Tears For Fears – The Hurting
Label: |
Universal Music Recordings – 00602448681645 |
---|---|
Series: |
SDE Surround Series – 9 |
Format: |
Blu-ray
, Blu-ray Audio, Album, Limited Edition, Reissue, Remastered, Stereo, Multichannel
, Dolby Atmos
|
Country: |
Worldwide |
Released: |
|
Genre: |
Rock |
Style: |
New Wave |
Tracklist
Steven Wilson Remixes (2023 Dolby Atmos Mix, 2023 DTS-HD Master Audio 5.1, 2023 Stereo Remix) | |||
1 | The Hurting | 4:21 | |
2 | Mad World | 3:36 | |
3 | Pale Shelter | 4:33 | |
4 | Ideas As Opiates | 3:45 | |
5 | Memories Fade | 5:05 | |
6 | Suffer The Children | 3:51 | |
7 | Watch Me Bleed | 4:17 | |
8 | Change | 4:12 | |
9 | The Prisoner | 2:55 | |
10 | Start Of The Breakdown | 4:56 | |
Steven Wilson 2023 Instrumental Mix | |||
11 | The Hurting | 4:21 | |
12 | Mad World | 3:36 | |
13 | Pale Shelter | 4:33 | |
14 | Ideas As Opiates | 3:45 | |
15 | Memories Fade | 5:05 | |
16 | Suffer The Children | 3:51 | |
17 | Watch Me Bleed | 4:17 | |
18 | Change | 4:12 | |
19 | The Prisoner | 2:55 | |
20 | Start Of The Breakdown | 4:56 | |
Original Stereo Remaster | |||
21 | The Hurting | 4:21 | |
22 | Mad World | 3:35 | |
23 | Pale Shelter | 4:34 | |
24 | Ideas As Opiates | 3:45 | |
25 | Memories Fade | 5:05 | |
26 | Suffer The Children | 3:52 | |
27 | Watch Me Bleed | 4:17 | |
28 | Change | 4:14 | |
29 | The Prisoner | 2:56 | |
30 | Start Of The Breakdown | 4:56 | |
Bonus Tracks | |||
31 | Mad World (Mike Howlett Version) | 3:57 | |
32 | Watch Me Bleed (Mike Howlett Version) | 3:26 |
Companies, etc.
- Record Company – Universal Music B.V.
- Record Company – Universal International Music B.V.
- Phonographic Copyright ℗ – Mercury Records Ltd.
- Copyright © – Mercury Records Ltd.
- Glass Mastered At – Sony DADC – A0103434990-A511
- Exclusive Retailer – The SDE Shop
Credits
- A&R [A + R Co-ordination] – David Bates
- Drums [Drumming], Programmed By [Rhythm Programming] – Manny Elias
- Guitar [Palmer Picking] – Phil Palmer
- Liner Notes [Mixer's Note, March 2023] – Steven Wilson
- Mixed By – Steven Wilson (tracks: 1 to 20)
- Mixed By [Uncredited] – Steven Wilson (tracks: 31, 32)
- Performer [Jazz High, Dynamic Toggle] – Ross Cullum
- Photography By [Front Cover] – Ashworth*
- Photography By [Inner Photograph] – Davies / Starr*
- Producer – Ross Cullum (tracks: 1 to 30)
- Programmed By [Keyboard Programming], Programmed By [Computer Programming] – Ian Stanley
- Programmed By [Rhythm Programming], Percussion [Tuned], Conductor [Conducting] – Chris Hughes
- Remastered By – Miles Showell (tracks: 21 to 30)
- Saxophone [Saxophones] – Mel Collins
- Vocals, Bass, Keyboards – Curt Smith
- Vocals, Guitar, Keyboards, Programmed By [Rhythm Programming] – Roland Orzabal
- Written-By [All Songs] – Roland Orzabal
Notes
Original copies from The SDE Shop came shrink-wrapped with a separate slipcase, also featuring the album artwork, a reversible artwork case insert, and a twelve-page booklet containing credits and lyrics. Limited edition of 7000 units.
