Tracklist
| 1 | (Letter From Home) | 1:09 | |
| 2 | Fixed Income | 4:49 | |
| 3 | Un Autre Introduction | 0:44 | |
| 4 | Walkie Talkie | 2:27 | |
| 5 | Giving Up The Ghost | 6:30 | |
| 6 | Six Days | 5:02 | |
| 7 | Mongrel... | 2:20 | |
| 8 | ...Meets His Maker | 3:02 | |
| 9 | Right Thing / GDMFSOB (Clean Instrumental Version) | 4:20 | |
| 10 | Monosylabik | 6:46 | |
| 11 | Mashin' On The Motorway | 2:58 | |
| 12 | Blood On The Motorway | 9:12 | |
| 13 | You Can't Go Home Again | 7:03 | |
| 14 | (Letter From Home) | 0:57 |
Companies, etc.
- Recorded At – The Parlour Of Mystery
- Mastered At – Metropolis Mastering
- Phonographic Copyright ℗ – Universal Island Records Ltd.
- Copyright © – Universal Island Records Ltd.
- Licensed To – MCA Records
- Manufactured By – Matsushita Universal Media Services – 9220811406
- Mixed At – Larrabee West
- Mixed At – The Parlour Of Mystery
- Mixed At – Metropolis Studios
- Mixed At – The Plant Studios
- Designed At – Soap Design Co., LA
- Published By – Mo Wax Music Ltd.
- Published By – MCA Music Publishing
- Published By – Universal-MCA Music Publishing
- Published By – Belsize Music
- Published By – Jamie Music
- Published By – Warner Chappell Music
- Published By – Dread Piper Publishing
Credits
- A&R – Tom Sarig
- Art Direction – Keith Tamashiro
- Mastered By – Tim Young
- Mixed By – Jim Abbiss (tracks: 2, 4 to 13)
- Mixed By [Assistant] – Neil Tucker (tracks: 4, 5, 10, 13)
- Photography By – B+ (5)
- Producer, Arranged By, Liner Notes – DJ Shadow
- Written-By – J. Davis*
Notes
2. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP) and Universal-MCA Music Publishing (ASCAP). Mixed at Larrabee West, Los Angeles. Contains a sample of "Voyage To Cleveland" by Phluph.
3. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP) and Laranche Productions. Mixed at the Parlor Of Mystery. Contains a sample of "Jingle Overture Discotheque" by François Bernard.
4. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP). Mixed at Metropolis, London. Contains a sample of "Gangster Rap" by Hollywood (5).
5. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP). Mixed at Metropolis, London.
6. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP), Belsize Music (ASCAP) and Jamie Music (BMI). Mixed at The Plant, Sausalito. Contains a sample of "Six Day War" by Dennis Olivieri.
7 & 8. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP) and Warner Chappell Music. Mixed at The Plant, Sausalito. Contains a sample of "Strange About Your Hands" by Sensations' Fix.
9. "Right Thing" published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP). Contains a sample of "Tell Me Why The Tape Wobbles" by Barry O'Brian. "GDMFSOB" Published by Mo' Wax Music, istrated by MCA Music Publishing. Contains a sample of "Work The Box" by The Children. Both songs mixed at The Plant, Sausalito.
10. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP). (Part 1) mixed at the Parlor of Mystery and Metropolis, London and (Part 2) at Larrabee West, Los Angeles. Contains a sample of "Plenty Action" by Soft Touch.
11. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP) and Dread Piper Publishing (ASCAP). Mixed at Larrabee West, Los Angeles.
12. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP). Mixed at Larrabee West, Los Angeles. Contains a sample of "It's Easy" by Marc Z (2).
13. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP). Mixed at Metropolis, London.
Art Direction: Keith Tamashiro / Soap Design Co.
Recorded at The Parlor Of Mystery.
Mastered at Metropolis, London.
3. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP) and Laranche Productions. Mixed at the Parlor Of Mystery. Contains a sample of "Jingle Overture Discotheque" by François Bernard.
4. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP). Mixed at Metropolis, London. Contains a sample of "Gangster Rap" by Hollywood (5).
5. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP). Mixed at Metropolis, London.
6. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP), Belsize Music (ASCAP) and Jamie Music (BMI). Mixed at The Plant, Sausalito. Contains a sample of "Six Day War" by Dennis Olivieri.
7 & 8. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP) and Warner Chappell Music. Mixed at The Plant, Sausalito. Contains a sample of "Strange About Your Hands" by Sensations' Fix.
9. "Right Thing" published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP). Contains a sample of "Tell Me Why The Tape Wobbles" by Barry O'Brian. "GDMFSOB" Published by Mo' Wax Music, istrated by MCA Music Publishing. Contains a sample of "Work The Box" by The Children. Both songs mixed at The Plant, Sausalito.
10. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP). (Part 1) mixed at the Parlor of Mystery and Metropolis, London and (Part 2) at Larrabee West, Los Angeles. Contains a sample of "Plenty Action" by Soft Touch.
11. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP) and Dread Piper Publishing (ASCAP). Mixed at Larrabee West, Los Angeles.
12. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP). Mixed at Larrabee West, Los Angeles. Contains a sample of "It's Easy" by Marc Z (2).
13. Published by Mo' Wax Music, istrated by MCA Music Publishing (ASCAP). Mixed at Metropolis, London.
Art Direction: Keith Tamashiro / Soap Design Co.
Recorded at The Parlor Of Mystery.
Mastered at Metropolis, London.
Barcode and Other Identifiers
- Barcode (Text): 0 08811 29372 7
- Barcode (String): 008811293727
- Matrix / Runout: 0881129372 9220811406 MFG BY MATSUSHITA UNIVERSAL MEDIA SERVICES
- Mastering SID Code: IFPI L771
- Mould SID Code (Variant 1): IFPI 2AO7
- Mould SID Code (Variant 2): IFPI 2AO4
- Rights Society: ASCAP
- Rights Society: BMI
- Mould SID Code (Variant 3): IFPI 2A49
Other Versions (5 of 46)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
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The Private Press (CD, Album, CD, Mixed, All Media, Limited Edition, Digisleeve) | MCA Records | 314 586 981-2 | US | 2002 | ||
|
Recently Edited
|
The Private Press (2×LP, Album) | Universal Records | ILPSD 8118, 586981-1 | UK | 2002 | ||
|
Recently Edited
|
The Private Press (CD, Album) | Mo Wax | CID 8118, 586 982-2 | UK | 2002 | ||
| The Private Press (2×LP, Album) | MCA Records | 088 112 937-1 | US | 2002 | |||
|
Recently Edited
|
The Private Press (CD, Album, Limited Edition, CD, Mixed) | Mo Wax | CIDD8118, 586981-2 | UK | 2002 |
Recommendations
Reviews
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Edited 10 years agoDrifting through the milestones of electronic music thresholds (and not only electronic), this sonorous architectural composition express a timeless monumentality. The virtuous DJ and composer, DJ Shadow presents us once again by his craftsmanship of combining the color scheme of variety of music from the past in a current light, originally conveyed to present. -
At first I didn't like this album very much, but after putting it in my car and listening to it for a few days, it really grew on me. It's obvious to me that DJ Shadow is a musician with a wide breadth of styles, influences, and talents.
It's nice to hear an album that touches on so many different musical points instead of just reiterating the same ones over and over. I also wanna give the dude props for not just replicating what was done on the first album.
I have to say that I don't like some of the tracks that much, such as Walkie-Talkie (obnoxious bassline IMO) and Mongrel/Meets His Maker (really kind of dull) but almost everything else here is just really classy, varied, and enjoyable. Favs include Monosylabik, Six Days, Giving Up The Ghost, and, well, most everything besides the two tracks I didn't like.
Great CD to have on hand, has some definite staying power in my car's CD player. -
Edited 13 years agoThis is a great album. Shadow chose to keep moving and developing. This is a a collection of songs as well as tracks, each with a different appeal. If there is a concept it must be constant change. The tracks bristle against each other, pushing in different directions, suggesting a variety of musical possibilities. All celebrate a cerebral and sensual appreciation of sound and rhythm. Here is no perfect package but set of musical blueprints. It’s the work of someone who’s sat back and asked himself what he really wants to listen to when the lights are out, could be his best work to date.
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Edited 19 years agoThis album is far too electro inflected to appeal to fans of his previous work. Change and exploration are always a good thing, but it does not work out well for the purpose of this album. Perhaps the problem lies in track order; obvious highlight "Six Days" appears far too early in the album for it to be as climactic as what it needs to be. The other tracks on this album are all decidedly average, none coming even close to the incredible (if at times, a little warped) beauty of the tracks featured on "Endtroducing". If "Endtroducing" never surfaced, this album - and Shadow - would be long forgotten.
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Edited 20 years agoIt's obvious Shadow wasnt going to do his so called regular triphop style with this album. Instead, this album is a full out hip hop album, featuring some of his best tracks, 'Mashin On The Motorway', and 'Walkie Talkie' for example. Both tracks are brilliant when scratched, cut up, or given a face lift. A much more energetic album then Endtroducing.
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Personally, much of the album doesn't conform to my usual tastes in music. However, the haunting abstract style incorporated within tracks five and seven more than makes up for what I would call a relatively poor album.
I think also, that track twelve has a lot to say for itself - with drifting laidback piano keys and soft meaningful vocals. There are three tracks on this album that makes it all worth the money you paid. -
a bit of a disappointment this one. a couple of good tracks but on the whole not upto his very usual very high standards. however if your a fan its worth buying, but dont expect endtroducing part 2
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