Peter Gabriel – Up

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Label:	Virgin – 7243 813062 08
Format:	CD , Album, Enhanced
Country:	Europe
Released:	Sep 23, 2002
Genre:	Rock
Style:	Synth-pop

Tracklist

1	Darkness Arranged By [String Arrangement] – Will Gregory Bass – Tony Levin Cello [The London Session Orchestra] – Martin Loveday Contractor [The London Session Orchestra] – Isobel Griffiths Double Bass [The London Session Orchestra] – Mary Scully Drums – Manu Katche* Guitar [Guitars] – David Rhodes Orchestrated By [Orchestration] – Nick Ingham* Percussion – Richard Chappell Piano [Bosendorfer], Electronics [Mutator], Keyboards [Keys], Sampler [JamMan], Sampler [MPC Groove] – Peter Gabriel Programmed By [Additional Programming] – Alex Swift Programmed By [Programming] – Richard Chappell Recorded By [The London Session Orchestra] – Steve Orchard Strings – The London Session Orchestra Viola [The London Session Orchestra] – Roger Chase Violin [The London Session Orchestra] – Rebecca Hirsh* Arranged By [String Arrangement] – Will Gregory Bass – Tony Levin Cello [The London Session Orchestra] – Martin Loveday Contractor [The London Session Orchestra] – Isobel Griffiths Double Bass [The London Session Orchestra] – Mary Scully Drums – Manu Katche* Guitar [Guitars] – David Rhodes Orchestrated By [Orchestration] – Nick Ingham* Percussion – Richard Chappell Piano [Bosendorfer], Electronics [Mutator], Keyboards [Keys], Sampler [JamMan], Sampler [MPC Groove] – Peter Gabriel Programmed By [Additional Programming] – Alex Swift Programmed By [Programming] – Richard Chappell Recorded By [The London Session Orchestra] – Steve Orchard Strings – The London Session Orchestra Viola [The London Session Orchestra] – Roger Chase Violin [The London Session Orchestra] – Rebecca Hirsh*	6:51
2	Growing Up Backing Vocals – David Rhodes Drums – Manu Katche* Guitar [Guitars] – David Rhodes Organ, Sampler [Sample Keys], Keyboards [Bass Keys], Sampler [JamMan], Sampler [MPC Groove] – Peter Gabriel Percussion – Ged Lynch Producer [Additional Production By] – Steve Osborne Programmed By [Additional Programming] – Pete Davis Programmed By [Programming] – Richard Chappell Tape [Tape Scratching] – Tchad Blake Backing Vocals – David Rhodes Drums – Manu Katche* Guitar [Guitars] – David Rhodes Organ, Sampler [Sample Keys], Keyboards [Bass Keys], Sampler [JamMan], Sampler [MPC Groove] – Peter Gabriel Percussion – Ged Lynch Producer [Additional Production By] – Steve Osborne Programmed By [Additional Programming] – Pete Davis Programmed By [Programming] – Richard Chappell Tape [Tape Scratching] – Tchad Blake	7:33
3	Sky Blue Backing Vocals – Melanie Gabriel Backing Vocals [The Blind Boys Of Alabama] – Joey Williams Bass – Tony Levin Drums – Manu Katche* Engineer [Samples Engineered By] – David Bottrill Guitar – Peter Green (2) Keyboards [Firefly Keys], Piano [Bosendorfer], Electronics [Bass Pulse], Sampler [MPC Groove] – Peter Gabriel Organ [Hammond] – David Sancious Percussion – Ged Lynch Programmed By [Additional Programming] – Alex Swift Programmed By [Programming] – Richard Chappell Recorded By [Five Blind Boys Of Alabama, Assisted By] – Yang (3) Recorded By [Five Blind Boys Of Alabama] – Derek Zuzarte Vocals [Additional Vocals] – The Blind Boys Of Alabama Written-By [Samples Taken From Original Track By] – Daniel Lanois Backing Vocals – Melanie Gabriel Backing Vocals [The Blind Boys Of Alabama] – Joey Williams Bass – Tony Levin Drums – Manu Katche* Engineer [Samples Engineered By] – David Bottrill Guitar – Peter Green (2) Keyboards [Firefly Keys], Piano [Bosendorfer], Electronics [Bass Pulse], Sampler [MPC Groove] – Peter Gabriel Organ [Hammond] – David Sancious Percussion – Ged Lynch Programmed By [Additional Programming] – Alex Swift Programmed By [Programming] – Richard Chappell Recorded By [Five Blind Boys Of Alabama, Assisted By] – Yang (3) Recorded By [Five Blind Boys Of Alabama] – Derek Zuzarte Vocals [Additional Vocals] – The Blind Boys Of Alabama Written-By [Samples Taken From Original Track By] – Daniel Lanois	6:37
