R.E.M. – Out Of Time
Label: |
Warner Bros. Records – WX 404 |
|---|---|
Format: |
Vinyl
, LP, Album, Stereo
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| Time Side | |||
| A1 | Radio Song | 4:12 | |
| A2 | Losing My Religion | 4:26 | |
| A3 | Low | 4:55 | |
| A4 | Near Wild Heaven | 3:17 | |
| A5 | Endgame | 3:48 | |
| Memory Side | |||
| B1 | Shiny Happy People | 3:44 | |
| B2 | Belong | 4:03 | |
| B3 | Half A World Away | 3:26 | |
| B4 | Texarkana | 3:36 | |
| B5 | Country | 4:07 | |
| B6 | Me In Honey | 4:06 |
Companies, etc.
- Record Company – Warner Bros. Records Inc.
- Record Company – Time Warner
- Copyright © – R.E.M./Athens Ltd
- Phonographic Copyright ℗ – R.E.M./Athens Ltd
- Published By – Night Garden Music
- Published By – Unichappell Music, Inc.
- Published By – Copyright Control
- Recorded At – Bearsville Studios
- Recorded At – John Keane Studios
- Recorded At – Soundcape Studio
- Mixed At – Paisley Park Studios
- Mastered At – Precision Mastering
- Mastered At – Specialty Records Corporation
- Pressed By – Record Service Alsdorf
- Made By – Warner Music Manufacturing Europe
Credits
- Arranged By [String & Horn Arrangement] – Mark Bingham
- Cello – Elizabeth Murphy*
- Coordinator – Ian Kimmet
- Design [Packaging] – Tom Recchion
- Double Bass – Ralph Jones (5)
- Engineer [Basic Tracks] – Scott Litt
- Engineer [Mixing] – Tom Garneau
- Engineer [Overdubs] – John Keane
- Engineer [Strings] – Ted Malia
- Management [Interagent To Ben Katchor] – Jem Cohen
- Management [Interagent To Ed Rogers] – The Duplex Planet*
- Management [Office Assistance] – E.M. Carter
- Mastered By – Stephen Marcussen
- Orchestrated By [Orchestral Liaison] – Jay Weigel
- Performer [Additional Player] – Peter Holsapple
- Performer [And] – Jefferson Holt
- Performer [R.E.M.] – Peter Buck
- Producer – Scott Litt
- Songwriter [All Songs] – Buck*
- Technician [Drum Assistance] – Bill Thomson
- Technician [Tech Assistance] – Microwave (9)
- Viola – Reid Harris
- Violin – Ellie Arenz
Notes
The rim text on this version does not cover the full circumference of the labels.
For the version with the full label text see Out Of Time.
℗ 1991 R.E.M. / Athens, Ltd.
© 1991 R.E.M. / Athens, Ltd.
Made in by Warner Music Manufacturing Europe
Cat# 7599-26496-1 is the German release,
Cat# WX 404 is the United Kingdom release
Released with a printed inner sleeve with credits and photos.
Ruouts description, as identified by their specific pattern:
The original Direct Metal Master was produced at Record Service Alsdorf ('R/S Alsdorf').
For the version with the full label text see Out Of Time.
℗ 1991 R.E.M. / Athens, Ltd.
© 1991 R.E.M. / Athens, Ltd.
Made in by Warner Music Manufacturing Europe
Cat# 7599-26496-1 is the German release,
Cat# WX 404 is the United Kingdom release
Released with a printed inner sleeve with credits and photos.
Ruouts description, as identified by their specific pattern:
The original Direct Metal Master was produced at Record Service Alsdorf ('R/S Alsdorf').
