Pink Floyd – The Wall
Tracklist
| A1 | In The Flesh? | 3:18 | |
| A2 | The Thin Ice | 2:30 | |
| A3 | Another Brick In The Wall | 3:42 | |
| A4 | The Happiest Days Of Our Lives | 1:21 | |
| A5 | Another Brick In The Wall (Part 2) | 3:56 | |
| A6 | Mother | 5:35 | |
| B1 | Goodbye Blue Sky | 2:48 | |
| B2 | Empty Spaces | 2:07 | |
| B3 | Young Lust | 3:29 | |
| B4 | One Of My Turns | 3:37 | |
| B5 | Don't Leave Me Now | 4:23 | |
| B6 | Another Brick In The Wall (Part 3) | 1:17 | |
| B7 | Goodbye Cruel World | 1:05 | |
| C1 | Hey You | 4:41 | |
| C2 | Is There Anybody Out There? | 2:47 | |
| C3 | Nobody Home | 3:22 | |
| C4 | Vera | 1:35 | |
| C5 | Bring The Boys Back Home | 1:20 | |
| C6 | Comfortably Numb | 6:22 | |
| D1 | The Show Must Go On | 1:37 | |
| D2 | In The Flesh | 4:17 | |
| D3 | Run Like Hell | 4:23 | |
| D4 | Waiting For The Worms | 3:57 | |
| D5 | Stop | 0:33 | |
| D6 | The Trial | 5:18 | |
| D7 | Outside The Wall | 1:43 |
Companies, etc.
- Phonographic Copyright ℗ – Pink Floyd Music Ltd.
- Copyright © – Pink Floyd Music Ltd.
- Published By – Pink Floyd Music Publishers Ltd.
- Recorded At – Super Bear Studios
- Recorded At – Producers Workshop
- Recorded At – CBS Studios, New York
- Mastered At – The Mastering Lab
- Made By – Pathé Marconi EMI
- Pressed By – Pathé Marconi EMI, Chatou – 330415
- Pressed By – Pathé Marconi EMI, Chatou – 330416
- Pressed By – Pathé Marconi EMI, Chatou – 330419
- Pressed By – Pathé Marconi EMI, Chatou – 330420
Credits
- Arranged By [Orchestra] – Michael Kamen
- Backing Vocals – Toni Tennille
- Co-producer, Engineer – James Guthrie
- Design [Sleeve Design] – Gerald Scarfe
- Drums, Percussion – Nick Mason
- Engineer – Rick Hart
- Piano, Organ, Synthesizer, Clavinet, Pedalboard [Bass Pedals] – Richard Wright
- Producer, Arranged By [Orchestra] – Bob Ezrin
- Producer, Guitar, Vocals, Bass, Sequencer, Synthesizer, Clavinet, Percussion – David Gilmour
- Producer, Written-By, Design [Sleeve Design], Vocals, Bass, Synthesizer, Guitar – Roger Waters
Notes
Mastered at The Mastering Lab (Los Angeles, CA, USA).
Recorded at Superbear (Miravel, ), Producers Workshop (Los Angeles, CA, USA) & C.B.S. (New York, NY, USA) between April and November 1979.
Additional credits not found on the sleeve can be found on The Wall's Wikipedia page.
Comes in Gatefold sleeve with printed inner sleeves.
℗ 1979 Pink Floyd Music Ltd.
© 1979 Pink Floyd Music Publishers Ltd.
STEREO | Made in par Pathé Marconi EMI
For a similar release but with slightly different inner sleeves, see The Wall.
Recorded at Superbear (Miravel, ), Producers Workshop (Los Angeles, CA, USA) & C.B.S. (New York, NY, USA) between April and November 1979.
Additional credits not found on the sleeve can be found on The Wall's Wikipedia page.
Comes in Gatefold sleeve with printed inner sleeves.
℗ 1979 Pink Floyd Music Ltd.
© 1979 Pink Floyd Music Publishers Ltd.
STEREO | Made in par Pathé Marconi EMI
For a similar release but with slightly different inner sleeves, see The Wall.