4	No Way Out Bass – Tony Levin Double Bass – Danny Thompson Drum Programming [Supercollider] – Chris Hughes Drums – Steve Gadd Guitar [Guitars] – David Rhodes Percussion – Ged Lynch Piano [Middle Section Backwards Piano] – Mitchell Froome* Piano, Sampler [Sample Keys], Harmonium, Tom Tom [Tom Toms], Crotales, Sampler [JamMan], Bass [Arpeggiated Bass], Guitar [Telecaster], Sampler [MPC Groove] – Peter Gabriel Programmed By [Programming] – Richard Chappell Recorder [Recorders] – Richard Evans (3) Tabla [Tablas] – Hossam Ramzy Bass – Tony Levin Double Bass – Danny Thompson Drum Programming [Supercollider] – Chris Hughes Drums – Steve Gadd Guitar [Guitars] – David Rhodes Percussion – Ged Lynch Piano [Middle Section Backwards Piano] – Mitchell Froome* Piano, Sampler [Sample Keys], Harmonium, Tom Tom [Tom Toms], Crotales, Sampler [JamMan], Bass [Arpeggiated Bass], Guitar [Telecaster], Sampler [MPC Groove] – Peter Gabriel Programmed By [Programming] – Richard Chappell Recorder [Recorders] – Richard Evans (3) Tabla [Tablas] – Hossam Ramzy	7:53
5	I Grieve Acoustic Guitar – Richard Evans (3) Bass – Tony Levin Drums – Manu Katche* Electric Guitar – David Rhodes Mixed By – Stephen Hague Percussion – Will White Producer [Produced By] – Stephen Hague Programmed By [Programming] – Richard Chappell Programmed By [Spectre Programming] – Chuck Norman Sampler [Samples], Keyboards [Keys], Keyboards [Bass Keys] – Peter Gabriel Strings [Bridge Strings] – Chuck Norman Violin [Double Violin (Improvised)] – Shankar Acoustic Guitar – Richard Evans (3) Bass – Tony Levin Drums – Manu Katche* Electric Guitar – David Rhodes Mixed By – Stephen Hague Percussion – Will White Producer [Produced By] – Stephen Hague Programmed By [Programming] – Richard Chappell Programmed By [Spectre Programming] – Chuck Norman Sampler [Samples], Keyboards [Keys], Keyboards [Bass Keys] – Peter Gabriel Strings [Bridge Strings] – Chuck Norman Violin [Double Violin (Improvised)] – Shankar	7:24
6	The Barry Williams Show Backing Vocals – Sally Larkin Bass – Tony Levin Drums – Manu Katche* Guitar – David Rhodes Guitar [Backwards Guitar] – Tony Berg Loops [Treated Loop] – Richard Chappell Percussion – Ged Lynch Performer [Groove Treatment] – Tchad Blake Programmed By [Programming] – Richard Chappell Strings [Reverse Strings], Mellotron, Organ, Keyboards [Bass Keys], Harmonica, Guitar [Chorus Telecaster], Sampler [String Samples], Sampler [MPC Groove] – Peter Gabriel Trumpet – Christian Le Chevretel* Backing Vocals – Sally Larkin Bass – Tony Levin Drums – Manu Katche* Guitar – David Rhodes Guitar [Backwards Guitar] – Tony Berg Loops [Treated Loop] – Richard Chappell Percussion – Ged Lynch Performer [Groove Treatment] – Tchad Blake Programmed By [Programming] – Richard Chappell Strings [Reverse Strings], Mellotron, Organ, Keyboards [Bass Keys], Harmonica, Guitar [Chorus Telecaster], Sampler [String Samples], Sampler [MPC Groove] – Peter Gabriel Trumpet – Christian Le Chevretel*	7:16
