Madonna – Something To
Label: |
Warner Bros. Records – 9362-46100-2 |
---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Pop |
Style: |
Ballad |
Tracklist
1 | Massive Attack– | I Want You | 6:24 |
2 | Madonna– | I'll (Theme From The Motion Picture With Honors) | 4:24 |
3 | Madonna– | Take A Bow | 5:22 |
4 | Madonna– | You'll See | 4:41 |
5 | Madonna– | Crazy For You | 4:04 |
6 | Madonna– | This Used To Be My Playground | 5:10 |
7 | Madonna– | Live To Tell | 5:52 |
8 | Madonna– | Love Don't Live Here Anymore (Remix) | 4:54 |
9 | Madonna– | Something To | 5:04 |
10 | Madonna– | Forbidden Love | 4:09 |
11 | Madonna– | One More Chance | 4:28 |
12 | Madonna– | Rain | 5:29 |
13 | Madonna– | Oh Father | 5:00 |
14 | Massive Attack– | I Want You (Orchestral) | 6:04 |
Companies, etc.
- Copyright © – Sire Records Company
- Phonographic Copyright ℗ – Sire Records Company
- Phonographic Copyright ℗ – Warner Bros. Inc.
- Phonographic Copyright ℗ – Motown Record Company
- Manufactured By – WEA Manufacturing
- Made By – Warner Music Manufacturing Europe
- Marketed By – Warner Bros. Records Inc.
- Published By – Jobete Music Co., Inc.
- Published By – Almo Music Corp.
- Published By – WB Music Corp.
- Published By – No Tomato Music
- Published By – PolyGram International Publishing, Inc.
- Published By – Global Cooling Music
- Published By – Ali-Aja Music
- Published By – Webo Girl Publishing, Inc.
- Published By – ECAF Music
- Published By – Sony Songs Inc.
- Published By – One Four Three Music
- Published By – Warner-Tamerlane Publishing Corp.
- Published By – Bleu Disque Music Co., Inc.
- Published By – Johnny Yuma Music
- Published By – May Twelfth
- Published By – Shepsongs
- Pressed By – WMME Alsdorf
Credits
- Art Direction, Design – Greg Ross
- Photography By [Front Cover] – Mario Testiino*
- Photography By [Inside] – Dean Chamberlain (2)
Notes
This is the Floral Design Edition with a flower as back insert. For the later pressing with a photo of Madonna in a Versace outfit on back insert see Something To .
© 1995 Sire Records Company.
℗ 1984, 1986, 1989, 1990, 1992, 1994, 1995 Sire Records Company. ℗ 1985 Warner Bros. Inc. ℗ 1995 Motown Record Company.
Made in .
Track 10 contains a sample of "Down Here On The Ground", performed by Grant Green.
Some copies stickered with: 'MADONNA'S GREATEST BALLAD HITS plus the brand new songs "You'll See", "I Want You" and "One More Chance" 9362-46100-2'.
© 1995 Sire Records Company.
℗ 1984, 1986, 1989, 1990, 1992, 1994, 1995 Sire Records Company. ℗ 1985 Warner Bros. Inc. ℗ 1995 Motown Record Company.
Made in .
Track 10 contains a sample of "Down Here On The Ground", performed by Grant Green.
Some copies stickered with: 'MADONNA'S GREATEST BALLAD HITS plus the brand new songs "You'll See", "I Want You" and "One More Chance" 9362-46100-2'.
