Saviour Machine – Legend Part I
Label: |
MCM Music – SMD 9766 |
---|---|
Format: |
CD
, Album
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Gothic Metal |
Tracklist
1 | Overture | 4:42 | |
2 | A Prophecy | 1:45 | |
3 | I Am | 0:59 | |
4 | Legend I:I | 2:42 | |
5 | The Lamb | 2:28 | |
6 | The Eyes Of The Storm | 6:04 | |
7 | The Birth Pangs | 6:17 | |
8 | The Woman | 5:53 | |
9 | The Night | 5:08 | |
10 | The Sword Of Islam | 6:29 | |
11 | Gog: Kings Of The North | 8:02 | |
12 | The Invasion Of Israel | 5:06 | |
13 | World War III - The Final Conflict I | 1:48 | |
14 | Ten - The Empire | 5:10 | |
15 | Legend I:II | 2:42 | |
16 | The Beast | 5:36 | |
17 | Antichrist I | 6:47 |
Companies, etc.
- Distributed By – Diamante Music Group
- Recorded At – Moonsong Studio
- Mixed At – Hollywood Interactive
- Mastered At – Tower Mastering
Credits
- A&R – Thomas Hertler
- Arranged By – Eric Clayton
- Arranged By [Choir] – Nathan Van Hala
- Arranged By [Orchestral] – Nathan Van Hala
- Art Direction – Rainer Mittelstädt
- Bass – Charles Cooper (4)
- Choir – Ensemble Cantabile
- Co-producer – Brian Kehew
- Conductor [Choir] – Eric Clayton
- Design [Cover Design] – Inline Design
- Drums – Jayson Heart
- Engineer [Assistant] – Chris Weybright
- Executive Producer – Rainer Mittelstädt
- Guitar – Jeff Clayton
- Keyboards – Nathan Van Hala
- Lyrics By – Eric Clayton
- Mastered By – Mark Chalecki
- Mixed By – Saviour Machine
- Music By – Nathan Van Hala
- Painting – Werkstatt L. Kranach*
- Percussion – Jayson Heart
- Piano – Nathan Van Hala
- Producer – Eric Clayton
- Programmed By – Nathan Van Hala
- Recorded By – Eric Clayton
- Recorded By [Choir] – Rainer Mittelstädt
- Vocals – Eric Clayton
- Vocals [Choir] – V. Madler
Notes
Recorded at Moonsong Studio (Riverside, CA, USA) from June 1st till September 11th, 1996.
Choir recorded at St. Stephans Kirche (Würzburg, ) from September 30th till October 1st, 1996.
Mixed at Hollywood Interactive (Studio City, CA, USA) October 21-31, 1996.
Mastered at Tower Mastering (Hollywood, CA, USA), November 6-10, 1996.
(c) & (p) 1997 Massacre Records GmbH.
CD is released in a totally black box with inscription on it.
Barcode sticker over printed barcode on jewel case.
Choir recorded at St. Stephans Kirche (Würzburg, ) from September 30th till October 1st, 1996.
Mixed at Hollywood Interactive (Studio City, CA, USA) October 21-31, 1996.
Mastered at Tower Mastering (Hollywood, CA, USA), November 6-10, 1996.
(c) & (p) 1997 Massacre Records GmbH.
CD is released in a totally black box with inscription on it.
Barcode sticker over printed barcode on jewel case.
Barcode and Other Identifiers
- Barcode (Scanned): 026297976620
- Barcode (Text): 0 26297 97662 0
- Matrix / Runout: BOD MAS CD0117
- Matrix / Runout: DOCdata MAS CD0117
- Label Code: LC6398
- Rights Society: GEMA
- Mastering SID Code: IFPI L357
- Mould SID Code: IFPI 5225
Other Versions (5 of 11)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Needs Changes
|
Legend Part I (CD, Album) | MCM Music | MAS CD0117 | 1997 | |||
Recently Edited
|
Legend Part I (Cassette, Album) | Rocris Disc | none | Romania | 1997 | ||
New Submission
|
Legend Part I (CD, Album, Promo) | MCM Music | MAS CD0117 | 1997 | |||
Recently Edited
|
Legend Part I (Cassette, Album) | Wizard (4) | WMS 200.123 | Bulgaria | 1997 | ||
New Submission
|
Legend Part I (Cassette, Album) | Morbid Noizz Productions | 234 | Poland | 1997 |
Recommendations
Reviews
-
The beginning of “the soundtrack to the end of the world”
Released in 1997, LEGEND I is the third of (currently) six studio albums by California’s Saviour Machine and the first of their LEGEND trilogy, which is actually a tetralogy in execution (four albums). The LEGEND series has been called “the soundtrack to the end of the world” and it does indeed come across as a soundtrack or movie score.
The best album of the series and by the Gothic metal band period is LEGEND III:I (2001) followed by LEGEND III:II (2011). The latter WOULD have easily been their best album, but Massacre Records was forced to release it in an unfinished state due to singer Eric Clayton’s procrastinating or whatever you want to call it (they gave him a freakin’ decade to complete the project, but he just kept dragging his heinie making excuses). Their self-titled debut from 1993 is their third best album, followed by this one.
The problem with LEGEND I is that it takes WAY too long to work up any steam with track after track functioning as a build-up intro to the grand theme. It’s not until the sixth track that we get a conventional song that clocks-in at more than a couple minutes. The ominous opening “Overture” doesn’t even start until a minute of dull sound effects. The next album, LEGEND II (1998), would go overkill with the “soundtrack” approach, forsaking any sense of conventional songs. Thankfully, Eric & the boys learned their lesson and got back on track for the outstanding LEGEND III:I and the incomplete (but still excellent) LEGEND III:II.
The best song here is easily “Gog: The Kings of the North,” which is the eleventh track and worth the price of ission. The rest of the album from this point is quite worthwhile. It’s the whole first half that drags its feet and feels extraneous, but it works as haunting background music if little more.
GRADE: B
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