Various – Pulp Fiction (Music From The Motion Picture)
Label: |
MCA Records – MCA-11103 |
---|---|
Format: |
Vinyl
, LP, Album, Compilation
|
Country: |
US |
Released: |
|
Genre: |
Stage & Screen |
Style: |
Funk |
Tracklist
A1a | Amanda Plummer– | Pumpkin And Honey Bunney | 0:11 |
A1b | Dick Dale & His Del-Tones– | Misirlou | 2:16 |
A2 | John Travolta– | Royale With Cheese | 1:43 |
A3 | Kool & The Gang– | Jungle Boogie | 3:05 |
A4 | Al Green– | Let's Stay Together | 3:15 |
A5 | The Tornadoes– | Bustin' Surfboards | 2:27 |
A6 | Ricky Nelson (2)– | Lonesome Town | 2:13 |
A7 | Dusty Springfield– | Son Of A Preacher Man | 2:26 |
A8a | Bruce Willis– | Zed's Dead, Baby | 0:12 |
A8b | The Centurians*– | Bullwinkle Part II | 2:18 |
B1a | Jerome Patrick Hoban– | Jack Rabbit Slims Twist Contest | 0:32 |
B1b | Chuck Berry– | You Never Can Tell | 2:40 |
B2 | Urge Overkill– | Girl, You'll Be A Woman Soon | 3:10 |
B3 | Maria McKee– | If Love Is A Red Dress (Hang Me In Rags) | 4:55 |
B4a | Duane Whitaker– | Bring Out The Gimp | 0:08 |
B4b | The Revels– | Comanche | 2:04 |
B5 | The Statler Brothers– | Flowers On The Wall | 2:23 |
B6 | Samuel L. Jackson– | Personality Goes A Long Way | 1:01 |
B7 | The Lively Ones– | Surf Rider | 3:19 |
B8 | Samuel L. Jackson– | Ezekiel 25:17 | 0:52 |
Companies, etc.
- Phonographic Copyright ℗ – MCA Records, Inc.
- Copyright © – MCA Records, Inc.
- Distributed By – Uni Distribution Corp.
- Mastered At – Future Disc
Credits
- Art Direction – Tim Stedman
- Coordinator [Music] – Mary Ramos
- Coordinator [Soundtrack] – Christine Edwards (2)
- Design – Donna Mercer
- Executive-Producer – Kathy Nelson
- Lacquer Cut By – KPG*
- Mastered By – Steve Hall
- Music Consultant – Laura Lovelace
- Supervised By [Music] – Karyn Rachtman
Notes
1st release with yellow barcode
Released in standard jacket with the 'Parental Advisory Explicit Lyrics' sticker printed directly on front cover.
Some copies have a hype sticker on front or rear cover.
Released in standard jacket with the 'Parental Advisory Explicit Lyrics' sticker printed directly on front cover.
Some copies have a hype sticker on front or rear cover.
Barcode and Other Identifiers
- Barcode (Text): 0 08811 11031 4
- Barcode (String): 008811110314
- Matrix / Runout (Side A runout etched): MCA 12066-FDS 2 KPG
- Matrix / Runout (Side B runout etched): MCA 12067-FDS 1
Other Versions (5 of 183)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Pulp Fiction (Music From The Motion Picture) (CD, Compilation) | MCA Records | MCD11103, 111 103-2 | Europe | 1994 | ||
Pulp Fiction (Music From The Motion Picture) (LP, Compilation, Stereo) | MCA Records | 111 103-1 | Europe | 1994 | |||
Recently Edited
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Pulp Fiction (Music From The Motion Picture) (CD, Compilation) | La Bande Son | MCD11103, MCD 11103 | & Benelux | 1994 | ||
Recently Edited
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Pulp Fiction (Music From The Motion Picture) (CD, Compilation) | MCA Records | MCAD-11103 | US | 1994 | ||
Pulp Fiction (Music From The Motion Picture) (CD, Compilation) | MCA Records | MCASD-11103, MCASD 11103 | Canada | 1994 |
Recommendations
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2014 UK, Europe & USLP, Album, Reissue, Remastered
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Reviews
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Amazing soundtrack pressing of this iconic film! Every track sounds beautiful with crystal clear clarity, depth and warmth. Buy this pressing, you won't be dissapointed. Easily one of the best vinyl in my collection.
