Laurent Garnier – The Man With The Red Face
Label: |
F Communications – 137 0119 30 |
|---|---|
Format: |
Vinyl
, 12", 33 ⅓ RPM
|
Country: |
Europe |
Released: |
|
Genre: |
Electronic |
Style: |
Deep House |
Tracklist
| A1 | The Man With The Red Face | 9:15 | |
| B1 | The Man With The Red Face (Svek Remix) | 4:57 | |
| B2 | The Man With The Red Face (Funk D'Void Mix) | 5:35 |
Companies, etc.
- Phonographic Copyright ℗ – F Communications
- Copyright © – F Communications
- Lacquer Cut At – The Exchange
- Published By – Basic Groove Publishing
- Licensed To – PIAS Benelux
- Licensed To – PIAS UK
- Licensed To – PIAS – CMV 5 0119 30 137/XM
- Licensed To – Playground Music Scandinavia
- Licensed To – So Dens
- Licensed To – Musikvertrieb AG
- Licensed To – Family Affair
- Distributed By – PIAS
- Distributed By – Vital (2)
- Distributed By – Charged
- Distributed By – Connected Music Vertrieb GmbH – CMV 5 0119 30 137/XM
- Pressed By – DFI
Credits
- Design – Seb Jarnot
- Lacquer Cut By – Simon*
- Mixed By, Sound Designer – Laurent Collat
- Producer, Mixed By, Written-By – Laurent Garnier
- Saxophone, Flute [Ewee] – Philippe Nadaud
Notes
First Pressing Comes with a paper mask of the ghost, which is on the "Unreasonable Behaviour" album front cover.
Release Notes (excerpts):
Written & produced at the Wake Up Lab around Paris. Made in .
From the album "Unreasonable Behavior"
Duplication kills Creation
Release Notes (excerpts):
Written & produced at the Wake Up Lab around Paris. Made in .
From the album "Unreasonable Behavior"
Duplication kills Creation
Barcode and Other Identifiers
- Barcode (Text): 5 413356 738834
- Barcode (Scanned): 5413356738834
- Label Code: LC 07800
- Rights Society: Sabam/Biem
- Matrix / Runout (side A, stamped): DFI-0 0-2 F119A
- Matrix / Runout (side A, handwritten): EXCHANGE 2000 - SIMON - 137 0119-130 A B521164-01 A₁
- Matrix / Runout (side B, stamped): DFI-0 0-2 F119 B
- Matrix / Runout (side B, handwritten): EXCHANGE 2000 - SIMON 137.0119.130 B B521164-01 B₁
- Other (Distribution Code): 080P
Other Versions (5 of 14)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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The Man With The Red Face (CD, Maxi-Single) | F Communications | F119 CD, 137.0119.22 | UK & Europe | 2000 | ||
|
Recently Edited
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The Man With The Red Face (CD, Single, Cardboard Sleeve) | PIAS Benelux | F119 CDX, 137.0119.24, 137 0119 24 | Europe | 2000 | ||
|
Recently Edited
|
The Man With The Red Face (12", 33 ⅓ RPM, Promo) | [PIAS] Recordings | F 119 PROMO X | UK & Europe | 2000 | ||
|
Recently Edited
|
The Man With The Red Face (12", Promo, White Label, Stickered) | [PIAS] Recordings | F127UKPR | UK | 2000 | ||
|
Recently Edited
|
The Man With The Red Face (12", Single Sided, Promo, White Label, Stickered) | F Communications | F119UKP | UK | 2000 |
Recommendations
Reviews
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Edited 10 months agoPete Tong and his ilk smashed the Jan Driver mix BITD - don’t get me wrong. A superficially infectious driving beat, but it wears thin quickly… the orig is far better
… usual Funk Dvoid bus stop analogies apply here -
Damned release .... Laurent kick on the garbage of house ......
Laurent kick all hayatolah of house for ever ......
Music alway green when it was near perfection, this ep are near perfection.
Quote -
-
Can't believe I wrote that nonsense in my other comments about this track. That's what happens when you log on to Discogs after a night out.
The remix is of course by Svek, and I'm warming to Funk D'Void's mix, although it still falls short of the original and the Svek mix. -
What a track. My hope is that in the future they'll be encouraging our kids to listen to this in the schools. What a motivation.
There are so many words that could be used to describe this track, however none would give it justice. You have to hear it, feel it, dance to it, ride with it !!!!!!!!
On the flip UMEK rises to he challenge and delivers the house mix, retaining that phat bassline with the emphasis on the sax solo, yet never losing the integrity of the original take.
Funk D'Void attempts to create the techno alter-ego by leaving his mark on the track utilising breaks, (that initially don't work, eventually make sense, then lose it again ....) underpinned by a sweeping bassline and his take on the original melody.
Lars' mistake, in my opinion, is that he tries to make the track his own..............!!!
Perhaps he should have rejected the opportunity to rework it in the first place. But then..... How could you?
Release
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Recently Edited
Recently Edited
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