Radiohead – OK Computer
Label: |
XL Recordings – XLLP781 |
|---|---|
Format: |
|
Country: |
Worldwide |
Released: |
|
Genre: |
Rock |
Style: |
Alternative Rock |
Tracklist
| eeny | |||
| A1 | Airbag | 4:44 | |
| A2 | Paranoid Android | 6:23 | |
| A3 | Subterranean Homesick Alien | 4:27 | |
| meeny | |||
| B1 | Exit Music (For A Film) | 4:24 | |
| B2 | Let Down | 4:59 | |
| B3 | Karma Police | 4:21 | |
| miney | |||
| C1 | Fitter Happier | 1:57 | |
| C2 | Electioneering | 3:50 | |
| C3 | Climbing Up The Walls | 4:45 | |
| C4 | No Surprises | 3:48 | |
| mo | |||
| D1 | Lucky | 4:19 | |
| D2 | The Tourist | 5:24 |
Companies, etc.
- Phonographic Copyright ℗ – XL Recordings Ltd.
- Copyright © – XL Recordings Ltd.
- Manufactured By – XL Recordings Ltd.
- Distributed By – XL Recordings Ltd.
- Recorded By – Canned Applause? Mobile
- Recorded At – Mayfair Studios
- Recorded At – Abbey Road Studios
- Recorded At – Air Lyndhurst Hall
- Recorded At – Courtyard Studio
- Recorded At – The Church, London
- Mastered At – Abbey Road Studios
- Designed At – Hubdesign
- Designed At – The Whole Hog
- Published By – Warner Chappell Ltd.
- Pressed By – Optimal Media GmbH – BL33275
- Lacquer Cut At – Optimal Media GmbH
Credits
- Arranged By [Strings] – Radiohead
- Artwork [Pictures] – The White Chocolate Farm
- Artwork [Video Realization] – Dilly Gent
- Booking – ITB
- Conductor [Strings] – Nick Ingman
- Design – Mr. Barry
- Engineer [Studio Assistant] – Jon Bailey
- Lacquer Cut By – KR*
- Legal – Tony Wadsworth
- Management – Chris Hufford
- Management [Office] – Julie Calland
- Mastered By – Chris'King Fader'Blair*
- Mixed By – Nigel Godrich
- Music By – Thom Yorke
- Production Manager [Lighting, Stage Design, Smoke & Production] – Andi Watson
- Public Relations – Caffy St Luce
- Recorded By – Nigel Godrich
- Technician [Additional Guitar Stuff] – Adam Cummings
- Technician [Guitar Maintenance] – Duncan Swift (2)
- Technician [Instrument Modifications], Stage Manager – Plank (3)
- Tour Manager – Tim Greaves (2)
Notes
Gatefold cover with lyrics and credits.
Cardboard printed inner sleeves with artworks.
Digital code included.
Printed in E.U. on back cover.
Made in the E.U. on vinyl labels.
Sides are labeled as eeny (A), meeny (B), miney (C), mo (D).
Jacket, inner sleeves and labels appear identical to the 2016 reissue, but this release has totally different optimal media pressing infos and also lacks MPO etchings.
Runouts are etched.
Cardboard printed inner sleeves with artworks.
Digital code included.
Printed in E.U. on back cover.
Made in the E.U. on vinyl labels.
Sides are labeled as eeny (A), meeny (B), miney (C), mo (D).
Jacket, inner sleeves and labels appear identical to the 2016 reissue, but this release has totally different optimal media pressing infos and also lacks MPO etchings.
Runouts are etched.
Barcode and Other Identifiers
- Barcode (Printed): 6 34904 07811 9
- Barcode (Scanned): 634904078119
- Label Code: LC05667
- Matrix / Runout (Side A runout variant 1): XLLP781 BL33275-01 A1
- Matrix / Runout (Side B runout variant 1): XLLP781 BL33275-01_B2
- Matrix / Runout (Side C runout variant 1): XLLP781 BL33275-02_C1
- Matrix / Runout (Side D runout variant 1): XLLP781 BL33275-02_D1
- Matrix / Runout (Side A runout variant 2): XLLP781 BL33275-01 A1
- Matrix / Runout (Side B runout variant 2): XLLP781 BL33275-01 B2
- Matrix / Runout (Side C runout variant 2): XLLP781 BL33275-02 C2 KR
- Matrix / Runout (Side D runout variant 2): XLLP781 BL33275-02 D1
Other Versions (5 of 230)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| OK Computer (CD, Album, Stereo) | Parlophone | 7243 8 55229 2 5, CDNODATA 02 | Europe | 1997 | |||
|
Recently Edited
|
OK Computer (CD, Album) | Capitol Records | CDP 7243 8 55229 2 5 | US | 1997 | ||
|
Recently Edited
|
OK Computer (CD, Album) | Parlophone | 7243 8 55229 2 5 | Canada | 1997 | ||
|
Recently Edited
|
OK Computer (Minidisc, Album) | Parlophone | 7243 8 55229 8 7 | UK | 1997 | ||
|
Recently Edited
|
OK Computer (CD, Advance, Album, Numbered, Promo) | Parlophone | CDPP 005 | UK | 1997 |
Recommendations
Reviews
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Beautiful album. Beautiful pressing. No issues whatsoever.
No wonder this is considered one of the best albums of all time - it IS THAT GOOD! The emotion, the musicianship, the mixing, the lyricism, the creative direction...
The pressing had little-to-none surface noise, only barely noticeable on the quieter parts. The packaging was really nice, loved the artwork and the inside of the gatefold was definitely a suprise - and bonus points for the the little easter eggs: i.e.
Actual lyrics - "Wake from your sleep"
On the gatefold - "Wake from your dreams"
Really, really nice record. One of the best in my collection. -
Edited one month agoI.M.O. one of Radioheads best LP`s all round for sound and music,great lyrics volcas on point and band
musicianship.
My copy is perfect,glass flat,noise free and well centered on the spindle,full dynamics with detail and ambiance.
Highly recommended - Five Stars*****
Music quality 5*
Sound quality 5*
Mastering/pressing 5*
Turntable:Rega P3/Neo psu
Cartridge: Roksan Corus body/goldring G1042 tip
Phono Stage:Musical Fidelity M6s pre (mm section) -
Well, I got an early UK pressing (NODATA), I can compare it, and I have to say it is a absolute fine reissue. Quality gatefold, nice, really quite pressing, no sibilance, good soundstage, nice separation, U can’t go wrong with this pressing. I got it for 25 EUR, worth every penny, it was nowadays fair price. -
Radiohead's later albums are (almost) all incredible, but they are all downhill from here. Wish i knew which side was which as it isnt labeled on any of the records :/ -
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On the labels there is written a lot of shit bit not a tracklist and MORE important which side it is, yes even other records have this problems but for me it is a jerky-solution!
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Very decent copy. Good separation. Can hear layerings. Optimal is always either a hit or a miss. This is fortunately for me a hit. Sound dynamics not as good as the 45rpm In Rainbows but it’s still good. I am happy with the purchase.
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Edited 2 years agoExpectations were high, but this recording is pretty flat with poor dynamics. The drums are super squashed. I'm hoping it will grow on me, but right now The Bends is sounding better and more dynamic.
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A perfect pressing front to back. Flat, no ticks, pops or anything, wide soundstage, great bass, high volume, great dynamics.
Release
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