Tracklist
A1 | Bad Boyfriend | 3:47 | |
A2 | Run Baby Run | 3:58 | |
A3 | Right Between The Eyes | 3:56 | |
A4 | Why Do You Love Me | 3:54 | |
A5 | Bleed Like Me | 4:02 | |
A6 | Metal Heart | 3:59 | |
B1 | Sex Is Not The Enemy | 3:06 | |
B2 | It's All Over But The Crying | 4:39 | |
B3 | Boys Wanna Fight | 4:17 | |
B4 | Why Don't You Come Over | 3:26 | |
B5 | Happy Home | 6:03 | |
C1 | Space Can Come Through Anyone | 3:13 | |
C2 | Nobody Can Win | 2:55 | |
C3 | I Just Wanna Have Something To Do | 2:25 | |
C4 | Honeybee | 4:02 | |
C5 | Never Be Free | 4:25 | |
D1 | Badass (2003 Ruff Demo) | 3:15 | |
D2 | Tell Me Where It Hurts | 4:10 | |
D3 | Betcha | 4:41 | |
D4 | All The Good In This Life | 4:21 | |
D5 | Witness To Your Love | 3:39 |
Companies, etc.
- Phonographic Copyright ℗ – 2024 Garbage Unlimited LLC
- Copyright © – 2024 Garbage Unlimited LLC
- Licensed To – Infectious Music Ltd.
- Distributed By – Universal Music & Video Distribution, Corp.
- Manufactured By – Universal Music & Video Distribution, Corp.
- Made By – UML
- Published By – Deadarm Music
- Published By – Almo Music Corp.
- Published By – Vibecrusher Music
- Published By – Irving Music, Inc.
- Published By – Rondor Music
- Recorded At – Smart Studios
- Recorded At – Sound City Studios
- Recorded At – The Boat
- Recorded At – GrungeIsDead
- Mixed At – Smart Studios
- Mastered At – The Lodge, New York
- Pressed By – Optimal Media GmbH – BN06938
- Lacquer Cut At – Metropolis Mastering
Credits
- Art Direction – Big Active
- Bass – Justin Meldal-Johnsen
- Design – Ryan Corey (tracks: 2024 Reissue Design)
- Design, Artwork [Montage] – Mat Maitland
- Drums – Matt Walker (tracks: All Except A1)
- Electric Guitar, Acoustic Guitar, Synthesizer, Computer [Laptop], Programmed By, Noises – Steve Marker
- Electric Guitar, Acoustic Guitar, Synthesizer, Programmed By, Effects [Atmospherics] – Duke Erikson
- Engineer – Billy Bush
- Engineer [Assistant @ Smart Studios] – Jay Arnold
- Engineer [Assistant @ Sound City] – Pete Martinez
- Engineer [Assistant @ The Boat] – Mike Laza
- Lacquer Cut By – Matt Colton
- Mastered By – Sarah (tracks: Assistant)
- Mixed By, Electric Guitar, Drums, Effects [Efx], Programmed By – Butch Vig
- Photography By [Band] – Frank W. Ockenfels 3
- Producer, Written By – Garbage (tracks: All except C3)
- Technician [Drum Tech] – Ryan MacMillan
- Vocals, Electric Guitar – Shirley Manson
- Written By – Dee Dee Ramone (tracks: C3), Joey Ramone (tracks: C3), Johnny Ramone (tracks: C3)
Notes
(P)(C) 2024 Garbage Unlimited LLC, D/B/A Stunvolume under exclusive license to Infectious Music Ltd A BMG Company for world ex. USA, Canada, Australia and New Zealand and an Interscope Records Release: UMG Recordings, Inc. for USA and Canada.
Made in EU. 60245866489. LC01846
Recorded at Smart Studios, Madison, WI; Sound City, Van Nuys, CA;
The Boat, Los Angeles, CA; and Grungeisdead, Silverlake, CA.
Mastered at The Lodge, NYC.
All songs written by Garbage © 2005 Published by Deadarm Music / Almo Music Corp. (ASCAP) and Vibecrusher Music / Irving Music, Inc. (BMI).
istered by BMG Rights Management (UK) Limited.
Dave Grohl appears courtesy of RCA Records.
"Made In " Sticker.
Made in EU. 60245866489. LC01846
Recorded at Smart Studios, Madison, WI; Sound City, Van Nuys, CA;
The Boat, Los Angeles, CA; and Grungeisdead, Silverlake, CA.
Mastered at The Lodge, NYC.
All songs written by Garbage © 2005 Published by Deadarm Music / Almo Music Corp. (ASCAP) and Vibecrusher Music / Irving Music, Inc. (BMI).
istered by BMG Rights Management (UK) Limited.
Dave Grohl appears courtesy of RCA Records.
"Made In " Sticker.
Barcode and Other Identifiers
- Barcode (Text): 6 02458 66487 4
- Rights Society: ASCAP
- Rights Society: BMI
- Matrix / Runout (Runout side A, etched): BMGCAT880DLPC A1 BN06938-01A1 = MATT C METROPOLIS =
- Matrix / Runout (Runout side B, etched): BMGCAT880DLPC B1 BN06938-01A1
- Matrix / Runout (Runout side C, etched): BMGCAT880DLPC C1 BN06938-02C1 = MATT C METROPOLIS =
- Matrix / Runout (Runout side D, etched): BMGCAT880DLPC D1 BN06938-02D1
Other Versions (5 of 62)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Bleed Like Me (CD, Album, Enhanced) | Geffen Records | B0004195-12 | US | 2005 | |||
Recently Edited
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Bleed Like Me (CD, Album, Slipcase) | Warner Bros. Records | 50, 50467-7681-2 | UK | 2005 | ||
Recently Edited
|
Bleed Like Me (CD, Album, Club Edition, Enhanced) | Geffen Records | B0004195-12 | US | 2005 | ||
Recently Edited
|
Bleed Like Me (CD, Album) | Warner Bros. Records | 50467-7681-2 | Europe | 2005 | ||
New Submission
|
Bleed Like Me (CD, Album) | Warner Bros. Records | WPCR-12037 | Japan | 2005 |
Recommendations
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2024 WorldwideLP, Record Store Day, Compilation, Limited Edition, Stereo
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Reviews
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Garbage - “Bleed Like Me” (Geffen 2005)
Nearly 20 years after its original release on Geffen Records, Garbage have finally re-issued the album (now through BMG with an agreement with Universal) and revisiting this album is like reconnecting with a long lost friend from the past. This is the band’s fourth album and while playing this album for the first time in a very long time, I surprised myself a bit with why that was? I quickly ed the songs and how this was an album that I used to play repeatedly but why had I forgotten about how fantastic this 11 track album was?! Seeing as this is also the album’s debut on vinyl for the first time I realized that was why! Back in 2005, I was listening to this album mostly from my Apple IPod because I was able to enjoy the many bonus tracks not on the standard CD and so when I lost interest in the mp3 sound and when back to my turntable, I pretty much forgot about albums from that period that never got a vinyl pressing. I do being disappointed that “Bleed Like Me” hadn’t been given a vinyl edition at all since their previous 3 albums had, albeit pricey imports. Anyways, I’m so happy to finally be able to hear this excellent album and the addition 10 bonus tracks consisting of b-sides and rarities is a super bonus! Many of these bonus tracks I’m hearing for the very first time weren’t on my IPod. I’m also happy to report the vinyl sounds great with no surface noise and no unwanted anomalies affecting the pressing during playback. The packaging is well thought out too with inner sleeves with lyrics and credits for both the album and bonus disc all housed in a gatefold LP jacket. So good to hear your voice again ol’ friend!
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