7	My Head Sounds Like That Arranged By [Brass Arrangement] – Peter Gabriel Bass – Tony Levin Brass – The Black Dyke Band* Drums – Manu Katche* Guitar [Guitars] – David Rhodes Loops [Loop Manipulation] – Richard Chappell Percussion – Hossam Ramzy Piano, Mellotron – Peter Gabriel Programmed By [Programming] – Richard Chappell Recorded By [The Black Dyke Band] – Steve McLaughlin* Arranged By [Brass Arrangement] – Peter Gabriel Bass – Tony Levin Brass – The Black Dyke Band* Drums – Manu Katche* Guitar [Guitars] – David Rhodes Loops [Loop Manipulation] – Richard Chappell Percussion – Hossam Ramzy Piano, Mellotron – Peter Gabriel Programmed By [Programming] – Richard Chappell Recorded By [The Black Dyke Band] – Steve McLaughlin*	6:29
8	More Than This Backing Vocals – The Blind Boys Of Alabama Backing Vocals [The Blind Boys Of Alabama] – Joey Williams Bass – Tony Levin Drums – Ged Lynch Guitar – David Rhodes Mandolin, Chamberlin [Chamberlain] – John Brion* Organ, Guitar [Sampled Guitar], Piano, Synthesizer [Wonky Nord], Electronics [Mutator], Sampler [MPC Groove] – Peter Gabriel Percussion – Ged Lynch Programmed By [Programming] – Richard Chappell Recorded By [Five Blind Boys Of Alabama, Assisted By] – Yang (3) Recorded By [Five Blind Boys Of Alabama] – Derek Zuzarte Backing Vocals – The Blind Boys Of Alabama Backing Vocals [The Blind Boys Of Alabama] – Joey Williams Bass – Tony Levin Drums – Ged Lynch Guitar – David Rhodes Mandolin, Chamberlin [Chamberlain] – John Brion* Organ, Guitar [Sampled Guitar], Piano, Synthesizer [Wonky Nord], Electronics [Mutator], Sampler [MPC Groove] – Peter Gabriel Percussion – Ged Lynch Programmed By [Programming] – Richard Chappell Recorded By [Five Blind Boys Of Alabama, Assisted By] – Yang (3) Recorded By [Five Blind Boys Of Alabama] – Derek Zuzarte	6:02
9	Signal To Noise Arranged By [String Arrangement] – Will Gregory Backing Vocals – David Rhodes Cello [The London Session Orchestra] – Martin Loveday Contractor [The London Session Orchestra] – Isobel Griffiths Dhol [Dhol Drums] – The Dhol Foundation Dhol [Master Drummer, The Dhol Foundation] – Johnny Kalsi Dhol [The Dhol Foundation] – Yash Puri Double Bass [The London Session Orchestra] – Mary Scully Drums – Steve Gadd Guitar [Guitars] – David Rhodes Orchestrated By [Orchestration] – NIck Ingham* Percussion – Steve Gadd Programmed By [Programming] – Richard Chappell Recorded By [The London Session Orchestra] – Steve Orchard Sampler [Oxford Backward Samples], Mellotron, Effects [SansAmp], Sampler [MPC Groove], Keyboards [Bass Keys] – Peter Gabriel Strings – The London Session Orchestra Viola [The London Session Orchestra] – Roger Chase Violin [The London Session Orchestra] – Rebecca Hirsh* Vocals [Additional Vocals] – Nusrat Fateh Ali Khan Arranged By [String Arrangement] – Will Gregory Backing Vocals – David Rhodes Cello [The London Session Orchestra] – Martin Loveday Contractor [The London Session Orchestra] – Isobel Griffiths Dhol [Dhol Drums] – The Dhol Foundation Dhol [Master Drummer, The Dhol Foundation] – Johnny Kalsi Dhol [The Dhol Foundation] – Yash Puri Double Bass [The London Session Orchestra] – Mary Scully Drums – Steve Gadd Guitar [Guitars] – David Rhodes Orchestrated By [Orchestration] – NIck Ingham* Percussion – Steve Gadd Programmed By [Programming] – Richard Chappell Recorded By [The London Session Orchestra] – Steve Orchard Sampler [Oxford Backward Samples], Mellotron, Effects [SansAmp], Sampler [MPC Groove], Keyboards [Bass Keys] – Peter Gabriel Strings – The London Session Orchestra Viola [The London Session Orchestra] – Roger Chase Violin [The London Session Orchestra] – Rebecca Hirsh* Vocals [Additional Vocals] – Nusrat Fateh Ali Khan	7:36
10	The Drop Mixed By – Richard Chappell Piano [Bosendorfer] – Peter Gabriel Programmed By [Programming] – Richard Chappell	3:03

