Styx – The Grand Illusion

https://en.wikipedia.org/wiki/The_Grand_Illusion

As with much of Styx's catalog, many of the songs have quasi-medieval/fantasy lyrics and themes. Some are allegories and commentaries on contemporary American life and the ' experiences in an American rock band in the mid-to-late 1970s, such as Castle Walls, Superstars, Miss America and the title track, The Grand Illusion.[citation needed]

Tommy Shaw wrote the emotionally deep song "Man in the Wilderness" after watching a Kansas performance in Detroit, which they had played as the opening act. He has called it “Epic! Unlike any presentation of rock music I'd ever experienced. To go that big opened up all kinds of ideas in my mind, and the next time I was alone with my acoustic, the song more or less unfolded itself.” The lyrics stem from his experiences of rising to fame with Styx as well as his brother being sent off to fight in the Vietnam War, as a pawn for the strategies of politicians in Washington, D.C.[8]

"Come Sail Away" uses sailing as a metaphor to achieve one's dreams and the yearning to sail away. The lyrics touch on nostalgia of "childhood friends," escapism, and a religious theme symbolized by "a gathering of angels" singing "a song of hope." The ending lyrics explain a transformation from a sailing ship into a starship: "They climbed aboard their starship and headed for the skies," words evoking biblical verses from Ezekiel (1:1-28).[9] However, DeYoung revealed on In the Studio with Redbeard (which devoted an entire episode to the making of The Grand Illusion) that he was depressed when he wrote the track because Styx's first two A&M offerings, Equinox and Crystal Ball, had sold fewer units than expected after the success of the single "Lady". Musically, it combines a plaintive, ballad-like opening section (including piano and synthesizer interludes) with a bombastic, guitar-heavy second half. In the middle of the second half it features a minute-long instrumental break on synthesizer, characteristic of progressive rock, after which the guitar returns with a catchy chorus.

"Fooling Yourself (The Angry Young Man)" was written by Shaw. It was originally based on Shaw's initial perception of DeYoung who was an "angry young man" who viewed the group's successes with a wary eye and grew angry or depressed with every setback. It was only in later years that Shaw began to see himself in the lyrics, and the song took on a more personal meaning to him.[citation needed]. The composition features a number of time signature changes. The intro and outro are performed in 6/8 time, led by Shaw's acoustic guitar tracks and DeYoung's synthesizer melodies. The vocal sections of the song are in 4/4. The instrumental features a synthesizer solo in 7/4 time, before returning to 4/4 for the final chorus. After a brief intro recap, there is a brief break with two measures of 5/8 time, and then a return to the 6/8 meter, with another synthesizer solo, before fading out.

The closing track, "The Grand Finale," combines the themes of the songs on the album.