Tracklist
You & You | 2:07 | ||
Little Ants | 2:06 | ||
Egomaniac's Kiss | 2:11 | ||
Lionel | 2:08 | ||
Not Moving | 2:39 | ||
Size | 2:15 | ||
New Fast | 1:14 | ||
5:30 | 1:04 | ||
Blonde Red Head | 1:52 | ||
32123 | 0:54 | ||
New New | 2:49 | ||
Lying On The Sofa Of Life | 1:52 | ||
Grapefruit | 5:00 | ||
Taking Kid To School | 1:31 | ||
Young Teenagers Talk Sex | 1:05 | ||
Delivering The Good | 2:09 | ||
Police Chase | 1:38 | ||
Cop Buys A Donut | 1:09 | ||
Detached (Early Version) | 1:45 | ||
Low | 1:56 | ||
Nearing | 2:14 | ||
5:30 (Early Version) | 1:54 | ||
Surrender | 3:48 | ||
Newest Fastest | 1:14 | ||
Detached | 1:20 | ||
Brand New | 2:13 | ||
Horse | 2:47 | ||
Forgery | 0:59 | ||
Action | 1:04 | ||
Marshall | 1:52 | ||
A New Low | 1:43 | ||
Calling To Phone | 2:15 |
Credits (20)
- Tim Wright (2)Bass
- Ikue MoriDrums
- Arto LindsayGuitar, Vocals
- Robin Crutchfield*Keyboards
- Byron ColeyLiner Notes
- Glenn O'BrienLiner Notes
Versions
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4 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Version Details | Data Quality | |||
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DNA On DNA
CD, Compilation
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No More Records – No. 12 | US | 2004 | US — 2004 |
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DNA On DNA
CD, Compilation
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No More Records – No. 12 | US | 2004 | US — 2004 |
New Submission
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DNA On DNA
2×LP, Compilation, Limited Edition
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No More Records – No. 12 | US | 2008 | US — 2008 |
Recently Edited
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DNA On DNA
2×LP, Compilation, Limited Edition, White Vinyl
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No More Records – No. 12 | US | 2008 | US — 2008 |
New Submission
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Recommendations
Reviews
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I’ve had this 2XLP compilation since it came out. It’s one of those things you buy and never listen to… lol. Idk, the whole No Wave thing is way overhyped in my opinion. “No New York” compilation is well rounded for anyone curious about the genre. Lydia Lunch and the first Contortions LP are at least listenable. DNA gets pretty grating after 10 mins max. Robin Crutchfield’s Dark Day (from DNA) is better—which is not No Wave.
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referencing DNA On DNA (CD, Compilation) No. 12
Always wondering who were these 2 guys on the cover? -
Sounds really good. Dead quiet pressing. Soundstage isn’t bad. Surely barebones recordings in the first place.
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