Ornette Coleman – The Shape Of Jazz To Come
Tracklist
| A1 | Lonely Woman | 4:59 | |
| A2 | Eventually | 4:20 | |
| A3 | Peace | 9:04 | |
| B1 | Focus On Sanity | 6:50 | |
| B2 | Congeniality | 6:41 | |
| B3 | Chronology | 6:05 |
Companies, etc.
- Exclusive Retailer – Vinyl Me, Please
- Manufactured For – Rhino Entertainment Company
- Marketed By – Rhino Entertainment Company
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Copyright © – Atlantic Recording Corporation
- Record Company – Warner Music Group
- Published By – MJQ Music
- Lacquer Cut At – Sterling Sound
- Pressed By – Record Technology Incorporated – 38456
Credits
- Alto Saxophone – Ornette Coleman
- Bass – Charlie Haden
- Cornet – Donald Cherry*
- Design [Cover Design] – Marvin Israel
- Drums – Billy Higgins
- Engineer [Recording Engineer] – Bones Howe
- Lacquer Cut By – Ryan Smith (2)
- Liner Notes – Martin Williams (6)
- Liner Notes [Listening Notes Booklet] – Marcus J. Moore
- Photography By [Cover Photo] – William Claxton
- Supervised By – Nesuhi Ertegun
- Written-By – Ornette Coleman
Notes
VMP Classics record of the month for October 2022.
Includes a VMP obi.
Packaged in a tip-on sleeve.
Hype sticker:
• (AAA) Lacquers Cut From the Original Mono Tapes by Ryan Smith, Sterling Sound
• Pressed on 180g Black Audiophile Vinyl at RTI
• Listening Notes Booklet by Marcus J. Moore
℗ & © 2022, 1959 Atlantic Recording Corporation, a Warner Music Group Company.
Printed in Czech Republic. Made in U.S.A.
Includes a VMP obi.
Packaged in a tip-on sleeve.
Hype sticker:
• (AAA) Lacquers Cut From the Original Mono Tapes by Ryan Smith, Sterling Sound
• Pressed on 180g Black Audiophile Vinyl at RTI
• Listening Notes Booklet by Marcus J. Moore
℗ & © 2022, 1959 Atlantic Recording Corporation, a Warner Music Group Company.
Printed in Czech Republic. Made in U.S.A.
Barcode and Other Identifiers
- Rights Society: BMI
- Matrix / Runout (Side A runout): VMP-C058-A R1-661904-A 38546.1(3)... RKS STERLING
- Matrix / Runout (Side B runout): VMP-C058-B R1-661904-B 38546.2(3)... RKS STERLING
Other Versions (5 of 109)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Shape Of Jazz To Come (LP, Album, Stereo) | Atlantic | SD 1317, SD-1317 | US | 1959 | |||
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New Submission
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The Shape Of Jazz To Come (LP, Album, Mono) | Atlantic | 1317 | US | 1959 | ||
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New Submission
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Le Jazz De Demain (LP, Album, Mono) | Atlantic | 332010, 332.010 | 1959 | |||
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New Submission
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The Shape Of Jazz To Come (LP, Album, Stereo) | Atlantic | SD 1317 | Denmark | 1959 | ||
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New Submission
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The Shape Of Jazz To Come (LP, Album, Mono) | Atlantic | 1317 | Denmark | 1959 |
Recommendations
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2022 USVinyl —LP, Album, Club Edition, Reissue, Remastered, Mono -
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2022 USVinyl —LP, Album, Club Edition, Reissue, Remastered, Stereo -
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2021 USVinyl —LP, Album, Club Edition, Reissue, Remastered
Reviews
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Flawless pressing. Temps are dropping up here in Winterpeg, and barely a whisper of static with just a dry brushing. It's a great recording. I'm really digging the dynamics on these VMP jazz records. This is the first time I've heard this album and it's fantastic. It doesn't sound too avant garde to me; just different enough to make it interesting. -
Wow. Amazing work on an amazing album. Up until yesterday I have only heard this in Stereo, and mono is more pleasing to my ears. It doesn’t get much better than this. Fantastic work
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Insanely good mono repressing. Love VMP’s work. Wish they’d go back to RTI, as this pressing is proof of their quality. The outer is thick and beautiful, although the plastic sleeve was a bit tight. On a general note, I wish VMP dispensed with the sticky fold on the plastic sleeves as they can get stuck to and damage the outers. I usually replace them with a Mofi, but have to lose or cut out the hype sticker. Not ideal. -
This is a great mono pressing—bright, detailed, and without extraneous noise (even during the relative quiet of Charlie Haden’s bass solo). I’ve loved this record since the first time I heard it, so I’m thrilled to have a high-quality pressing at such a reasonable price (compared to early pressings, anyway). -
I was hesitant about getting this one after auditioning on Spotify. It’s challenging jazz but it’s a “must have” so I took the plunge.
In the first few moments of Lonely Women there is a lead of just the drums and bass sounding distance and, because of this, almost thin/weak/disappointing until then the horns kick in commanding attention so firmly and right up front of the soundstage. You get drawn in to the layers and sonic texture … from a mono mix, no less.
“Challenging” on Spotify, thoroughly engaging and completely engulfing on a VMP LP. -
Edited 2 years agoWhat a brilliant pressing! This is how a record should sound. After my debacle with the Analogue Productions UHQR Kind of Blue, which after cleaning several times and using a Zerostat still has pops, this is crystal clear straight out of the sleeve. I've ordered two other VMP AAA records on the back of this (Blonde on Blonde and Sun Ship), for half the price of one AP UHQR. Fantastic label.
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