Miles Davis – Get Up With It
Tracklist
| A | He Loved Him Madly | 32:29 | |
| B1 | Maiysha | 14:52 | |
| B2 | Honky Tonk | 5:54 | |
| B3 | Rated X | 6:50 | |
| C | Calypso Frelimo | 32:07 | |
| D1 | Red China Blues | 4:10 | |
| D2 | Mtume | 15:11 | |
| D3 | Billy Preston | 12:39 |
Companies, etc.
- Manufactured By – CBS/Sony Inc.
Credits
- Design – Teresa Alfieri
- Engineer [Recording] – Stanley Tonkel*
- Engineer [Remix] – Stan Weiss
- Lettering [Hand Lettering] – Andy Engel
- Liner Notes [Japanese] – 鍵谷幸信
- Photography By [Cover] – Giuseppe Pino
- Photography By [Inside] – Paul Slaughter
- Producer – Teo Macero
- Written-By – M. Davis*
Notes
© ℗ 1975 Sony/CBS, Inc.
CBS/SONY Inc. (Tokyo Japan)/® Columbia
Broadcasting System, Inc./SONY ®Sony Corp.
Gatefold sleeve.
Misspelt obi "Mles Davis", with a missing "i"
Includes Japanese liner notes.
CBS/SONY Inc. (Tokyo Japan)/® Columbia
Broadcasting System, Inc./SONY ®Sony Corp.
Gatefold sleeve.
Misspelt obi "Mles Davis", with a missing "i"
Includes Japanese liner notes.
Barcode and Other Identifiers
- Price Code: ¥4,000
- Other (Cat# disc 1): SOPJ - 90
- Other (Cat# disc 2): SOPJ - 91
- Matrix / Runout (Side A stamped): SOPJ-90A1 1A5
- Matrix / Runout (Side B stamped): SOPJ-90B1 1A5
- Matrix / Runout (Side C stamped): SOPJ-91A1 1A4
- Matrix / Runout (Side D stamped): SOPJ-91B1 1A1
Other Versions (5 of 53)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Get Up With It (2×LP, Album, Stereo, Pitman Pressing, Gatefold) | Columbia | KG 33236 | US | 1974 | ||
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Recently Edited
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Get Up With It (2×LP, Album, Promo, Stereo, Pitman Pressing) | Columbia | KG 33236 | US | 1974 | ||
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Recently Edited
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Get Up With It (2×LP, Album, Orange Labels) | CBS | CBS 88092, 88092 | Europe | 1974 | ||
|
Recently Edited
|
Get Up With It (2×LP, Album, Stereo) | CBS | 88092, KG 33236 | UK | 1974 | ||
|
Recently Edited
|
Get Up With It (2×LP, Album, gatefold) | Columbia | KG 33236 | Canada | 1974 |
Recommendations
Reviews
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This record should not sound as good as it does. If they can somehow fit 30 minutes on all four sides of this, why doesn't every album? I'm kidding, of course, but this is nonetheless incredible. Groove distortion is impossibly low. Bass is a tad light, compared to future releases, but it isn't enough to mask Teo Macero's enveloping warmth.
Release
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