2023 remixes available in Dolby Atmos (24/48), 5.1 (24/96) and Stereo (24/96) streams.
2023 instrumental mix, bonus tracks and 1983 original mix available in Stereo (24/96) only.
℗ & © 2023 Mercury Records Ltd.
Made in the EU on disc and rear artwork sleeve.
Made in Czech Republic on sticker on rear cellophane.
Disc printed with typographical error as "℗ & ℗" rather than "℗ & ©" as on rear artwork sleeve.
Universal Music B.V. credited on sleeve insert.
Universal International Music B.V. credited on disc face.
Durations entered reflect the chapter rather than song length, which in reality may be shorter for several tracks given 2-3 seconds of silence inserted before the song actually starts.
2023 remixes available in Dolby Atmos (24/48), 5.1 (24/96) and Stereo (24/96) streams.
2023 instrumental mix, bonus tracks and 1983 original mix available in Stereo (24/96) only.
℗ & © 2023 Mercury Records Ltd.
Made in the EU on disc and rear artwork sleeve.
Made in Czech Republic on sticker on rear cellophane.
Disc printed with typographical error as "℗ & ℗" rather than "℗ & ©" as on rear artwork sleeve.
Universal Music B.V. credited on sleeve insert.
Universal International Music B.V. credited on disc face.
Durations entered reflect the chapter rather than song length, which in reality may be shorter for several tracks given 2-3 seconds of silence inserted before the song actually starts.
Barcode and Other Identifiers
- Barcode (Text): 6 02448 68164 5
- Barcode (Scanned): 602448681645
- Matrix / Runout: A0103434990-A511 1000
- Matrix / Runout (Stamped): 1A00
- Mastering SID Code: IFPI LY27
- Mould SID Code: IFPI 9461
- Rights Society: BIEM / SDRM
- Label Code: LC03098
Other Versions (5 of 181)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
The Hurting (LP, Album, Stereo, 72 - PRC-Richmond Pressing) | Mercury | 811 039-1 M-1, 422 811 039-1 M-1 | US | 1983 | ||
Recently Edited
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The Hurting (LP, Album, Stereo) | Mercury | mers 17, 811 039-1, MERS 17 | UK | 1983 | ||
Recently Edited
|
The Hurting (Cassette, Album, Black PolyGram Shell, Chromium Dioxide) | Mercury | MERSC 17, 811 039-4 | UK | 1983 | ||
Recently Edited
|
The Hurting (Cassette, Album) | Mercury | 811 039-4 | Philippines | 1983 | ||
The Hurting (LP, Album, Stereo) | Mercury | 811 039-1, mers 17 | 1983 |
Recommendations
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2023 WorldwideBlu-ray Audio, Album, Limited Edition, Reissue, Stereo, Multichannel
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2023 WorldwideBlu-ray Audio, Album, Limited Edition, Reissue, Stereo, Quadraphonic, Multichannel
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2022 EuropeBlu-ray Audio, Album, Limited Edition, Multichannel
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2024 WorldwideBlu-ray Audio, Album, Limited Edition, Stereo, Multichannel
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2023 WorldwideBlu-ray Audio, Album, Limited Edition, Reissue, Stereo, Multichannel
-
2024 WorldwideBlu-ray Audio, Album, Limited Edition, Reissue, Stereo, Multichannel
-
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2017 WorldwideAlbum, Reissue, Remastered, Stereo
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Reviews
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The mix is incredible, updated to create depth and seperation to make every speaker work, and all without losing any of the impact and strength of the original. I'm extremely impressed with Steven Wilson. I've purchased a couple of others in the SDE Surround series, but The Hurting has had the greatest impact so far.
