PlastikmanSpastik

Label:

NovaMute – 12nomu28

Format:

Vinyl , 12", 33 ⅓ RPM, Repress

Country:

UK

Released:

Genre:

Electronic

Style:

Techno

Tracklist

A Spastik
AA1 Helicopter
AA2 Gak (Remix)

Companies, etc.

  • Recorded AtUTK
  • Distributed ByVital (2)
  • Published ByPlastkprodukts
  • Published ByMute Song
  • Licensed FromPlus 8 Records
  • Lacquer Cut AtThe Exchange
  • Mastered AtP.R. Records Limited
  • Pressed ByMPO
  • Phonographic Copyright ℗Mute Records Ltd.
  • Copyright ©Mute Records Ltd.

Credits

  • Lacquer Cut ByNilz*
  • Music By [Musik By]Richie Hawtin
  • Plated ByM (91)

Notes

(P) 1993 Mute Records Limited.
(C) 2003 Mute Records Limited.

All Tracks Published by Plastikprodukts (SOCAN). istered by Mute Song.
Recorded at Utk Windsor Kanada Licensed from Plus 8.
Made in the EU.
Distributed by Vital.

2003 repress with generic black labels w/ white text.

Plated at P.R. Records Limited.

Barcode and Other Identifiers

  • Barcode: 5016025280896
  • Matrix / Runout (Side A): 12 NOMU 28 - A2 PR-M THE EXCHANGE - NiLZ.
  • Matrix / Runout (Side AA): 12 NOMU 28 - AA2 THE EXCHANGE - NiLZ. PR-M
  • Label Code: LC 5834
  • Rights Society: SOCAN

Other Versions (5 of 8)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Spastik (12", 33 ⅓ RPM) NovaMute 12 NoMu 28 UK 1993
Recently Edited
Spastik (12", 33 ⅓ RPM, Promo) NovaMute P 12 NoMu 28 UK 1993
Recently Edited
Spastik (CD, Single) NovaMute Mute Int 826.777, INT 826.777, CDNoMu 28 1993
New Submission
Plastik Man (Cassette, Advance, Promo) NovaMute NoMu 28 UK 1993
New Submission
Spastik (12", 33 ⅓ RPM, White Label) NovaMute 12 NoMu 28 UK 1993

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Reviews

  • Ronan_Glasgow's avatar
    Ronan_Glasgow
    Plastikman's "Spastik" is an absolute classic of the techno genre. Its a standout track of the more minimal end of the techno spectrum and is solely percussive. Arguably, the track works as well on its own as it does when mixed over other tracks. However, for those with minimal-phobia, this track, with its rolling snare sound building throughout, is perfect as an accompaniment to other tracks in a mix and can really boost a set.

    In short, this track is probably best thought of as a tool. Its great to use throughout a set at different points to create build ups and keep a constant thread running through different mixes. The rolling snare sound is infectious and the crashing cymbals and deep bass kick drive it on like a marching army.

    A classic!

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