Elvis PresleyOn Stage (February, 1970)

Genre:

Pop

Style:

Ballad

Year:

Tracklist

See See Rider 2:28
Release Me (And Let Me Love Again) 3:42
Sweet Caroline 2:55
Runaway 3:05
The Wonder Of You 3:11
Polk Salad Annie 4:40
Yesterday 3:15
Proud Mary 3:10
Walk A Mile In My Shoes 3:16
Let It Be Me (Je T'Appartiens) 4:29

Credits (4)

Notes

Recorded "On Stage" at the International Hotel, Las Vegas, Nevada

Versions

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    Cover of On Stage, February 1970, 1970, Vinyl On Stage, February 1970
    LP, Album, Stereo
    RCA Victor – LSP-4362 Spain 1970 Spain1970
    Recently Edited
    Cover of On Stage, February 1970, 1970, Vinyl On Stage, February 1970
    LP, Album, Stereo
    RCA Victor – LSP-4362 1970 1970
    Cover of On Stage - February, 1970, 1970-06-23, Vinyl On Stage - February, 1970
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    RCA Victor – LSP-4362 US 1970 US1970
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    Cover of On Stage-February, 1970, 1970-09-00, Vinyl On Stage-February, 1970
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    RCA – SX-58 Japan 1970 Japan1970
    New Submission
    Cover of On Stage (February, 1970), 1970, Vinyl On Stage (February, 1970)
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    RCA Victor – LSP 4362 1970 1970
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    Cover of On Stage (February, 1970), 1970-06-23, Vinyl On Stage (February, 1970)
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    RCA Victor – LSP-4362 Canada 1970 Canada1970
    New Submission
    Cover of On Stage, 1970, Vinyl On Stage
    LP, Album
    RCA – LPVS-1092 Venezuela 1970 Venezuela1970
    New Submission
    Cover of On Stage February, 1970, 1970, Cassette On Stage February, 1970
    Cassette, Album, Stereo
    RCA – PK 1594 UK 1970 UK1970
    New Submission
    Cover of On Stage - February, 1970, 1970, Vinyl On Stage - February, 1970
    LP, Album
    RCA Victor – LSP-4362 New Zealand 1970 New Zealand1970
    New Submission
    Cover of On Stage - February, 1970, 1970, Vinyl On Stage - February, 1970
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    RCA Victor – LSP-4362 Australia 1970 Australia1970
    New Submission
    Cover of On Stage, 1970, Vinyl On Stage
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    RCA Victor – LSP 4362 UK 1970 UK1970
    New Submission
    Cover of On Stage - February, 1970, 1970, Reel-To-Reel On Stage - February, 1970
    Reel-To-Reel, 3 ¾ ips, 4-Track Stereo, Album
    RCA Victor – TP3-1043 US 1970 US1970
    New Submission
    Cover of On Stage, 1970, Vinyl On Stage
    LP, Album, Stereo
    RCA Victor – 38.217 South Africa 1970 South Africa1970
    New Submission
    Cover of On Stage, 1970, Vinyl On Stage
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    RCA Victor – LSP-4362 Brazil 1970 Brazil1970
    New Submission
    Cover of On Stage, 1970, Vinyl On Stage
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    RCA Victor – LPM-4362 Brazil 1970 Brazil1970
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    Cover of On Stage (February, 1970), 1970-06-23, Vinyl On Stage (February, 1970)
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    RCA Victor – LSP-4362 US 1970 US1970
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    Cover of En Vivo, 1970, Vinyl En Vivo
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    RCA Victor – lpm-4362 Argentina 1970 Argentina1970
    Needs Changes
    Cover of On Stage, 1970, Vinyl On Stage
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    RCA Victor – LPM-4362-X Chile 1970 Chile1970
    New Submission
    Cover of On Stage - February, 1970, 1970-06-23, Vinyl On Stage - February, 1970
    LP, Album, Rockaway Pressing
    RCA Victor – LSP-4362 US 1970 US1970
    New Submission
    Cover of En Vivo, 1970, Vinyl En Vivo
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    RCA Victor – lpm-4362 Uruguay 1970 Uruguay1970
    Cover of On Stage - February, 1970, 1970, Vinyl On Stage - February, 1970
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    RCA Victor – LSP-4362 Canada 1970 Canada1970
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    Cover of On Stage-February, 1970, 1970-09-00, Vinyl On Stage-February, 1970
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    RCA – SX-58 Japan 1970 Japan1970
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    Cover of On Stage, 1970, Vinyl On Stage
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    RCA – LSP 4362 UK 1970 UK1970
    Cover of On Stage - February 1970, 1970, Cassette On Stage - February 1970
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    RCA – PK 1594 Italy 1970 Italy1970
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    Cover of On Stage - February, 1970, 1970-06-23, Vinyl On Stage - February, 1970
    LP, Album, Hollywood Pressing
    RCA Victor – LSP-4362 US 1970 US1970
    Needs Changes
    Cover of On Stage- February, 1970, 1970, Cassette On Stage- February, 1970
    Cassette, Album
    RCA – PK 1594 US 1970 US1970
    New Submission
    Cover of On Stage - February, 1970, 1970, Vinyl On Stage - February, 1970
    LP, Album
    RCA Victor – LSP-4362 US 1970 US1970
    New Submission
    Cover of On Stage - February, 1970, 1970, Vinyl On Stage - February, 1970
    LP, Album
    RCA Victor – SKLG 20039 Greece 1970 Greece1970
    New Submission
    Cover of On Stage: The Wonder Of You, 1970-12-10, Vinyl On Stage: The Wonder Of You
    LP, Album, Stereo, left opening
    Asia Record – THL 7119 South Korea 1970 South Korea1970
    New Submission
    Cover of On Stage - February 1970, 1970, Cassette On Stage - February 1970
    Cassette, Album
    RCA – PK 1594 Italy 1970 Italy1970
    New Submission
    Cover of On Stage- February 1970, 1970, Vinyl On Stage- February 1970
    LP, Album
    RCA Victor – LSP-4362 Italy 1970 Italy1970
    New Submission
    Cover of On Stage - February, 1970, 1970, 8-Track Cartridge On Stage - February, 1970
    8-Track Cartridge, Album
    RCA Victor – P8S-1594 US 1970 US1970
    New Submission
    Cover of On Stage - February, 1970, 1970, Vinyl On Stage - February, 1970
    LP, Album, Stereo, Indianapolis Pressing
    RCA Victor – LSP-4362 US 1970 US1970
    New Submission
    Cover of On Stage (February, 1970), 1970, Vinyl On Stage (February, 1970)
    LP, Album, Stereo
    RCA Victor – LSP 4362 1970 1970
    Recently Edited
    Cover of On Stage - February, 1970, 1970, Vinyl On Stage - February, 1970
    LP, Album, Stereo
    RCA Victor – LSP-4362 Australia 1970 Australia1970
    New Submission
    Cover of On Stage, 1970, Vinyl On Stage
    LP, Album, Stereo
    RCA – LSP-4362 India 1970 India1970
    New Submission
    Cover of On Stage- February, 1970, 1970, Cassette On Stage- February, 1970
    Cassette, Album
    RCA – PK 1594 UK 1970 UK1970
    New Submission
    Cover of On Stage- February 1970, 1970, Vinyl On Stage- February 1970
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    RCA Victor – LSP-4362 Italy 1970 Italy1970
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    Cover of On Stage February, 1970 , 1970, Cassette On Stage February, 1970
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    RCA Victor – 580 Spain 1970 Spain1970
    Recently Edited
    Cover of On Stage (February 1970), 1970, Vinyl On Stage (February 1970)
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    RCA Victor – 37-217 South Africa 1970 South Africa1970
    New Submission

