MC5High Time

Label:

Atlantic – SD 8285

Format:

Vinyl , LP, Album, Stereo , Presswell Pressing

Country:

US

Released:

Genre:

Rock

Style:

Psychedelic Rock

Tracklist

A1 Sister Anne
Bass DrumButch O'Brien
Bass, VocalsMike Davis*
Drums, Tambourine, VocalsDennis Thompson (2)
Flugelhorn, VocalsCharles Moore
Guitar, VocalsWayne Kramer
Guitar, Vocals, Harmonica, OrganFred Smith
PianoPete Kelly (3)
TromboneLarry Horton
TubaDavid Oversteak
Vocals [Freedom Now]Merlene Driscoll
Vocals, Harmonica, MaracasRob Tyner
Written-ByFred Smith
7:15
A2 Baby Won't Ya
Bass, VocalsMike Davis*
Drums, Other [Reen]Dennis Thompson (2)
Guitar, VocalsFred Smith
Guitar, Vocals, PianoWayne Kramer
Vocals, Maracas [Rockas]Rob Tyner
Written-ByFred Smith
5:41
A3 Miss X
Bass, VocalsMike Davis*
Drums, TambourineDennis Thompson (2)
Guitar, Percussion [Sandpaper]Fred Smith
Guitar, Piano, VocalsWayne Kramer
VocalsRob Tyner
Written-ByWayne Kramer
5:07
A4 Gotta Keep Movin'
BassMike Davis*
Drums, Tamborim [Tambors]Dennis Thompson (2)
GuitarWayne Kramer
Performer [Mirachees]Kinki Le Pew
Vocals, HarmonicaRob Tyner
Written-ByDennis Thompson (2)
3:24
B1 Future / Now
BassMike Davis*
Drums, Percussion [Reen], Percussion [Acme Scraper]Dennis Thompson (2)
GuitarWayne Kramer
Performer [Wizzer]Lil' Bobby Wayne Derminer
VocalsRob Tyner
Written-ByRob Tyner
6:18
B2 Poison
Bass, VocalsMike Davis*
GuitarWayne Kramer
Vocals, CastanetsRob Tyner
Written-ByWayne Kramer
3:24
B3 Over And Over
Bass, Other [Ka], VocalsMike Davis*
Drums, TambourineDennis Thompson (2)
Guitar, VocalsWayne Kramer
VocalsRob Tyner
Written-ByFred Smith
5:12
B4 Skunk (Sonicly Speaking)
BassMike Davis*
Drums, PercussionWm. FRD.
GuitarWayne Kramer
Tenor SaxophoneLeon Henderson
TromboneDan Bullock
TrumpetRick Ferretti
Trumpet, Arranged By [Horns]Charles Moore
Vocals, CongasRob Tyner
Written-ByFred Smith
5:25

Companies, etc.

  • Phonographic Copyright ℗Atlantic Recording Corporation
  • Published ByMotor City Music
  • Published ByCotillion Music
  • Manufactured ByAtlantic Recording Corporation
  • Printed ByQueens Litho
  • Recorded AtArtie Fields Studios
  • Recorded AtLansdowne Studios
  • Recorded AtPye Studios
  • Pressed ByPresswell
  • Lacquer Cut AtAtlantic Studios

Credits

  • Art Direction [Art Coordination]Mark Schulman (2)
  • Artwork [Cartoon]Tyner*
  • DesignMC5
  • Design Concept [Album]Frederico Smithelini*
  • Engineer [N. G. Neered By]Geoffrey Haslam
  • Lacquer Cut ByGP*
  • Photography By [Cover]Francis Ing
  • Photography By [Inside Cover]Sigrid Smith
  • Photography By [Live Shot]Stephen Fairchild
  • ProducerMC5

Notes

Gatefold cover

Barcode and Other Identifiers

  • Rights Society: BMI
  • Pressing Plant ID (On labels): PR
  • Pressing Plant ID (Etched in runouts): PR
  • Matrix / Runout (Label A): (ST-A-712213 PR)
  • Matrix / Runout (Label B): (ST-A-712214 PR)
  • Matrix / Runout (Side A runout, hand-etched): ST - A - 712213 B AT/GP PR
  • Matrix / Runout (Side B runout, hand-etched): ST - A - 712214 B AT/GP PR

Other Versions (5 of 57)

