Lustmørd* – Lustmørdekay (Live Evil)
Label: |
Sterile Records – SRC6 |
|---|---|
Format: |
Cassette
, C60
|
Country: |
UK |
Released: |
|
Genre: |
Electronic |
Style: |
Industrial |
Tracklist
| A1 | Eugène Gigout– | Toccata h-moll/b-minor | 2:54 |
| A2 | Lustmørd*– | Slabstone | 6:37 |
| A3 | Lustmørd*– | Untitled | 5:54 |
| A4 | Lustmørd*– | Untitled | 7:00 |
| A5 | Lustmørd*– | Ovenblast | 5:22 |
| A6 | Lustmørd*– | Untitled | 2:01 |
| B1 | Lustmørd*– | Untitled | 16:11 |
| B2.1 | Lustmørd*– | Murderwreker | 5:55 |
| B2.2 | Ronnie Hilton– | Windmill In Old Amsterdam (I Saw A Mouse) | 2:32 |
Credits
- Photography By [Photo] – A.Hickinbotham*
Notes
C60 alive assaults/studio
'who's been sleeping in my head...'
k+p 1982 LUSTMØRD
No track titles available on the cassette, neither recording dates or locations.
A5 (”Ovenblast”) later appeared on A Document Of Early Acoustic & Tactical Experimentation (Dark Vinyl Records, DV04, 1991) and Things That Were (Vinyl-on-demand, VOD117, 2013).
B1 is a truncated and edited version of a live performance that appear in a longer version under the title ”Live 2-5-1982” on Things That Were (Vinyl-on-demand, VOD117, 2013). The content of B1 can be sub-divided into five sections:
1.”Slabstone”.
2.Short extract of ”I’ll Never Say Never To Always” from the album Lie by Charles Manson.
3.”At Thee Mountains Of Madness” aka ”A.T.M.O.M.”
4.Short extract of a female voice speaking, unknown source.
5.”Headplate” & ”Amok”. This section starts with ”Headplate”, which gradually transforms into ”Amok”. The latter work (”Amok”) exist in a longer version on Document Of Early Acoustic & Tactical Experimentation (Dark Vinyl Records, DV04, 1991).
B2.1 is known as ”Murderwreker” and ”Murderwrecker”
'who's been sleeping in my head...'
k+p 1982 LUSTMØRD
No track titles available on the cassette, neither recording dates or locations.
A5 (”Ovenblast”) later appeared on A Document Of Early Acoustic & Tactical Experimentation (Dark Vinyl Records, DV04, 1991) and Things That Were (Vinyl-on-demand, VOD117, 2013).
B1 is a truncated and edited version of a live performance that appear in a longer version under the title ”Live 2-5-1982” on Things That Were (Vinyl-on-demand, VOD117, 2013). The content of B1 can be sub-divided into five sections:
1.”Slabstone”.
2.Short extract of ”I’ll Never Say Never To Always” from the album Lie by Charles Manson.
3.”At Thee Mountains Of Madness” aka ”A.T.M.O.M.”
4.Short extract of a female voice speaking, unknown source.
5.”Headplate” & ”Amok”. This section starts with ”Headplate”, which gradually transforms into ”Amok”. The latter work (”Amok”) exist in a longer version on Document Of Early Acoustic & Tactical Experimentation (Dark Vinyl Records, DV04, 1991).
B2.1 is known as ”Murderwreker” and ”Murderwrecker”
Recommendations
Reviews
-
This is an incredible document of early industrial music. It's a great mix of hypnotic tribal percussion, electronic experimentations, and mischievous vocal samples. All couched in a mist of early 80s tape hiss...or is that a leaking steam pipe in the warehouse basement studio? It's very successful -in my opinion- at creating an evocative sonic experience. But as we have seen in future releases like Paradise Disowned, and Heresy, Williams is good at that. Reminds me a bit of Gerechtigkeits Liga, and early Current 93. Some of my favorite Lustmord material.
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