Tracklist
Achilles Last Stand | 10:26 | ||
For Your Life | 6:21 | ||
Royal Orleans | 2:58 | ||
Nobody's Fault But Mine | 6:15 | ||
Candy Store Rock | 4:10 | ||
Hots On For Nowhere | 4:42 | ||
Tea For One | 9:27 |
Credits (6)
- Keith HarwoodEngineer [Engineered By], Mixed By
- Peter GrantExecutive-Producer
- Jimmy PageProducer [Produced By]
- Hardie*Sleeve [Sleeve By]
- Hipgnosis (2)Sleeve [Sleeve By]
-
Jeremy GeeTape Op [Tape Engineer]
Notes
Presence is the seventh studio album, released by Swan Song Records on 31 March 1976.
The cover, inside sleeve and back of the album feature various images of people with a black obelisk-shaped object. Inside the album sleeve the item is referred to simply as "The Object" aka "The Obelisk". It was intended to represent the "force and presence" of Led Zeppelin.
Jimmy Page explained: "There was no working title for the album. The record-jacket designer said 'When I think of the group, I always think of power and force. There's a definite presence there.' That was it. He wanted to call it 'Obelisk'. To me, it was more important what was behind the obelisk. The cover is very tongue-in-cheek, to be quite honest. Sort of a joke on [the film] 2001 A Space Odyessy. I think it's quite amusing."
Jimmy Page made the decision to record the album after Robert Plant sustained serious injuries from a car accident on the Greek island of Rhodes on 5 August 1975, which forced the band to cancel a proposed world tour that was due to commence on 23 August.
At this point, Led Zeppelin were arguably at the height of their popularity. When he was taken to a Greek hospital after the accident, Plant recalled: "I was lying there in some pain trying to get cockroaches off the bed and the guy next to me, this drunken soldier, started singing "The Ocean" from Houses of the Holy."
The background used in the cover photograph is of an artificial marina that was installed inside London's Earl's Court Arena for the annual Earl's Court Boat Show that was held in the winter of 1974–75. This was the same venue where the band played a series of concerts a few months after the boat show, in May 1975.
In 1977 Hipgnosis and George Hardie were nominated for a Grammy Award in the category of best album package.
The cover, inside sleeve and back of the album feature various images of people with a black obelisk-shaped object. Inside the album sleeve the item is referred to simply as "The Object" aka "The Obelisk". It was intended to represent the "force and presence" of Led Zeppelin.
Jimmy Page explained: "There was no working title for the album. The record-jacket designer said 'When I think of the group, I always think of power and force. There's a definite presence there.' That was it. He wanted to call it 'Obelisk'. To me, it was more important what was behind the obelisk. The cover is very tongue-in-cheek, to be quite honest. Sort of a joke on [the film] 2001 A Space Odyessy. I think it's quite amusing."
Jimmy Page made the decision to record the album after Robert Plant sustained serious injuries from a car accident on the Greek island of Rhodes on 5 August 1975, which forced the band to cancel a proposed world tour that was due to commence on 23 August.
At this point, Led Zeppelin were arguably at the height of their popularity. When he was taken to a Greek hospital after the accident, Plant recalled: "I was lying there in some pain trying to get cockroaches off the bed and the guy next to me, this drunken soldier, started singing "The Ocean" from Houses of the Holy."
The background used in the cover photograph is of an artificial marina that was installed inside London's Earl's Court Arena for the annual Earl's Court Boat Show that was held in the winter of 1974–75. This was the same venue where the band played a series of concerts a few months after the boat show, in May 1975.
In 1977 Hipgnosis and George Hardie were nominated for a Grammy Award in the category of best album package.