View All
Title (Format) Label Cat# Country Year
Recently Edited
High Time (LP, Album, Gatefold) Atlantic 40.223, 40 223, SD 8285 1971
Recently Edited
High Time (LP, Album, Promo, Stereo, PR - Presswell Pressing) Atlantic SD 8285, SD-8285 US 1971
Recently Edited
High Time (LP, Album, Gatefold) Atlantic 40 223, 40223 Greece 1971
Recently Edited
High Time (LP, Album, Stereo) Atlantic 40223, 40 223, N° 40 223 1971
New Submission
High Time (LP, Album, RI Pressing) Atlantic SD 8285 US 1971

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Reviews

  • stevekosak844's avatar
    stevekosak844
    Does anyone know anything about a mc5 high time crc copy? I've got one and can't find it listed thank you
    • Billy_K's avatar
      Billy_K
      I feel like Kevin McCarthy ranting and raving at the end of Invasion of the Body Snatchers. I am convinced there was an error in mastering this LP and it was cut a touch too slow. For years this LP was unfairly dismissed as inferior to KOTJ and BITUSA. Perhaps this was in part because my theory is correct. I could be wrong. I could be right. You be the judge. Whichever way you hear it, it is monumental, MC5 are one the greatest bands the planet Earth has produced to date. Play them in repeat in the direction of Sirius!
      • flipster's avatar
        flipster
        ...third offering from the 5 sees them getting into some hard rocking with explosive missives rolling out all across the land, with the 50s rock'n'roll obsession from the second wax put on hold as they develop a sound more in keeping with the times, sometimes getting busy with their jazz leanings coming to the fore...they come off with a stooges riff more than once but given more flesh than the originals would have had so the years of the stooges ing the mighty 5 have paid off in reverse, they helped the 5 get back on track as some of their live outings were getting tired, they'd been through a lot in the last four years, being the most politically important band in amerikkka at the time they suffered continual pig harassment/record co. getting cold feet, which shows up the liberal hippy ethics as shallow to non-existence...some of this disk is heading in the prog direction though this is jazz prog taken further, all sorts of yanquee musics show up if only in feel, fleeting moments of the fading empire, yes, the 5 still knew how to slip the ongoing revolution into tunes but they were warning of the dangers of too much rhetoric and not enough action, the 5 haven't given up looking for a 'better tomorrow' but they realized plenty cats will sell out and make some bread by selling the revolution 'down the river'...even at this late point in their lifespan the 5 are putting more into making this wax than hardly anyone back in the hard rock early 70s, a time of stoner rock/singer songer/glam, all things the 5 had already done back in the whirlwind riot days-their whole trip was full of words backed up by stoned out jazz boogie, draped in the glamest thing ever, the amerikkkan flag made over into a symbol of freedom instead repression (which annoyed the pig no end, proving the 5 were right)...without any hesitation a cat's got to know this is still the real deal, it stands alongside the other two, all allowing the listener to get the full picture, very much an art movement in their own right, they strove to turn on the masses by any means possible, the evolutionary next step from the merry pranksters bus trip of 1964 and the following years acid tests...this was for real in the heart of riot amerikkka, not in suburban bohemia, this was ken keseys vibe taken and expanded on with black panther consciousness/R&B/rock'n'roll/freejazz and mighty amounts of mind altering chemicals/the earths good herb and some old fashion beer...extremely important wax in its own right this is very much the sound of avant rock taking on the main stream as this could have taken off with the great unwashed and not just the underground, it's easy to see this as sound being accepted by the square teenagers in the early seventies and when they'd deciphered the message they be turned onto the revolution, they'd not get drafted, they'd not work for uncle sams autocracy making 'shoddy cars and cheap guitars'...the history of rock'n'roll is littered with great rocking combos who all contribute a little something to make it all bearable in the face of adversity bought on by a dose of 'society' and none more so than the 5 who took it to the streets and turned on cats planet wide and still to this day inspire all that step within the hallowed boundaries of the grande ballroom of the mynd and groove outer spacesways with in the starship of the MC5...
        • arnie11's avatar
          arnie11
          my copy is SD 8 285 but is not gatefold and can't find a country of origin?
          • bscrawler's avatar
            bscrawler
            Kills me that this is their last album. Talk about going out in style. This is the 5 at their BEST.

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