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I have no clue which one I have but its Matrix is 00008811110314-A-1 anyone could let me know exactly which one it is so I can put the correct one in would be appreciated.
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I can't seem to match my version with any of the listed releases. It's barcode (008811110314) is white instead of yellow, cat# is MCA-11103, it's brand new, with a sticker on it's shrink wrap that says 'MANUFACTURED IN POLAND'. Yet in the lower left corner on the back is printed that it's manufactured and distributed in Santa Monica,CA 90404, in 1994. The only Poland release I found with this barcode is a cassette version..
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US mastering and cutting engineer Kevin Gray made a beautiful first pressing, this is the version to have!
Source Wiki (music):
No film score was composed for Pulp Fiction; Quentin Tarantino instead used an eclectic assortment of surf music, rock and roll, soul, and pop songs. Dick Dale's rendition of "Misirlou" plays during the opening credits. Tarantino chose surf music as the basic musical style for the film, but not, he insists, because of its association with surfing culture: "To me it just sounds like rock and roll, even Morricone music. It sounds like rock and roll spaghetti Western music."[81] Some of the songs were suggested to Tarantino by his friends Chuck Kelley and Laura Lovelace, who were credited as music consultants. Lovelace also appeared in the film as Laura, a waitress; she reprises the role in Jackie Brown.[82] The soundtrack album was released along with the film in 1994. The album peaked on the Billboard 200 chart at number 21.[83] The single, Urge Overkill's cover of the Neil Diamond song "Girl, You'll Be a Woman Soon", reached number 59.[84]
Estella Tincknell describes how the particular combination of well-known and obscure recordings helps establish the film as a "self-consciously 'cool' text. [The] use of the mono-tracked, beat-heavy style of early 1960s U.S. 'underground' pop mixed with 'classic' ballads such as Dusty Springfield's 'Son of a Preacher Man' is crucial to the film's postmodern knowingness." She contrasts the soundtrack with that of Forrest Gump, the highest-grossing film of 1994, which also relies on period pop recordings: "[T]he version of 'the sixties' offered by Pulp Fiction ... is certainly not that of the publicly recognized counter-culture featured in Forrest Gump, but is, rather, a more genuinely marginal form of sub-culture based around a lifestyle – surfing, 'hanging' – that is resolutely apolitical." The soundtrack is central, she says, to the film's engagement with the "younger, cinematically knowledgeable spectator" it solicits
Source Wiki (movie):
Pulp Fiction is a 1994 American neo-noir black comedy crime film written and directed by Quentin Tarantino, who conceived it with Roger Avary.[4] Starring John Travolta, Samuel L. Jackson, Bruce Willis, Tim Roth, Ving Rhames, and Uma Thurman, it tells several stories of criminal Los Angeles. The title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue.
Tarantino wrote Pulp Fiction in 1992 and 1993, incorporating scenes that Avary originally wrote for True Romance (1993)[citation needed]. Its plot occurs out of chronological order. The film is also self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". Considerable screen time is devoted to monologues and casual conversations with eclectic dialogue revealing each character's perspectives on several subjects, and the film features an ironic combination of humor and strong violence. TriStar Pictures reportedly turned down the script as "too demented". Then Miramax co-chairman Harvey Weinstein was enthralled, however, and the film became the first that Miramax fully financed.
Pulp Fiction won the Palme d'Or at the 1994 Cannes Film Festival, and was a major critical and commercial success. It was nominated for seven awards at the 67th Academy Awards, including Best Picture, and won Best Original Screenplay; it earned Travolta, Jackson, and Thurman Academy Award nominations and boosted their careers. Its development, marketing, distribution, and profitability had a sweeping effect on independent cinema.
Pulp Fiction is widely regarded as Tarantino's masterpiece, with particular praise for its screenwriting.[5] The self-reflexivity, unconventional structure, and extensive homage and pastiche have led critics to describe it as a touchstone of postmodern film. It is often considered a cultural watershed, influencing films and other media that adopted elements of its style. In 2008, Entertainment Weekly named it the best film since 1983[6] and it has appeared on many critics' lists of the greatest films ever made. In 2013, Pulp Fiction was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant".
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