Versions
Filter by
389 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Version Details | Data Quality | |||
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Presence
LP, Album, Stereo, Gatefold
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Swan Song – SSK 59402 | UK | 1976 | UK — 1976 |
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Presence
Cassette, Album
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Swan Song – M5A 8416 | New Zealand | 1976 | New Zealand — 1976 |
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Presence
LP, Album, Stereo, RI - PRC Pressing, Embossed, Gatefold
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Swan Song – SS 8416 | US | 1976 | US — 1976 | ||||
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Presence
Cassette, Album
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Swan Song – SK 459402 | UK | 1976 | UK — 1976 |
New Submission
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Presence = プレゼンス
LP, Album, Gatefold
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Swan Song – P-10160N | Japan | 1976 | Japan — 1976 | ||||
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Presence
LP, Album, Gatefold
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Swan Song – SS 8416 | Canada | 1976 | Canada — 1976 | ||||
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Presence
LP, Album, Stereo, Gatefold
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Swan Song – HSWS 681-05 | Spain | 1976 | Spain — 1976 |
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Presence
LP, Album, Gatefold Sleeve
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Atlantic – WEA 10589 | Colombia | 1976 | Colombia — 1976 |
New Submission
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Presence
Cassette, Album
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Swan Song – CS 8416 | US | 1976 | US — 1976 |
New Submission
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Presence
LP, Album
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Swan Song – SS 59402 | Netherlands | 1976 | Netherlands — 1976 | ||||
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Presence
LP, Album, Gatefold
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Swan Song – 59 402 | 1976 | — 1976 |
Recently Edited
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Presence
LP, Album, Gatefold Sleeve
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Atlantic – ATL 59402 | Yugoslavia | 1976 | Yugoslavia — 1976 |
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Presence
LP, Album, Gatefold
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Swan Song – SS 8416 | Australia | 1976 | Australia — 1976 |
Recently Edited
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Presence
LP, Album
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Swan Song – 3-17-404-050 | Brazil | 1976 | Brazil — 1976 |
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Presence
LP, Album, Stereo, Presswell Pressing, Gatefold
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Swan Song – SS 8416 | US | 1976 | US — 1976 |
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Presence
Cassette, Album, Unofficial Release
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Love (14) – C012L | US | 1976 | US — 1976 |
New Submission
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Presence
LP, Album, Stereo, Gatefold, Sticker
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Swan Song – 0117 | Greece | 1976 | Greece — 1976 |
New Submission
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Presence
Cassette, Album, Dolby system
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Hispavox – CH 810 | Spain | 1976 | Spain — 1976 | ||||
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Presence
LP, Album, Gatefold
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Atlantic – 50.075 | Venezuela | 1976 | Venezuela — 1976 |
New Submission
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Presence
LP, Album
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Swan Song – SS 8416 | New Zealand | 1976 | New Zealand — 1976 |
Recently Edited
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Presence
LP, Album, Stereo, Gatefold
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Swan Song – SS-8416 | Netherlands | 1976 | Netherlands — 1976 |
New Submission
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Presence
LP, Album, Stereo, Gatefold
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Swan Song – SS 8416 | Canada | 1976 | Canada — 1976 |
Recently Edited
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Presence
LP, Album, MO, Monarch Pressing, Gatefold
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Swan Song – SS 8416 | US | 1976 | US — 1976 |
New Submission
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Presence
LP, Album, Gatefold
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Swan Song – 50-14.222 | Argentina | 1976 | Argentina — 1976 |
Recently Edited
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Presence
LP, Album
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Swan Song – WEA-10589 | Colombia | 1976 | Colombia — 1976 |
New Submission
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Presence
Cassette, Album, Pink Cassette, Plastic Slip-case
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Swan Song – SWS CS 8416 0797 | US | 1976 | US — 1976 |
New Submission
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Presence
Cassette, Album, Club Edition
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Swan Song – CS 8416 | US | 1976 | US — 1976 |
New Submission
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Presence
8-Track Cartridge, Album
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Swan Song – W 859402 | Italy | 1976 | Italy — 1976 |
New Submission
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Presence
LP, Album, Stereo, SP, SRC Pressed, Gatefold
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Swan Song – SS 8416 | US | 1976 | US — 1976 |
Recently Edited
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Presence
LP, Album, Gatefold
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Swan Song – 23(7331)00242 | Colombia | 1976 | Colombia — 1976 |
New Submission
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Presence
LP, Album, Club Edition, Stereo, SP
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Swan Song – SS 8416 | US | 1976 | US — 1976 |
New Submission
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Presence
LP, Album, Stereo, SP, SRC Pressing, Gatefold
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Swan Song – SS 8416 | US | 1976 | US — 1976 |
Recently Edited
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Presence
LP, Album, Club Edition, Reissue, Stereo, SP, SRC Pressing
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Swan Song – SS 8416 | US | 1976 | US — 1976 |
New Submission
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Presence
LP, Album, Stereo, Embossed Gatefold, Atlantic Cut
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Swan Song – SSK 59402 | UK | 1976 | UK — 1976 |
Recently Edited
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Presence
Cassette, Album, Club Edition
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Swan Song – CS 8416 | US | 1976 | US — 1976 |
New Submission
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Presence
8-Track Cartridge, Album
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Swan Song – 8SS-8416 | Canada | 1976 | Canada — 1976 |
New Submission
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Presence
Cassette, Album
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Swan Song – W 459402 | Italy | 1976 | Italy — 1976 | ||||
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Presence
LP, Album, Stereo, Gatefold
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Swan Song – SSK 59 402 | 1976 | — 1976 |
New Submission
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Presence
8-Track Cartridge, Album, Pink Shell
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Swan Song – TP 8416 | US | 1976 | US — 1976 |
New Submission
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Presence
8-Track Cartridge, Album, Club Edition, Green shell
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Swan Song – TP 8416 | US | 1976 | US — 1976 |
New Submission
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Recommendations
Reviews
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Have a copy for sale - also have other Chinese knock off of Japanese mini sleeves with the inserts (no obi's tho) - me if interested.
