Origin (3) – Hard Impact
Label: |
Hithouse Records – HIT 6.009 |
---|---|
Format: |
Vinyl
, 12", 33 ⅓ RPM
|
Country: |
Belgium |
Released: |
|
Genre: |
Electronic |
Style: |
Bleep |
Tracklist
A1 | C.T.X. | 6:45 | |
A2 | Blow Up | 5:50 | |
B1 | Subordinate | 5:08 | |
B2 | Morbid II | 5:50 |
Companies, etc.
- Produced For – ARS/Hithouse Productions
- Phonographic Copyright ℗ – ARS/Hithouse Productions
- Copyright © – ARS/Hithouse Productions
- Published By – BMC Publishing
- Published By – Hithouse Music
- Pressed By – Druco Music
- Lacquer Cut At – The Masters – 872932
Credits
- Lacquer Cut By – P*
- Producer, Written-By, Arranged By – Origin (3)
- Written-By – T. v. Lijden*
Notes
Made in Belgium
Track B1 samples:
Dialogue from the film The Terminator
Track B1 samples:
Dialogue from the film The Terminator
Barcode and Other Identifiers
- Rights Society: SABAM-T.M.
- Matrix / Runout (A-side run-out): HIT-6009-A 6009A 1Z H872932
- Matrix / Runout (B-side run-out): HIT-6009 - B 1X 6009B H872932
Recommendations
Reviews
-
C.T.X. is the pick of the bunch here in my opinion. Densely packed searing, glitchy and slightly bleep oriented, claustrophic electronic analogue modulations. The incessant pulsating sub bassline is as deep and sinister as sin. The deformed, randomly fractured C.T.X. X.T.C. generated by the robotic talk box voice only adds to the confusion. And there's a subtle but creepy themed synth underbelly to always keep you slightly on edge and paranoid. To be honest, all of the tracks on this release probably sound freaking mental and heavy on a loud and powerful soundsystem. But C.T.X. is the contender that would probably send one over the edge. Strictly for the headstrong trippy heads who like it a bit more subtle and not in your face noisy.
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