AMMThe Crypt - 12th June 1968

Label:

Matchless Recordings – MRCD05

Format:

2 x CD , Album, Reissue

Country:

UK

Released:

Genre:

Jazz

Style:

Experimental

Tracklist

1-1 Like A Cloud Hanging In The Sky? 45:21
2-1 Coffin Nor Shelf 45:36
2-2 Neither Bill Nor Axe Would Shorten Its Existence 18:08

Companies, etc.

  • Published ByMatchless Recordings And Publishing
  • Glass Mastered AtNimbus

Credits

  • Guitar, Electronics, ArtworkKeith Rowe
  • Liner NotesEddie Prévost
  • PercussionEddie Prévost
  • Piano, CelloCornelius Cardew
  • Recorded ByBob Woolford
  • Saxophone, ViolinLou Gare

Notes

Released in "fat" double jewel case with 16-page booklet including notes & credits.

Recorded at the Crypt, Lancaster Road, London W11, 12th June 1968.
Previously released (two editions) as a two-album box set with music duration of just over 78 minutes. This is the first release of the complete session.
Total playing time (two discs): 109'14"

Music copyright of Cornelius Cardew, Lou Gare, Christopher Hobbs, Eddie Prévost, Keith Rowe. © 1991.
Front cover art work from poster made by Keith Rowe during the 1960s.

MRCD05 published 1992 ℗
Manufactured in the United Kingdom

Barcode and Other Identifiers

  • Matrix / Runout (CD1): MRCD 05/DISC 1 : 1:1 MASTERED BY NIMBUS
  • Matrix / Runout (CD2): MRCD 05/DISC 2 : 1:2 MASTERED BY NIMBUS
  • Rights Society: PRS/MS

Other Versions (3)

View All
Title (Format) Label Cat# Country Year
The Crypt - 12th June 1968 (2×LP, Box Set) Matchless Recordings MR5 UK 1981
Recently Edited
The Crypt - 12th June 1968 (2×LP, Reissue, Box Set, ) Matchless Recordings MR5 UK 1988
Recently Edited
The Crypt - 12th June 1968 (2×CD, Album, Reissue) Matchless Recordings MRCD05 UK 2008

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Reviews

  • incuswetrust's avatar
    incuswetrust
    Epochal release- one of the first 'noise as aesthetic' records. Knocks most so-called industrial records into a very cocked hat. Definitely a record to be played at one's funeral, as one observer noted. AMM's catalogue is mainly meditative and relaxed; this one breaks the mould, and it's odd that they never really ventured down this path again (apart from 'Live In Allentown'). Highly recommended.

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