Tracklist
| A1 | QED | 0:36 | |
| A2 | Salt Mine | 1:09 | |
| A3 | Corners | 0:53 | |
| A4 | Dataclast | 0:52 | |
| A5 | Blight Of Element | 0:53 | |
| A6 | Talon Of Dominion | 0:53 | |
| A7 | Unrequited Blood | 1:15 | |
| A8 | Wartorn | 1:43 | |
| B1 | Sum And Substance | 0:48 | |
| B2 | Riven | 0:57 | |
| B3 | Reversing Denial | 0:55 | |
| B4 | Lithographs | 0:57 | |
| B5 | Intravenous | 0:51 | |
| B6 | A Monument To Failure | 0:59 | |
| B7 | In Absence | 1:31 |
Companies, etc.
- Distributed By – MCR Company
- Lacquer Cut At – Fullersound
- Mastered At – Fullersound
- Recorded At – Morrisound Studios
- Recorded At – Nordic Helmet Studios
- Mixed At – Morrisound Studios
- Mastered At – Greg Lee Processing – L-47971
Credits
- Artwork – Brandon Dunlap
- Bass – Steve Kosiba
- Drums – Rob Proctor
- Guitar, Vocals – Steve Heritage
- Layout [Layout Help] – Var Thelin
- Photography By – Ruby Yocum
- Producer, Engineer, Mixed By – Scott Burns
Notes
Recorded November 1996 at Morrisound. Additional recording at Nordic Helmet.
Includes double-sided 11" x 11" insert with lyrics.
Includes double-sided 11" x 11" insert with lyrics.
Barcode and Other Identifiers
- Matrix / Runout (Side A): ASSUCK "MISERY INDEX" - A FULLERSOUND L-47971
- Matrix / Runout (Side B): ASSUCK "MISERY INDEX" - B FULLERSOUND L-47971-X
Other Versions (5 of 9)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Misery Index (CD, Album) | Sound Pollution Records | POLLUTE:034 | US | 1997 | ||
| Misery Index (LP, 45 RPM, Album, Green) | Sound Pollution Records | POLLUTE:034 | US | 1997 | |||
|
New Submission
|
Misery Index (LP, 45 RPM, Album, Test Pressing) | Sound Pollution Records | POLLUTE:034 | US | 1997 | ||
|
New Submission
|
Misery Index (CD, Album) | Sound Pollution Records | POLLUTE 34 | US | 1997 | ||
|
New Submission
|
Misery Index (CD, Album, Reissue) | Sound Pollution Records | POLLUTE 34 | US | 1999 |
Recommendations
Reviews
-
Misery Index is often regarded as the very best Grindcore album, for good reason. Assück reaches the end of their career with a true knockout record. Continuing the nature of their lyrical themes on anti-nationalism and anti-capitalism, tracks like Wartorn embody their image as a whole. It’s a tragedy that to this day (2024) there is no hope of any reissues happening again. If you count what happened in 2016 as a true ‘reissue’ but I don’t. Get this album, before it is completely unattainable. -
Release
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Recently Edited
Recently Edited
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