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Yep, this is banging. Cool to hear the rejected mixes, thank god they were though as changes the mood of the music somewhat
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Having listened to the stereo mixes again the Miles Showell remaster of the original is by far the best stereo version suring my original U.K. vinyl and CD in every respect. The Steve Wilson remix sounds just as fantastic but it’s obviously slightly different.
The MS remaster here is so much more dynamic than the previous Blu Ray release.
The DR of the MS original mix is the same as the original U.K. vinyl/CD -
Very impressed with this Blu Ray set.
I’m especially pleased about the stereo mixes included and of course Steven Wilson’s excellent remix for the album!
Miles Showell Half-Speed Master of the original mix is actually one of the better remastering jobs than the previous Tears for Fears albums done from 2014-2020, If I be real honest here (Surprised from the Seeds of Love deluxe box included the original ‘89 Bob Ludwig digital master/mix which sounds amazing).
I haven’t gone through the atmos mix yet but I’m certain it’ll be quite the experience. -
The Steven Wilson stereo mix was the first step for his surround mixes. Steven did a multitrack stereo mix, which should match as close as possible to the original mix. Then he did the surround mix from this stereo multitrack. Normally this stereo mix will not be released (okay SFTBC has this stereo mix too).
This stereo mix was not intended to be included on this Blu-ray. In the comments to this release on the SDE-website many wished that this stereo mix should be included. Steven Wilson read the comments and at a last minute decision it was included. I am happy with this.
This Blu-ray with all the different Soundtracks is by far the best re-release of this album (in of sound quality) with the "DYNAMICS" not crushed, thanks for that. The Box - Set in of a nearly complete Release.
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Edited one year agoListened to the instrumental mix (stereo) and the 5.1 Steven Wilson Mix. Both sound so great for an album i bought as a youngster and which i know by heart from the start to the end. My LP was broken (pun intended) during a wild house party with parents on holiday, a new LP was bought, our son has it now, with all the scratches and tickles, i have a reissue cd, but this tops everything. The 2 bonus versions are interesting, and reveal the origins of these 2 songs. A real gem. Sadly i had to pay 17.50 euro + 11.20 euro taxes for a EU blu ray which was imported in the UK and then again imported in EU.
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Proof that if you take away the music biz types and put producing the product in the hands of people who care about physical, you get something as good as this. Right down to the reversable cover art, for those who might like the US/Japan edition artwork over the UK's - no industry person would have thought of doing that, or think it was that important.
It's a great dynamic listen all round, not fatiguing like modern remasters. I'm never a fan of those that remix 2.0 basic stereo of the original, it's just pointless - but the surround mixes are the main meat on the bone here.
Steven Wilson definitely (with this and The Tipping Point surround he did) prioritises the vocals high up in the mix over anything else - some might agree that is correct - personally I don't as it comes at an expense of some of the more incidental effects going on (like the title track, or indeed the title track of The Tipping Point).
It will never replace the original 2.0 mix of the album on vinyl, or the first digital CD issue, but this is a very good compliment to a classic album. Long may this series continue.
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I’m not interested in the surround mixes to be fair but the stereo Miles Showell 2023 master and the 2023 Steve Wilson remix are exceptional. I love vinyl but I will buy a well mastered Hi Res stereo Blu Ray like this over vinyl every time. Sure it means I have to rip it to my server and then never use the disc again but I still own it physically. The clarity and detail here is exceptional and I’m hearing additional detail that I’ve not heard before.
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One of the best, if not the best-sounding Blu-ray Pure Audio in my relatively extensive collection. The Dolby Atmos Mix sounds overwhelming without being determined by showmanship. Steven Wilson outdid himself, so to speak. The mix is as rich in detail as necessary, as careful as possible, uses the entire space of the virtual stage and allows individual instruments and sounds to be localized at any time. What was not so clear to me until now: without exception, the tracks are truly creative pearls with partly completely unusual instrumentation and melodies - a great album! Also very interesting is the stereo instrumental mix on the album, also by Steven Wilson. So make sure to grab it.
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Recently Edited
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