Barcode and Other Identifiers
- Barcode (Text): 0 9362-46100-2 1
- Barcode (Scanned, UPC_A): 093624610021
- Label Code: LC 3228
- Price Code: WE 833
- Rights Society (Boxed): GEMA/ BIEM
- Matrix / Runout (Variant 1): 936246100-2.2 WME
- Mastering SID Code (Variant 1): IFPI L012
- Mould SID Code (Variant 1): IFPI 05A3
- Matrix / Runout (Variant 2): 936246100-2.3 WME
- Mastering SID Code (Variant 2): IFPI L011
- Mould SID Code (Variant 2): IFPI 0526
- Matrix / Runout (Variant 3): 936246100-2.3 WME
- Mastering SID Code (Variant 3): IFPI L011
- Mould SID Code (Variant 3): IFPI 0502
- Matrix / Runout (Variant 4): 936246100-2.2 WME
- Mastering SID Code (Variant 4): IFPI L012
- Mould SID Code (Variant 4): IFPI 0512
- Matrix / Runout (Variant 5): 936246100-2.2 WME
- Mastering SID Code (Variant 5): IFPI L012
- Mould SID Code (Variant 5): IFPI 0608
- Matrix / Runout (Variant 6): 936246100-2.2 WME
- Mastering SID Code (Variant 6): IFPI L012
- Mould SID Code (Variant 6): IFPI 0527
- Matrix / Runout (Variant 7): 936246100-2.3 WME
- Mastering SID Code (Variant 7): IFPI L011
- Mould SID Code (Variant 7): IFPI 05A5
- Matrix / Runout (Variant 8): 936246100-2.2 WME
- Mastering SID Code (Variant 8): IFPI L012
- Mould SID Code (Variant 8): IFPI 0578
- Matrix / Runout (Variant 9): 936246100-2.2 WME
- Mastering SID Code (Variant 9): IFPI L012
- Mould SID Code (Variant 9): IFPI 05A5
- Matrix / Runout (Variant 10): 936246100-2.2 WME
- Mastering SID Code (Variant 10): IFPI L012
- Mould SID Code (Variant 10): IFPI 0576
- Matrix / Runout (Variant 11): 936246100-2.2 WME
- Matrix / Runout (Mould hub, variant 11): W [Warner logo] 9
- Mastering SID Code (Variant 11): IFPI L012
- Mould SID Code (Variant 11): IFPI 060 B
- Matrix / Runout (Variant 12): 936246100-2.3 WME
- Mastering SID Code (Variant 12): IFPI L011
- Mould SID Code (Variant 12): IFPI 05B1
- Matrix / Runout (Variant 13): 936246100-2.2 WME
- Mastering SID Code (Variant 13): IFPI L012
- Mould SID Code (Variant 13): IFPI 060C
- Matrix / Runout (Variant 14): 936246100-2.2 WME
- Matrix / Runout (Mould hub, variant 14): W [Warner logo] Ⅱ
- Mastering SID Code (Variant 14): IFPI L012
- Mould SID Code (Variant 14): IFPI 0060D
- Matrix / Runout (Variant 15): 936246100-2.2 WME
- Mastering SID Code (Variant 15): IFPI L012
- Mould SID Code (Variant 15): IFPI 0593
- Matrix / Runout (Variant 16): 936246100-2.3 WME
- Mastering SID Code (Variant 16): IFPI L011
- Mould SID Code (Variant 16): IFPI 0522
- Matrix / Runout (Variant 17): 936246100-2.2 WME
- Mastering SID Code (Variant 17): IFPI L012
- Mould SID Code (Variant 17): IFPI 0526
- Matrix / Runout (Variant 18): 936246100-2.2 WME
- Mastering SID Code (Variant 18): IFPI L012
- Mould SID Code (Variant 18): IFPI 0574
- Matrix / Runout (Variant 19): 936246100-2.2 WME
- Mastering SID Code (Variant 19): IFPI L012
- Mould SID Code (Variant 19): IFPI 0582
- Matrix / Runout (Variant 20): 936246100-2.2 WME
- Matrix / Runout (Mould hub, variant 20): W [Warner logo] 44
- Mastering SID Code (Variant 20): IFPI L012
- Mould SID Code (Variant 20): IFPI 05A7
- Matrix / Runout (Variant 21): 936246100-2.3 WME
- Matrix / Runout (Mould hub, variant 21): W [Warner logo]
- Mastering SID Code (Variant 21): IFPI L011
- Mould SID Code (Variant 21): IFPI 0510
- Matrix / Runout (Variant 22): 936246100-2.3 WME
- Matrix / Runout (Mould hub, variant 22): W [Warner logo] 35
- Mastering SID Code (Variant 22): IFPI L011
- Mould SID Code (Variant 22): IFPI 0523
- Matrix / Runout (Variant 23): 936246100-2.3 WME
- Matrix / Runout (Mould hub, Variant 23): W [Warner logo]
- Mastering SID Code (Variant 23): IFPI L011
- Mould SID Code (Variant 23): IFPI 0527
- Matrix / Runout (Variant 24): 936246100-2.3 WME
- Mastering SID Code (Variant 24): IFPI L011
- Mould SID Code (Variant 24): IFPI 0582
- Matrix / Runout (Variant 25): 936246100-2.3 WME
- Mastering SID Code (Variant 25): IFPI L011
- Mould SID Code (Variant 25): IFPI 0505
- Matrix / Runout (Variant 26): 936246100-2.2 WME