Barcode and Other Identifiers
- Rights Society: SACEM SACD SDRM SGDL
- Other (Cat# Disc 1): 168-63410
- Other (Cat# Disc 2): 168-63411
- Matrix / Runout (Side A label): 168-63410 A
- Matrix / Runout (Side B label): 168-63410 B
- Matrix / Runout (Side C label): 168-63411 A
- Matrix / Runout (Side D label): 168-63411 B
- Matrix / Runout (Side A runout, variant 1): 63410 A 1 TML-S M6 330415 . 1
- Matrix / Runout (Side B runout, variant 1): 63410 B 1 TML-M M6 330416 . 1
- Matrix / Runout (Side C runout, variant 1): 63411 A 1 TML-M M6 330419 . 1
- Matrix / Runout (Side D runout, variant 1): 63411 B 1 TML-X M6 330420 . 1
- Matrix / Runout (Side A runout, variant 2): 63410 A 1 TML-S M6 330415 . 1
- Matrix / Runout (Side B runout, variant 2): 63410 B 1 2 TML-M6 330416 . 1
- Matrix / Runout (Side C runout, variant 2): 6341 A 1 TML-M 3 M6 330419 . 1
- Matrix / Runout (Side D runout, variant 2): 63411 B TML-X 2 M6 330420 . 1
- Matrix / Runout (Side A runout, variant 3): 63410 A 1 TML-S 2 M6 330415 .1
- Matrix / Runout (Side B runout, variant 3): 63410 B 1 TML-M 6 330416 .1
- Matrix / Runout (Side C runout, variant 3): 63411 A 1 TML-M 2 M6 330419 .1
- Matrix / Runout (Side D runout, variant 3): 63411 B 1 TML-X M6 330420 .1
- Matrix / Runout (Side A runout, variant 4): 63410 A 1 TML-S 1 M6 330415 .1
- Matrix / Runout (Side B runout, variant 4): 63410 B 1 TML-M 6 330416 .1
- Matrix / Runout (Side C runout, variant 4): 63411 A 1 TML-M 1 M6 330419 .1
- Matrix / Runout (Side D runout, variant 4): 63411 B 1 TML-X M6 330420 .1
Other Versions (5 of 980)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
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The Wall (2×LP, Album, Reissue, Stereo, Gatefold) | Harvest | 1A 158-63410, 1A 158-63411 | Netherlands | 1979 | ||
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Recently Edited
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The Wall (2×LP, Album, Stereo, Gatefold) | Harvest | 1C 198-63 410/11 | 1979 | |||
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Recently Edited
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The Wall (2×LP, Album, Pitman Press, First Sleeve) | Columbia | PC2 36183, 36183 | US | 1979 | ||
| The Wall (2×LP, Album, Santa Maria, Second Sleeve) | Columbia | PC2 36183, 36183 | US | 1979 | |||
|
Recently Edited
|
The Wall (2×LP, Album, Gatefold) | Harvest | 7C 156-63410, 7C 156-63410/11 | Scandinavia | 1979 |
Recommendations
Reviews
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Edited 2 years agoI've try a lot of pressing of this masterpiece in my life, and finally kept the Original UK, probably because it was "the first press"... But recently, I bought a vinyl lot with this French press in NM/NM... WoW ! Really Excellent ! High ends clear and bass are deep and vibrant with an great dynamic. So I compared with my Original UK and This French won by far ! More deep, more clear.
This French version is the best I ever heard.
So, I've sold my original without regrets :) -
Just did another comparo with this original French pressing and an original Japanese pressing. The Japanese pressing sounds a bit more veiled and dark in comparison. This original French pressing so much livelier, airy, and more presence. It's a bit brighter, yes, but to me it makes it more enjoyable and a full range experience. My Bernie 2016 is the next best pressing, and also more preferred than the Japanese pressing.
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Just did a back to back comparo on this and the Bernie remaster 2016, and it's very close. Side 1 and Side 2 this original wins with more clarity, airiness, presence, and punchier bass, less bloated than the Bernie. Side 3 and Side 4 it's even closer, perhaps Bernie wins on Comfortably Numb, but just barely with a tad more clarity in the top. But the original's Comfortably Numb carries punchier bass. Hey You a bit better on the original, with a little more clarity in the strings and the tighter bass. Bernie's Hey You a bit bloated in bass, but still awesome. Run Like Hell I'll say original for more presence. Paid about the same for both so I'm not feeling ripped for investing the time, research and funds to get an original, but I do have one now! See some great reviews of this French pressing on the Steve Hoffman forums from folks who compared this to UK, and German pressings... bought this since the reviewer indicated a better presence in the high end on the French pressing. Not worlds better than the Bernie remaster, but it's there, you can notice differences on certain tracks.
Release
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Recently Edited
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