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While most of the album sounds great but the distortion in the inner grooves does get pretty noticeable. Still an underrated gem that every Zeppelin fan needs to hear!
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Listening to this now. Finally picked it up on clearance because it’s the only Led Zeppelin album missing from my collection. It’s 2025 and this is the 2015 version according to the bar codes. How did this copy last at retail for 10 years?!? To my ears it’s absolutely perfect. Dead silent out of the sleeve. No warping. Deep bass. I highly recommend this release.
Played through a custom Lenco L75 idler wheel TT, Dynavector Cart, McIntosh Amp and B&W speakers. -
Edited one month agoAm now hearing this pressing again for the first time in 10 years. WOW, this is MASSIVE! Really organic, really punchy, separation is awesome and very very clear. Just a tiny bit on the treble side, but nothing too bad.
Haven’t hear an original, but this is way better than the most recent pressings and galaxies away from streaming and CD.
no wonder Strawberry was considered one of the absolute best plants.
When I bought this in 2014, I was sure it was an EU original, and the sound quality seemed to confirm it… upon checking it today, was a bit disappointed, but now hearing, I’m SO glad with this 🙌🏼 -
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referencing Presence (CD, Album, Reissue) 7567-90329-2
File Name | Format | SR | Word Length | Max. TPL | LUFSi | DR (PMF) |
01-01 Achilles Last Stand | .aiff | 44.1k | 16 | +0.03 | -15.15 | 13 |
01-02 For Your Life | .aiff | 44.1k | 16 | -0.78 | -16.00 | 13 |
01-03 Royal Orleans | .aiff | 44.1k | 16 | -0.47 | -14.52 | 13 |
01-04 Nobody's Fault But Mine | .aiff | 44.1k | 16 | -2.10 | -16.51 | 12 |
01-05 Candy Store Rock | .aiff | 44.1k | 16 | -1.68 | -17.13 | 14 |
01-06 Hots On For Nowhere | .aiff | 44.1k | 16 | -0.99 | -16.83 | 14 |
01-07 Tea For One | .aiff | 44.1k | 16 | -2.17 | -20.12 | 14 |
Number of EP/Album Files: 7
Official EP/Album DR: 13 -
Edited 2 months ago
referencing Presence (LP, Album, Reissue) SS 8416
Not sure I have the right listing but the runouts match. Cover is glossy and does not have the embossed title. Vinyl sounds very dynamic and quiet. Definitely on the bright side but very punchy. I have the 2015 remaster and also the Classic Reocrds. This one seems more dynamic than both of those. It also does not have the vocal sibilance in Tea for One that the 2015 and Classic have. It must be a well recorded album because all the versions sound fairly close to each other and I think most would be happy with any copy. But can’t beat the dynamics of an original. -
It’s great for just listening to the songs, but not enjoying them. This LP sounds as if there is a noticeable amount of compression and slight lack of clarity compared to the previous albums of Led Zeppelin. Not fantastic, but it can get the job done and scratch the itch.
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Edited 4 months agoI had this on order when by a stroke of luck I found the Classic Records version. I waited until the new remaster arrived and I actually played it first, and was completely blown away from the start by Achilles Last Stand. Just sounded amazing. I compared this album to the Classic, and to be honest the difference is so close that I could take either one depending on the song I’m listening to. Sometimes when comparing I forgot which one I was listening to. The remaster is a little more compressed, but in the case of Achilles it actually makes the track hit harder to me than the Classic. The Classic is a bit sweeter and open sounding, but honestly if you don’t have Presence on vinyl just get this remaster and be done. Seriously. Best of the remasters I’ve heard so far.
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Edited 4 months agoGreat album. Just bought a very nice uk 1st press that came with a 12” folded card stand up monolith. Anyone else have this? I’m presuming it was given away at point of purchase?
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