Tracklist
A | Love Injection | 7:53 | |
B | Gone For The Weekend | 6:05 |
Companies, etc.
- Published By – Cowcatcha
- Published By – Nikki's Dream Publishing
- Phonographic Copyright ℗ – Elektra Records
- Produced For – Philadelphia Music Company, Inc.
- Recorded At – Veritable Studio
- Recorded At – Earmark Recording Studios
- Manufactured By – Elektra/Asylum/Nonesuch Records
- Record Company – Warner Communications Inc.
- Pressed By – Specialty Records Corporation
Notes
℗ 1979 by Elektra Records
B-side: Recorded at Veritable Sound Studios and Earmark Studios
B-side: Recorded at Veritable Sound Studios and Earmark Studios
Barcode and Other Identifiers
- Pressing Plant ID: SRC logo
- Pressing Plant ID: SP
- Rights Society: BMI
- Matrix / Runout (A-Side Label): AS-11435-A
- Matrix / Runout (B-Side Label): AS-11435-B
- Matrix / Runout (A-Side Runout Etching variant 1): SRC ASS 11435 A-SP 1-1
- Matrix / Runout (B-Side Runout Etching variant 1): SRC ASS 11435 B-1SP 1-1
- Matrix / Runout (A-Side Runout Etching variant 2): SRC ASS 11435 A-SP 1-1 (stamped SRC logo)
- Matrix / Runout (B-Side Runout Etching variant 2): SRC ASS 11435 B-1SP 1-2 (stamped SRC logo)
Other Versions (5 of 7)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
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Love Injection (12", 33 ⅓ RPM) | Elektra | AS-11435 | US | 1979 | ||
Love Injection (12", 33 ⅓ RPM, Promo) | Elektra | AS-11435 | US | 1979 | |||
Recently Edited
|
Love Injection (7", 45 RPM) | Elektra | E-46560 | US | 1979 | ||
New Submission
|
Love Injection (7", 45 RPM, Promo) | Elektra | E-46560 | US | 1979 | ||
Recently Edited
|
Love Injection (12", 45 RPM, Single) | Elektra | K 12412 (T), K 22031, AS-11435 | UK | 1980 |
Recommendations
Reviews
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This track is still fresh in my judgment, natural mixing without samples and I will not ever get tired of hearing this track.
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Man I am so tired of hearing this one at parties! There are plenty of better records from this era that barely (if ever) get played. Can we play some of THOSE?
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Edited 18 years agoI recorded these song at Earmark Studios in Philadelphia along with studio owner Steve Bruno and future Epic exec producer John Doelp. We were all excited to work with Fred W.
There was both an 12-inch as well as a 7-inch version, I mixed the 7-inch. It was a fun track to record and mix and I was really psyched to hear it on the radio while driving from philly to NYC, probaly on 92 wktu or somethign like that. I was disappointed with the mastering that seemed to affect certain Elektra product at that time - the amount of d-essing on the 7-inch is pretty horrendous.
Earmark was a very basic studio by modern times. We had a 3M M-79 tape machine, an MCI JH-16 console, two studer B-67 two-track recorders, two keypex Gain Brain dynamics processors and a spring reverb.
no sampling was available at the time, the only digital device was an eventide harmonizer.
Release
See all versions
Recently Edited
Recently Edited
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