zimmer– | Impulse | 2:34 |
8 | Benjamin Wallfisch– | Home | 6:00 |
9 | Hans Zimmer– | The Oil | 6:10 |
10 | Benjamin Wallfisch– | Variation 15 (Dunkirk) | 5:52 |
11 | Hans Zimmer– | End Titles | 7:13 |
Companies, etc.
- Phonographic Copyright ℗ – WaterTower Music
- Copyright © – Warner Bros. Entertainment Inc.
- Copyright © – Ratpac-Dune Entertainment, LLC
- Licensed To – Sony Music Entertainment
- Distributed By – Sony Music Entertainment
- Record Company – Sony Music Entertainment International Services GmbH
- Recorded At – Air Lyndhurst Hall
- Mixed At – Remote Control Productions
- Mastered At – Bernie Grundman Mastering
- Published By – Warner-Olive Music, LLC
- Pressed By – Sony DADC – A0102874544-0101
Credits
- Art Direction – Sandeep Sriram
- Booking [Air Studios Sessions: Air Studios Bookings] – Alison Burton
- Composed By – Hans Zimmer
- Conductor [Orchestra Conducted By] – Gavin Greenaway
- Contractor [Los Angeles Contractor] – Peter Rotter
- Contractor [Orchestral Contractor] – Isobel Griffiths
- Copyist [Music Preparation] – Booker T. White*
- Engineer [Additional Engineering] – Seth Waldmann
- Engineer [Air Studios Sessions: Assistant Engineer] – Alex Ferguson (2)
- Engineer [Assistant Engineers] – John Witt Chapman
- Engineer [Technical Score Engineers] – Stephanie McNally
- Leader [Orchestra Leader] – Perry Montague-Mason
- Liner Notes – Christopher Nolan
- Management [Executive In Charge Of Music For Warner Bros. Pictures] – Paul Broucek
- Management [Executive In Charge Of WaterTower Music] – Jason Linn
- Management [Music Business Affairs Executive] – Lisa Margolis
- Management [Studio Manager For Remote Control Productions] – Shalini Singh
- Mastered By – Patricia Sullivan
- Mixed By [Score] – Alan Meyerson
- Music By [Additional] – Satnam Singh Ramgotra*
- Music Librarian – Jill Streater
- Musical Assistance [Assistant To Hans Zimmer] – Cynthia Park
- Orchestrated By [Orchestrators] – Walt Fowler
- Orchestrated By [Supervising Orchestrator] – Bruce L. Fowler*
- Producer [Music Production Services] – Steven Kofsky
- Producer [Score Produced By] – Lorne Balfe
- Producer [Soundtrack Album Produced By] – Hans Zimmer
- Programmed By [Synth Programming] – Hans Zimmer
- Recorded By [Air Studios Sessions: ProTools Recordist] – Laurence Anslow
- Recorded By [Score] – Geoff Foster
- Sampler [Sampling Team] – Taurees Habib
- Score Editor [Music Editor] – Ryan Rubin
- Score Editor [Supervising Music Editor] – Alex Gibson
- Sequencer [Sequencer Programming] – Steve Mazzaro
- Soloist, Bass – Nico Abondolo
- Soloist, Cello – Steve Erdody
- Soloist, Cello [Electric And Acoustic Cello] – Tina Guo
- Soloist, Instruments [Exotic Instruments] – Chas Smith
- Soloist, Percussion – Satnam Singh Ramgotra*
- Soloist, Trumpet – Jon Lewis
- Soloist, Viola, Violin, Fiddle – Michael Levine
- Soloist, Violin – Ben Powell (5)
- Sound Designer [Air Studios Sessions: Orchestra Timing] – Chris Barrett
- Sound Designer [Digital Instrument Design] – Mark Wherry
- Sound Designer [Synth Design] – Howard Scarr
- Technician [Technical Assistants] – Steven Doar
Notes
Standard jewel case with clear tray & 16-page liner notes booklet.
Score Recorded at: Lyndhurst Hall, Air Studios
Score Mixed at: Remote Control Productions, Santa Monica CA
Published by Warner-Olive Music, LLC (ASCAP)
℗ 2017 WaterTower Music, under exclusive license to Sony Music Entertainment.
Motion Picture Artwork © 2017 Warner Bros. Entertainment Inc.
Motion Picture Photography © 2017 Warner Bros. Entertainment Inc. and Ratpac-Dune Entertainment LLC.
