Bob DylanHighway 61 Revisited

Label:

Legacy Vinyl – 88875146301

Format:

Vinyl , LP, Album, Reissue, Mono , 180 Gram

Country:

Europe

Released:

Genre:

Rock

Style:

Blues Rock

Tracklist

A1 Like A Rolling Stone
ProducerTom Wilson (2)
5:59
A2 Tombstone Blues 5:53
A3 It Takes A Lot To Laugh, It Takes A Train To Cry 3:25
A4 From A Buick 6 3:06
A5 Ballad Of A Thin Man 5:48
B1 Queen Jane Approximately 4:57
B2 Highway 61 Revisited 3:15
B3 Just Like Tom Thumb's Blues 5:08
B4 Desolation Row 11:18

Companies, etc.

  • Copyright ©Columbia Records
  • Distributed BySony Music Entertainment
  • Published ByM. Witmark & Sons
  • Lacquer Cut AtSterling Sound
  • Pressed ByRecord Industry – 88019

Credits

  • BassRuss Savakus
  • DrumsBobby Gregg
  • GuitarMichael Bloomfield*
  • Guitar, Harmonica, Piano, Other [Police Car]Bob Dylan
  • Lacquer Cut ByRKS*
  • Liner NotesBob Dylan
  • Organ, PianoAlan Kooper*
  • Photography By [Cover Photo]Daniel Kramer (2)
  • PianoFrank Owens
  • Piano, OrganPaul Griffin
  • ProducerBob Johnston (tracks: A2 to A5, B1 to B4)
  • Written-ByBob Dylan

Notes

[Cover]
Originally released 1965. All rights reserved by Columbia Records, a division of Sony Music Entertainment.
© 1965, 2015 Columbia Records, a division of Sony Music Entertainment.
/ Distributed by Sony Music Entertainment. / All trademarks and logos are protected.
/ Made in the EU. / Sony Music Entertainment International Services GmbH, PO Box 510, 33311 Gütersloh, . / LC 00162 / 88875146301

® "COLUMBIA", [Columbia logo] MARCAS REG.

[Label]
Originally released 1965. All rights reserved by Columbia Records, a division of Sony Music Entertainment.
© 1965, 2015 Columbia Records, a division of Sony Music Entertainment.
/ All rights reserved. / Made in the EU. / BIEM/GEMA / LC 00162 / 88875146301

Runout details:
Everything is hand-etched except stamped "88019 1A MOVLP244 STERLING" on side A, and "88019 1B MOVLP244 STERLING" on side B.

Barcode and Other Identifiers

  • Barcode (Text): 8 88751 46301 1
  • Barcode (EAN): 888751463011
  • Rights Society: BIEM/GEMA
  • Label Code: LC 00162
  • Matrix / Runout (Label side A): XLP 110638
  • Matrix / Runout (Label side B): XLP 110639
  • Matrix / Runout (Variant 1: Side A runout): 88697761051-LP 6-A 88019 1A MOVLP244 STERLING RKS B
  • Matrix / Runout (Variant 1: Side B runout): 88697761051-LP6-B 88019 1B MOVLP244 STERLING RKS B
  • Matrix / Runout (Variant 2: Side A runout): 88697761051-LP 6-A 88019 1A MOVLP244 STERLING RKS C
  • Matrix / Runout (Variant 2: Side B runout): 88697761051-LP 6-B 88019 1B MOVLP244 STERLING RKS C

Other Versions (5 of 403)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Highway 61 Revisited (LP, Album, Stereo) CBS SBPG 62572, 62572 UK 1965
Highway 61 Revisited (LP, Album, Mono, Gatefold Sleeve) CBS 62572 1965
Recently Edited
Highway 61 Revisited (LP, Album, Mono) CBS BPG 62572 UK 1965
New Submission
Highway 61 Revisited (LP, Album, Mono, DG) Columbia CL 2389 Canada 1965
Highway 61 Revisited (LP, Album, Stereo, Alternate Take Of "From A Buick 6") Columbia CS 9189 US 1965

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Reviews

  • RealestRam's avatar
    RealestRam
    Some surface noise and a little harsh treble but still very great
    • AcemanSmith's avatar
      AcemanSmith
      File me under underwhelmed by the sound on this pressing. Rather thin, and heavy on the treble.
      • JennyTaylia451's avatar
        JennyTaylia451
        I have nothing to compare it to, but even despite not being much of a mono guy, this sounds absolutely fantastic to me. I can't say I understand the negative reception at all. I'm also using a stereo cartridge and not using any other tricks to play it in genuine mono yet it sounds perfect. Maybe I'm just easily impressed thanks to my new system but I couldn't be happier with this one.
        • jmosch's avatar
          jmosch
          I was very disappointed with the sound on this. Thin, bright, and etchy. Really surprised because I like so much of RK Smith's work. The Dylan bootleg series that he mastered sounds great for example.
          I'm going to track down a Sundazed mono, I'm sure it will be better.
          • A.Paraskinnen's avatar
            A.Paraskinnen
            I have bought recently my copy brand new for a peanuts in a strange Amazon sale! The sound it's good but I forget to change to a Mono setting! I'll play it again trying to hear the difference.
            In any case I realize the wealth is not at all 180 grams! I have weight my copy and it's only 143 grams. Anyone realized the same?
            • inhiliator5000's avatar
              inhiliator5000
              Just picked up this copy of H61R.
              I am very impressed with the mono pressing. Supposedly an "AAA" all analogue recording.
              Just a word to people who are playing mono records on their stereo turntable, just make sure that either you have:
              a) mono button on your stereo receiver
              b) use the double "Y" cable method to sum up the R+L channels
              c) or have a mono stylus/cartridge.

              It'll sound a thousand times better!
              • Scrade's avatar
                Scrade
                Got this for cheap, and the sound was mostly worth it. The end of Side A sounds very thin, however the rest of the album sounds like it should
                • pointasch's avatar
                  pointasch
                  I wonder how many here did listen to this with a mono cartridge. I did and to me this sound really good, solid bass, no harsh treble, Disk is flat, perfect pressing.
                  • hayenm's avatar
                    hayenm
                    Can't agree with most reviews here. Music sounds a little flat to me. The treble is a bit to harsh, bass is on the low side. Dynamics seem very narrow. Or maybe I'm just not a mono type of guy.
                    • carterwrombouts's avatar
                      carterwrombouts
                      i was really looking forward to listening to this after reading reviews for it. unfortunately i did not enjoy this pressing. the vinyl itself was dead quiet and very heavy, but the mastering was just disappointing. i know it is a very busy record with lots going on in some songs, but there was distortion on nearly every track. everything just felt jumbled together, bobs voice was distant. desolation row was an especially unpleasant listening experience.

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