Barcode and Other Identifiers
- Barcode (Text): 0 7599-26496-1 2
- Barcode: 075992649612
- Label Code: LC 0392
- Price Code: Ⓤ
- Price Code (): WE 391
- Rights Society: GEMA/BIEM
- Rights Society: BMI
- Other (Back sleeve, embossed): [Warner 'W' Logo]
- Matrix / Runout (Variant 1: side A runout stamped): R/S Alsdorf 759 926496-1-A
- Matrix / Runout (Variant 1: side B runout stamped): R/S Alsdorf 759 926496-1-B
- Matrix / Runout (Variant 2: side A runout): R/S Alsdorf 759 926496-1-A2 1-26496-A-INTL-SET I-DMM SP I-3 SP GER Precision 40
- Matrix / Runout (Variant 2: side B runout): R/S Alsdorf 759 926496-1-Bxx 1-26496-B-INTL-SET I-DMM SP I-I SP GER 21 Precision
- Matrix / Runout (Variant 4: side A runout): R/S Alsdorf 759 926496-1-Axx 8 1-26496-A-INTL-SET I-DMM SP I-3 SP GER Precision
- Matrix / Runout (Variant 4: side B runout): R/S Alsdorf 759 926496-1-Bxx 1-26496-A-INTL-SET I-DMM SP I-3 SP GER Precision
- Matrix / Runout (Variant 5: side A runout): R/S Alsdorf 759 926496-1-A2 x J-26496-A-INTL-SET I-DMM SP I-3 SP 96
- Matrix / Runout (Variant 5: side B runout): R/S Alsdorf 759 926496-1-B xx 1-26496-A-INTL-SET I-DMM SP 1-I GER Precision 88
- Matrix / Runout (Variant 6: side A runout): R/S Alsdorf 759 926496-1-A2, 1-26496-A-INTL-SET I - DMM S.P. 1-3 SP-GER 13 Precision
- Matrix / Runout (Variant 6: side B runout): R-S Alsdorf 759 926496-1-Bx, 1-26496-B-INTL-SETI-DMM SP 1-1 SP GER Precision 40
- Matrix / Runout (Variant 7: side A runout): R/S Alsdorf 759 926496-1-A3, 1-26496-A-INTL-SET I - DMM S.P. 1-4 SP-GER 13 Precision
- Matrix / Runout (Variant 7: side B runout): R-S Alsdorf 759 926496-1-Bx, 1-26496-B-INTL-SETI-DMM SP 1-1 SP GER Precision 39
- Matrix / Runout (Variant 8: side A runout): R/S Alsdorf 759 926496-1-A x 1-26496-A-INTL-SET I-DMM SP 1-1 SP-GER Precision 15
- Matrix / Runout (Variant 8: side B runout): R/S Alsdorf 759 926496-1-B x 1-26496-B-INTL-SET I DMM 1 SP-GER Precision 53
- Matrix / Runout (Variant 9: side A runout): R/S Alsdorf 759 926496-1-Ax 1-26496-A-INTL-SET I DMM SP -1 SP-GER Precision 18
- Matrix / Runout (Variant 9: side B runout): R/S Alsdorf 759 926496-1-Bx 162[x]6496-B-INTL-SET I DMM 1 SP-GER Precision
Other Versions (5 of 221)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Out Of Time (LP, Album) | Warner Bros. Records | 670.9323, 01276 | Brazil | 1991 | |||
| Out Of Time (Cassette, Album, Club Edition) | Warner Bros. Records | W4 26496 | Canada | 1991 | |||
|
Recently Edited
|
Out Of Time (CD, Album, SRC) | Warner Bros. Records | 9 26496-2 | US | 1991 | ||
|
Recently Edited
|
Out Of Time (Cassette, Album, Unofficial Release) | Unison (2) | none | Bulgaria | 1991 | ||
|
Recently Edited
|
Out Of Time (Cassette, Album) | Warner Bros. Records | 7599-26496-4, WX 404C | Europe | 1991 |
Recommendations
Reviews
-
A very powerful version of this modern classic.Mid range is strong and places the band and vocals in your room.Separation and transparency are good,clarity is like nothing I've heard in a long time.Bass lovers also get their full share.Dynamics are breathtaking,and DMM further adds to the almost overwhelming performance of this record.So this is a perfect recording- perfect yes,but not audiophile.
It's hard to put a finger on it,but it almost sounds to me like there's too much of everything.Also the clean and perfect sound got tiring on my ears.By the time I was well into side B it kind of felt like listening to a CD.
So I'm really on the fence about this one.
Of course it is stunning to hear Vinyl perform like this,and it sure is a recording to successfully show off your equipment.But to me there's something missing here,a quality often described as analog or artisan.
I'm aware of course of the controversy that's been going on ever since the dawn of digital audio;no room to dwell on that here.
To each his own; and since analog productions abound and are up for market ubiquitously,I'm gonna on this one.
-
I just got this very cheep ( must have been a lot of vinyl pressed?) sounds lovely! Dead quite . Sounds better than my CD. -
This LP was cut from the CD master.
If you make a digital recording of the LP at at least 48 kHz and look at a spectogram you will see that there's a sharp cut-off just above 20 Kzh. I've done this with both the American and the European LP.
So, this means that if you like how this LP sounds over the CD, it's simply because you prefer the frequency response of your phono cartridge, the effect of rumble, less channel separation in the cartridge, etc.
There's absolutely nothing wrong with preferring that, but it's simply a preference and not higher fidelity. Unless using a very poor converter (and they're much less common than many people believe) digitization is an inaudible process. I have yet to meet a person who claimed that digitization is audible who has actually properly tested that claim. -
This is a fantastic album, a big breakthrough for REM, and this is a great sounding, high quality German pressing.
Release
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