Under exclusive license to Sony Music Entertainment.
Distributed by Sony Music Entertainment.
Sony Music Entertainment International Services GmbH, PO Box 510, 33311 Gütersloh, .
Made in the EU.
Score Recorded at: Lyndhurst Hall, Air Studios
Score Mixed at: Remote Control Productions, Santa Monica CA
Published by Warner-Olive Music, LLC (ASCAP)
℗ 2017 WaterTower Music, under exclusive license to Sony Music Entertainment.
Motion Picture Artwork © 2017 Warner Bros. Entertainment Inc.
Motion Picture Photography © 2017 Warner Bros. Entertainment Inc. and Ratpac-Dune Entertainment LLC.
Under exclusive license to Sony Music Entertainment.
Distributed by Sony Music Entertainment.
Sony Music Entertainment International Services GmbH, PO Box 510, 33311 Gütersloh, .
Made in the EU.
Barcode and Other Identifiers
- Barcode (Text): 8 89854 61482 9
- Barcode (Scanned): 889854614829
- Label Code: LC06868
- Rights Society: BIEM/GEMA
- Matrix / Runout (All Variants): Sony DADC A0102874544-0101 11 A00
- Mastering SID Code (All Variants): IFPI L551
- Mould SID Code (Variant 1): IFPI 941Q
- Mould SID Code (Variant 2): IFPI 942L
- Mould SID Code (Variant 3): IFPI 946A
Other Versions (5 of 10)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission
|
Dunkirk (Original Motion Picture Soundtrack) (CD, Album, Digipak) | WaterTower Music | WTM39922 | US | 2017 | ||
Dunkirk (Original Motion Picture Soundtrack) (2×LP, Album, Deluxe Edition, Limited Edition, Numbered, Blue Transparent, 180g) | Sony Classical | MOVATM171 | Europe | 2017 | |||
Recently Edited
|
Dunkirk (Original Motion Picture Soundtrack) (2×LP, Album, 180 Gram) | Music On Vinyl | MOVATM171 | Europe | 2017 | ||
Recently Edited
|
Dunkirk (Original Motion Picture Soundtrack) (2×LP, Album) | WaterTower Music | WTM39923 | US | 2017 | ||
New Submission
|
敦刻尔克 电影原声带 = Dunkirk (Original Motion Picture Soundtrack) (CD, Album) | Sony Classical | 9787799456423 | China | 2017 |
Recommendations
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2012 EuropeAlbum, Enhanced
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2006 UK & EuropeAlbum, Stereo
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2016 UK & EuropeAlbum, Deluxe Edition
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Reviews
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Like Steven Spielberg and John Williams did, sometimes a film director and a musician form a really well oiled creative engine, managing to create several iconic works where movie and soundtrack blend into one, sharing the same kind of spirit beyond the link between images and music.
Both Christopher Nolan and Hans Zimmer have mastered the ability to create commercially successful movies and soundtracks with an undeniable inherent artistic quality to them.
They like twisting ideas and, yet, they know how to entertain and to give the audience a memorable scene, cue or melody, making their works overall accessible to everyone.
In 'Dunkirk', Nolan plays with time (as he already did had many times in previous films and would do once more in "Tenet") serving the story in three time rate frames: 1 hour in the air, 1 day within the civilian struggle when trying to help rescuing British soldiers from Dunkirk, and the own troops' struggle to survive in the days that lasted the Dunkirk evacuation.
Therefore, Zimmer uses here elements as Shepard tones, a sound structure that plays with the concept of time and its loops, and structures most of the score with a beating pulse along it, either in the background or more upfront, giving the whole thing a sense of urgency and impending threat.
As such, "Dunkirk" is one of Zimmer' harshest, less melodic soundtracks, where his sound designer self takes the spotlight in detriment of his composer persona.
Cold, relentless, it takes you from the throat and, in the few moments it will let you breathe is just to let you be aware that some kind of danger is near.
Zimmer will only give us a little melodic ease at the end, when he takes Elgar's utterly beautiful and solemn "Nimrod" and, playing with its tempo (of course), let us know that the rescue has been successful and that the boys are back home, as at the end of "Home" or in the gorgeous "Variation 15 (Dunkirk)"
I have always been a sucker for a memorable melody, so to me "Dunkirk" was a letdown, but if you are into more atmospheric stuff, you might come to really enjoy this one.
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