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    Reviews

    • musiclover987's avatar
      musiclover987
      I'm trying to expand my musical palate. I think I like Elvis's voice & personality. However, the orchestration / arrangement of many of the songs on this record have an artificially sweet, saccharine quality that makes me want to vomit. It's like if you go to a used car dealership and a greasy salesman comes out with a big fake smile and shakes your hand enthusiastically - that is how some of these songs feel. I assume this comes from the music industry and does not come from Elvis's blues roots... Anyway, the recording, mastering, pressing all sound decent enough, for anyone asking. Or at least I did not like the music well enough to notice a problem with them.
      • ivestis75's avatar
        ivestis75
        This is one of the very few analogue pressings we’re let it be me is not cut hot. Amazing bass, by the way. Highly recommended. My go-to copy
        • mrhuntington's avatar
          mrhuntington
          Even people who are diehard Elvis fans may take a jaded look at the number of live albums he released in the ‘70s (6 including ‘From Memphis to Vegas’ in 1969) but I really think that ‘On Stage’ from June 1970 is his best. For one thing, there are no ‘50s song medleys which are not my personal favorite parts of any of his live recordings. ‘On Stage’ saw Elvis as a contemporary easy listening crooner - mostly delving into the pop hits of the day and making some of them his own. This would be the pattern for most of his live recordings throughout the rest of his life. ‘On Stage’ is also not burdened with the often maudlin songs that plagued these latter day recordings as well. Elvis was in great shape, upbeat and dynamic - not burnt out and morbidly overweight as he was on ‘Elvis in Concert’. ‘On Stage’ featured the definitive versions of such Elvis live staples as opener “See See Rider”, “Polk Salad Annie” and “Proud Mary”. My personal favorites would be the aforementioned “Annie” and Joe South’s “Walk a Mile in My Shoes” which though probably not intended for Elvis initially, seems to fit the King like a glove as he seemed to completely empathize with the lyric. “Sweet Caroline” and “Release Me” are also pretty sweet and showed Elvis was as comfortable with new songs as well as his favorite country standards. One thing else that I find appealing about ‘On Stage’ is that it is so compact - not one song is wasted which wasn’t always the case on any of the other live records. For the casual Elvis who doesn’t really dig live albums - I would certainly talk this one up. I know y'all haven’t been down south too much…but there’s a plant that grows…that’s all they had to eat….but they did alright…
          • echauhan1's avatar
            echauhan1
            Got this in October 2020, except for a few pops here and there, a 50 yr old LP sounded awesome! Great depth of stage, sounded warm and full with plenty of highs and bass throughout. Vocals, guitars and horns came through perfectly. Never heard a US pressing, but I can't imagine a US dynaflex vinyl doing much better. A great show to listen to, plenty of headroom to crank it up and enjoy!
            • nathanbuyer's avatar
              nathanbuyer
              Not sure it's possible for this to be a 1976 release when the inner liners include photos of Welcome To My World and Moody Blue, both of which did not come out until 1977.
              • KISS-Falco's avatar
                KISS-Falco
                I buy that same Number 2018 in Graceland, the two discs are in orange and looks like the first Vinyl Release 1970.
                • docdcc's avatar
                  docdcc
                  this is new red album 2021. not on dicogs yet
                  • JAMOOL's avatar
                    JAMOOL
                    he looks like he has a toothache in this photo
                    • clemacca777
                      my copy have a "Imp. A.R.E.A.C.E.M. - B-2 Made in " under the "Recorded "On Stage" ..."
                      • beauzee's avatar
                        beauzee
                        .....we know that great versions of Long Tall Sally and Don't Cry, Daddy were not pressed, and these numbers would have enlivened the set as a whole.

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