The Streets – Original Pirate Material
Tracklist
| 1 | Turn The Page | 3:15 | |
| 2 | Has It Come To This? | 4:04 | |
| 3 | Let's Push Things Forward | 3:51 | |
| 4 | Sharp Darts | 1:33 | |
| 5 | Same Old Thing | 3:22 | |
| 6 | Geezers Need Excitement | 3:46 | |
| 7 | It's Too Late | 4:10 | |
| 8 | Too Much Brandy | 3:02 | |
| 9 | Don't Mug Yourself | 2:39 | |
| 10 | Who Got The Funk? | 1:50 | |
| 11 | The Irony Of It All | 3:29 | |
| 12 | Weak Become Heroes | 5:33 | |
| 13 | Who Dares Wins | 0:34 | |
| 14 | Stay Positive | 6:16 |
Companies, etc.
- Copyright © – Locked On
- Copyright © – 679 Recordings Ltd.
- Phonographic Copyright ℗ – Pure Groove Music Ltd
- Phonographic Copyright ℗ – Locked On
- Licensed To – 679 Recordings Ltd.
- Marketed By – Warner Music UK Ltd.
- Manufactured By – Warner Music UK Ltd.
- Distributed By – Warner Music UK Ltd.
- Published By – Pure Groove Music Ltd
- Made By – Warner Music Manufacturing Europe
- Record Company – Time Warner Music Group
- Pressed By – WMME Alsdorf
Credits
- Design – Alex Jenkins
- Photography By [Booklet] – Ewen Spencer
- Photography By [Cover] – Rut Blees Luxemburg
- Photography By [Notepaper] – Green Project
- Written-By, Producer, Arranged By, Mixed By – Mike Skinner
Notes
[Disc]
All tracks ℗ 2002 Pure Groove Limited trading as Locked On exclusively licensed to 679 Recordings Limited
except tracks 2 & 6 ℗ 2001 Pure Groove Limited trading as Locked On exclusively licensed to 679 Recordings Limited.
© 2002 679 Recordings Limited.
Published by Pure Groove Music Limited.
The copyright in this sound recording is owned by Pure Groove Limited trading as Locked On and exclusively licensed to 679 Recordings Limited.
The copyright in this artwork is owned by 679 Recordings Limited.
Manufactured, distributed and marketed by Warner Music UK Limited.
Made in by Warner Music Manufacturing Limited. An AOL Time Warner Music Group Company.
[Back cover]
Made in by [Warner logo] Warner Music Manufacturing Europe.
[Back cover inside]
Manufactured, distributed and marketed by Warner Music UK Limited. An AOL Time Warner Music Group Company.
[Additional information]
Some copies come with extra leaflet (reproduction of cover image) with hype text, 'parental advisory' logo & cat.#.
All tracks ℗ 2002 Pure Groove Limited trading as Locked On exclusively licensed to 679 Recordings Limited
except tracks 2 & 6 ℗ 2001 Pure Groove Limited trading as Locked On exclusively licensed to 679 Recordings Limited.
© 2002 679 Recordings Limited.
Published by Pure Groove Music Limited.
The copyright in this sound recording is owned by Pure Groove Limited trading as Locked On and exclusively licensed to 679 Recordings Limited.
The copyright in this artwork is owned by 679 Recordings Limited.
Manufactured, distributed and marketed by Warner Music UK Limited.
Made in by Warner Music Manufacturing Limited. An AOL Time Warner Music Group Company.
[Back cover]
Made in by [Warner logo] Warner Music Manufacturing Europe.
[Back cover inside]
Manufactured, distributed and marketed by Warner Music UK Limited. An AOL Time Warner Music Group Company.
[Additional information]
Some copies come with extra leaflet (reproduction of cover image) with hype text, 'parental advisory' logo & cat.#.