Companies, etc.

Phonographic Copyright ℗ – Peter Gabriel Ltd.
Copyright © – Peter Gabriel Ltd.
Licensed To – Virgin Records Ltd.
Published By – Real World Music Ltd.
Copyright © – Arno Rafael Minkkinen
Copyright © – M. Richard Kirstel
Copyright © – Shomei Tomatsu
Copyright © – Mari Mahr
Copyright © – Paul Thorel
Copyright © – Granular=Synthesis
Copyright © – Kurt Hentschlager
Copyright © – Ulf Langheinrich
Copyright © – Susan Derges
Copyright © – Michal Rovner
Copyright © – Adam Fuss
Recorded At – Real World Studios
Recorded At – Air Lyndhurst Hall
Recorded At – Hype Studios, Singapore
Engineered At – Air Lyndhurst Hall
Engineered At – Hype Studios, Singapore
Mixed At – Real World Studios
Mastered At – Metropolis Mastering
Glass Mastered At – Europa Magnetics Corporation Limited – C0209023
Pressed By – Europa Magnetics Corporation Limited – C0209023

Credits

Coordinator [Co-ordination, Planning & General Advice] – Michael Thomas (10)
Crew [Assistant To Peter Gabriel] – Annie Parsons
Design – Real World Design
Design Concept – Peter Gabriel
Design [Design Co-ordination] – Susie Millns
Engineer [Additional Engineering] – Richard Evans (3)
Engineer [Assistant] – Edel Griffith
Engineer [Co-engineering On Band Recording Session] – Ben Findlay
Graphic Design – Marc Bessant
Mastered By – Tony Cousins
Mixed By – Tchad Blake (tracks: 1 to 4, 6 to 9)
Mixed By [Additional Mix Assistance] – Paul Grady
Mixed By [Mix Assistant] – Claire Lewis
Photography By – Susan Derges
Photography By [Sleeve Photography] – Susan Derges
Producer [Produced By] – Peter Gabriel (tracks: 1, 3, 4, 6 to 10)
Recorded By, Engineer [Engineered By] – Richard Chappell
Research [Photography Research], Coordinator [Photography Co-ordination] – Dilly Gent
Words By, Music By – Peter Gabriel

Notes

Released in clear jewel case with 2 sided back tray and 24 page booklet containing credits and photos.
On front of the jewelcase is a clear sticker with red letters is applied to the front:
"Peter Gabriel >>> UP"

[Back]
Made in the EU

[Back, Back & CD]
℗ ©1992 Peter Gabriel Ltd
The copyright in this recording is owned by Peter Gabriel Ltd and licensed exclusively to Virgin Records Ltd.