- Matrix / Runout (Mould hub, Variant 26): W [Warner logo] 8
- Mastering SID Code (Variant 26): IFPI L012
- Mould SID Code (Variant 26): IFPI 0603
- Matrix / Runout (Variant 27): 936246100-2 WME
- Matrix / Runout (Mould hub, variant 27): W [Warner logo] 9
- Mastering SID Code (Variant 27): IFPI L011
- Mould SID Code (Variant 27): IFPI 060 B
- Matrix / Runout (Variant 28): 936246100-2.2 WME
- Matrix / Runout (Mould hub, Variant 28): W [Warner logo]
- Mastering SID Code (Variant 28): IFPI L012
- Mould SID Code (Variant 28): IFPI 0612
- Matrix / Runout (Variant 29): 936246100-2.2 WME
- Matrix / Runout (Variant 29): W [Warner logo]
- Mastering SID Code (Variant 29): IFPI L012
- Mould SID Code (Variant 29): IFPI 05A5
- Matrix / Runout (Variant 30): 936246100-2 WME
- Matrix / Runout (Mould hub, Variant 30): W [Warner logo]
- Mastering SID Code (Variant 30): IFPI L011
- Mould SID Code (Variant 30): IFPI 060C
- Matrix / Runout (Variant 31): 936246100-2.3 WME
- Matrix / Runout (Mould hub, Variant 31): W [Warner logo]
- Mastering SID Code (Variant 31): IFPI L011
- Mould SID Code (Variant 31): [none]
Other Versions (5 of 166)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Something To (LP, Compilation) | Warner Bros. Records | 9362-46100-1 | Europe | 1995 | ||
Recently Edited
|
Something To (CD, Compilation, No Back Insert) | WEA Japan | WPCR-555 | Japan | 1995 | ||
Recently Edited
|
Something To (Cassette, Compilation) | Warner Bros. Records | 9362-46100-4 | Europe | 1995 | ||
Recently Edited
|
Something To (CD, Compilation, Limited Edition) | Warner Music Taiwan | 9362 46100-2 | Taiwan | 1995 | ||
Recently Edited
|
Something To (Cassette, Compilation, Dolby HX Pro, S NR) | Warner Bros. Records | 9 46100-4, 4-46100 | US | 1995 |
Recommendations
Reviews
-
I've never been a Madonna fan during the times she was big, but rediscovered her in later years. This album shows her vocal abilities as well as her ability to express emotion (just listen to Love don't live here anymore, a worthy remix).
If you're looking for the more emotional sides of Madonna, this is the album. Perhaps it could have been released as a double album but I'm not the right person to make this argument since I'm not familiar with all her albums. -
Yes Indeed, this one sounds really good through a decent turntable and in my case with a shibata cartridge, perfect match for these kind of pressings.
-
We all know Madonna. We all know her hits, we all have followed her career, some hate her, some ire her, she still makes gigantic shows at her 50's. And it's maybe ironic that this album, a compilation of ballads, most of them subdued and quiet, is not her best compilation so far but also one of her better albums in that very long career. And that's because it features most of Madonna's better songs - before that surprising jump into full electronica in "Ray of Light" - and her strongest performances.
It starts with a, hm, bit dated trip-hop cover of "I want you" which features the kind of chords (and arpeggios) that Craig Armstrong is so obsessed with. It follows with two excellently produced AOR ballads, moves to an 80's hit which gives you a chance to compare her evolution in singing (and anyway, Crazy For You is great, it has one wonderful structure to highlight the chorus and make it the catchiest), a hit from a movie back then, another highlight from the 80s, and a bunch of songs where "Love don't live here anymore" is re-recorded with many strings and which is a complete success. And, though not all the other songs have the same interest, it's, as a whole, a very gentle, confortable, very well produced, and which has more value seeing how her career seems to be centered in production trickery and inmediate dance while these songs are all centered in very well crafted pop. And, I confess, crafted pop that, though her godzillianly big star image, sounds sincere and beautiful.
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