Barcode and Other Identifiers
- Barcode (Text): 8 09274 35682 6
- Barcode (Scanned): 809274356826
- Label Code: LC4281
- Matrix / Runout (Variant 1): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 1): IFPI L011
- Mould SID Code (Variant 1): IFPI 05N9
- Matrix / Runout (Variant 2): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 2): IFPI L011
- Mould SID Code (Variant 2): IFPI 05A2
- Matrix / Runout (Variant 3): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 3): IFPI L011
- Mould SID Code (Variant 3): IFPI 0598
- Matrix / Runout (Variant 4): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 4): IFPI L011
- Mould SID Code (Variant 4): IFPI 05A3
- Matrix / Runout (Variant 5): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 5): IFPI L011
- Mould SID Code (Variant 5): IFPI 0568
- Matrix / Runout (Variant 6): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 6): IFPI L011
- Mould SID Code (Variant 6): IFPI 05M6
- Matrix / Runout (Variant 7): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 7): IFPI L011
- Mould SID Code (Variant 7): IFPI 05F1
- Matrix / Runout (Variant 8): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 8): IFPI L011
- Mould SID Code (Variant 8): IFPI 05M9
- Matrix / Runout (Variant 9): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 9): IFPI L011
- Mould SID Code (Variant 9): IFPI 0515
- Matrix / Runout (Variant 10): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 10): IFPI L011
- Mould SID Code (Variant 10): IFPI 0594
- Matrix / Runout (Variant 11): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 11): IFPI L011
- Mould SID Code (Variant 11): IFPI 05D4
- Matrix / Runout (Variant 12): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 12): IFPI L011
- Mould SID Code (Variant 12): IFPI 05N5
- Matrix / Runout (Variant 13): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 13): IFPI L011
- Mould SID Code (Variant 13): IFPI 05N8
- Matrix / Runout (Variant 14): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 14): IFPI L011
- Mould SID Code (Variant 14): IFPI 05M8
- Matrix / Runout (Variant 15): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 15): IFPI L011
- Mould SID Code (Variant 15): IFPI 05N7
- Matrix / Runout (Variant 16): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 16): IFPI L011
- Mould SID Code (Variant 16): IFPI 05N0
- Matrix / Runout (Variant 17): [Warner 'Big W' logo] 092743568-2.2 02/02
- Mastering SID Code (Variant 17): IFPI L011
- Mould SID Code (Variant 17): IFPI 05N2
Other Versions (5 of 26)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Original Pirate Material (2×LP, Album) | Locked On | 679003TLP, 0927 43568 1 | UK | 2002 | ||
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Recently Edited
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Original Pirate Material (CD, Album, Enhanced) | Vice Records | 93181-2 | US | 2002 | ||
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Recently Edited
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Original Pirate Material (CD, Album, Enhanced) | Locked On | WPCR-11232 | Japan | 2002 | ||
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Recently Edited
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Original Pirate Material (CD, Album) | Warner Music Australia | 0927435682, 0927-43568-2 | Australia | 2002 | ||
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Recently Edited
|
Original Pirate Material (CD, Album) | 679 | 679003CDLP, 2 43568 | Canada | 2002 |
Recommendations
Reviews
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Move D played "Has it come to this?" at Gottwood, Wales, 2014. The whole crowed started singing along. As a french boy who obviously did'nt know this album, it was a pretty great memory. Partying with the Brits is as fun as it gets
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Why are copies of this album worth so much money now? I 3 years ago you could get a mint original for £20 easy. Now even after it's been repressed all copies seem to make at least £100!! -
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The best album I own. I saw him play through the songs live when he headlined the dance tent at Leeds Festival in 2002, which, so Ive heard down the grapevine, was the first time Mike Skinner had played live in his life. I'd read about him in NME but never heard any of the tunes and he started off with 'Turn The Page' and I was completely drawn in. The best live set I've ever seen by a country mile. When he was at the top of his game, just after this album was released, he was untouchable IMO
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A seminal classic. I first hearing this, leaning out of a window on a grey, rainy day with a smoke. It absolutely blew me away. I already had the 1st single [Has It Come To This] and yet I wasn't expecting a wall-to-wall classic.
This was the album that I wish I'd made - Skinner encapsulated the zeitgeist of the disenfranchised with a unique flow and beat-set. I've been 'hooked on Streets' ever since. -
I loved this album and cudnt stop listening 2 it.I love still pulling it out now and again.I love Mike Skinners str8 2 da piont lyrics and his production on this is second 2 none.His other albums are quiet Good.But this Album was never topped.It just one of them albums that was off its time and still is Timeless 2day luv it. 5/5
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Edited 18 years agoAs legend goes...Mike Skinner apparently nicked most of the beats from some other Garage duo to create this record. So goes music. Master steals from protege as protege steals from other. This has been going on for ages. In any regard...this was one of the best 'pop' records of 2002. Combinging UK garage technique with lager lad lyrics and sharp wit and flow, Mike Skinner is an MC to be reckoned with. He puts his pulse on the heartbeat of the UK and counts out that pattern as a loop for a track. He got the pulse and timing right to capture a hundred thousand would be newbee ravers as well as the old schoolers too. He translated that 'get away from it all weekend' with tracks that made you feel pissed or off yer face on fungus in the 'Dam. Skinner also made softer tracks about young love and regret that balanced all the substance abuse with a little humility. This makes it a pop record to me and great at the same time... and pop isn't necessarily a bad word. In all regards, stolen beats or not, this is a pretty great record.
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Edited 19 years agoAlot of people are skeptical of Mike Skinner because of his delivery. In all actuality, the guy has more style and substance than any 10 MCs you can think of in mainsteam or underground hiphop today. On this album, he's brilliantly witty, his beats are diverse and interesting, and his subject matter is far from the norm in hiphop. Absolutely a classic release!
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