[Booklet]
Photography:
'Prague' © Arno Rafael Minkkinen
'Waterbabies' © M. Richard Kirstel
'Hateruma Island' courtesy of Tepper Takayama Fine Arts © Shomei Tomatsu
'A Few Days In Geneva' © Mari Mahr
'Melted Beer Bottle After The Atomic Explosion, 1945, Nagasaki' courtesy of Tepper Takayama Fine Arts © Shomei Tomatsu
'Regardez Madame! L'Escargot Vola' © Paul Thorel
'Modell 5' A performance by Granular Synthesis featuring Akemi Takeya © Granular Synthesis, Kurt Hentschlager and Ulf Langheinrich
'Hermetica' © Susan Derges
'Falling In The Field' © Michal Rovner
'Untitled' © Adam Fuss

Published by Real World Music Ltd

Recorded and mixed at Real World Studios, Box, England
Additional recording on the Meduse and Real World Mobile Recorder in Senegal and

Mastered at Metropolis

Additional recording and engineering >
The London Session Orchestra at Air Lyndhurst, England
The Blind Boys Of Alabama at Hype Studios, Singapore
The Black Dyke Band at Air Lyndhurst, England

Special thanks > Kirsty Alien, Jeff McMillen and the Meduse Crew, Tony Berg, Chris Hughes, Markus Dravs, Steve Bush, Steve Brown, Ken and Nancy Berry, Paul Wiffen, John Fredericks and my little cousin Stephen Paine, Bob Hunt and all at emagic, Jeff Allison at Kurzweil, Gwen Alexander at Korg, Greg Westal at line 6,

Front cover 'The Observer And The Observed : Peter' / Back inlay 'Catching The Light' / Reverse of booklet 'Liquid Form' © Peter Gabriel Ltd / Susan Derges

This is a Real World Production

Manufactured in the EU

[CD]
Made in the EU.

Hint:
Enhanced part of the disc contains song lyrics and weblinks to petergabriel.com

Barcode and Other Identifiers

Barcode (Text): 7 24381 30620 8
Barcode (String): 724381306208
Label Code: LC 03098
Price Code: PM538
Rights Society: bel BIEM
Matrix / Runout (Variants 1 to 8): 8130620 C0209023/01
Mastering SID Code (Variants 1 to 8): IFPI LM51
Mould SID Code (Variant 1): IFPI M9CC
Mould SID Code (Variant 2): IFPI M9EM
Mould SID Code (Variant 3): IFPI M9EC
Mould SID Code (Variant 4): IFPI 9MEM
Mould SID Code (Variant 5): IFPI M9HH
Mould SID Code (Variant 6): IFPI 9MEL
Mould SID Code (Variant 7): IFPI M9EB
Mould SID Code (Variant 8): IFPI M9EL

Other Versions (5 of 58)

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	Title (Format)	Label	Cat#	Country	Year
Recently Edited	Up (CD, Album, Enhanced)	Geffen Records	0694933882	US	2002
Recently Edited	Up (2×LP, Album, Quiex SV-P Gatefold, 7", Single)	Classic Records	PGDLP11, 7243 813062 15	US	2002
Recently Edited	Up (CD, Promo, Copy Protected, Album, Digipak)	Virgin	PGCDJ11, INTF-10790-2	UK & Europe	2002
Recently Edited	Up (2×LP, Album, Stereo, Quiex SV Gatefold)	Virgin	PGDLP11, 7243 8 13062 15	US	2002
Recently Edited	Up (CD, Album, Enhanced)	Geffen Records	0694933882	Canada	2002

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Reviews

MB-Daniel Feb 3, 2020
south africa version missing e r y u i
LeonardoA Jan 4, 2017
Singer Peter Gabriel was with his then band Genesis during the first half of 1970s one of the inventors of progressive rock. After his departure in 1976 he transformed from a highly theatrical rock star to a more introverted cult hero, who with his first record to reach the general public knew hardly more. That changed with the album So (1986) and the singles "Sledgehammer" and Don't Give Up (with Kate Bush). Peter Gabriel knew now also as a solo artist to reach the top of the charts, without having any significant artistic concessions. G main asset is undoubtedly his characteristic hoarse voice, which belongs to the fraaisten in pop music. In addition he has an unmatched work ethic, making each new problem on all sides is correct. To the successor of the gloomy Us (1992) has worked for more than ten years. Up comes thereby initially what forced about but the haunting mix of rock and electronics know after some spins, partly due to the beautiful, melodic vocal lines, finally made it to convince.

Peter Gabriel – Up

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