チャーリー・ミンガス*Pithecanthropus Erectus = 直立猿人

Label:

Atlantic – P-7508A

Series:

Jazz-Forever Excellent

Format:

Vinyl , LP, Album, Reissue, Mono

Country:

Japan

Released:

Genre:

Jazz

Style:

Avant-garde Jazz

Tracklist

A1 Pithecanthropus Erectus = 直立猿人
Written-ByCharles Mingus
10:32
A2 A Foggy Day = 霧深き日 7:45
B1 Profile Of Jackie = ジャッキーの肖像
Written-ByCharles Mingus
3:07
B2 Love Chant = ラヴ・チャント
Written-ByCharles Mingus
14:52

Companies, etc.

  • Record CompanyWarner-Pioneer Corporation
  • Record CompanyAtlantic Recording Corporation
  • Made ByWarner-Pioneer Corporation
  • Distributed ByWarner-Pioneer Corporation
  • Licensed FromAtlantic Recording Corporation
  • Published ByChaz-Mar
  • Published ByGershwin Publishing Corp.

Credits

  • Alto SaxophoneJackie McLean
  • BassCharlie Mingus*
  • CoverJulio de Diego
  • DrumsWillie Jones
  • Engineer [Recording Engineer]Tom Dowd
  • Liner Notes岩浪洋三*
  • PianoMal Waldron
  • Supervised By [Supervision]Nesuhi Ertegun
  • Tenor SaxophoneJ. R. Monterose*

Notes

Reissue on replica black Atlantic Long Playing Unbreakable labels with silver print.

Released with a silver obi and a foldout insert printed on three sides. The first page is Japanese liner notes, the second and third are a Charles Mingus Discography edited by 青木和富 = Kazutomi Aoki.

Tracklist credits and track durations are taken from the Japanese insert and labels and differ from the legacy US sleeve.

Legacy back sleeve:
- A1, B1, B2 published by Chaz-Mar (BMI)
- A2 published by Gershwin Publishing Corp. (ASCAP)
- Atlantic Recording Corporation, 75 Rockefeller Plaza, New York, N.Y. 10019

Labels:
- Made by Warner-Pioneer Corporation, Japan, under license from Atlantic Recording Corp. U.S.A.

Obi:
- 発売元 ・ ワーナー・パイオニア株式会社

Insert:
- Recorded January 30 1956

Catalog number P-7508A on spine, obi, insert and labels.
Legacy US catalog number Atlantic 1273 on back sleeve.

Artist on spine: The Charles Mingus Jazz Workshop
Artist on insert: Charles Mingus Jazz Workshop

Runouts are stamped.

Barcode and Other Identifiers

  • Rights Society: BMI
  • Rights Society: ASCAP
  • Price Code (List price, obi): ¥2,200
  • Other (Legacy US catalog number): 1237
  • Matrix / Runout (Label side A): P-7508A1
  • Matrix / Runout (Label side B): P-7508A2
  • Matrix / Runout (Runout side A, variant 1): P-7508 A 1 S-1 G2 L-B-3 3 〄
  • Matrix / Runout (Runout side B, variant 1): P-7508 A 2 L-A- 3
  • Matrix / Runout (Runout side A, variant 2): P - 7508A1 TO 1 - A - 37 ( 1 ) 2 3 〄 ( P - 6005A1 ) 33-257 39
  • Matrix / Runout (Runout side B, variant 2): P - 7508A2 TO 2 - A - 9 3 〄
  • Matrix / Runout (Runout side A, variant 3): P-7508A1 TO 10-89-Y Z1 1-A-29 (1) 2 3 〄 (P-6005A1)
  • Matrix / Runout (Runout side B, variant 3): P-7508A2 TO 2-A-1 〄

Other Versions (5 of 80)

View All
Title (Format) Label Cat# Country Year
Pithecanthropus Erectus (LP, Album, Mono, Deep Groove) Atlantic 1237 US 1956
New Submission
Pithecanthropus Erectus (LP, Album, Mono) London Records LTZ-K.15052 UK 1956
New Submission
Pithecanthropus Erectus (LP, Album, Mono, Deep Groove) Atlantic AT. 1237, 1237 Canada 1956
New Submission
Pithecanthropus Erectus (LP, Album, Mono, Deep Groove) London Records LTZM-K 15052 New Zealand 1956
New Submission
Pithecanthropus Erectus (LP, Album, Mono) London Records LTZM-K.15052 New Zealand 1956

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Reviews

  • nickheffernan's avatar
    nickheffernan
    This is a wonderful album, and the title track is one of Mingus’s most ambitious and exciting pieces. The ensemble interplay through constantly shifting tempos and dynamics is breathtaking in its fluidity and inventiveness. I still vividly hearing the title track for the first time, aged eighteen, and having my mind utterly blown! However, the recording quality of the entire album is disappointing—and it doesn’t seem to be the fault of any particular pressing or edition. I have several versions of the LP on vinyl and CD, all of which sound a bit muffled and lacking in vividness, space and separation. The original sessions were recorded in mono, and do not compare well with other mono jazz recordings of the same era. I have an ‘electronically reprocessed for stereo’ version of “Pithecanthropus Erectus” on the Atlantic ‘Best of Charles Mingus’ LP, and although it sounds different from the mono version it’s certainly not an improvement on it. Perhaps this is just one of those albums in which the recording process didn’t serve the brilliance of the music as well as it might have done.
    • blackgizi's avatar
      blackgizi
      I can't imagine that the recording quality was the best for it being released in 1956, but for what it is, this sounds pretty great! Most of the instruments sound nice, but have a dry sound to them, the drums especially. Besides this, the album sounds full and provides pretty awesome music (which always helps). Can't compare to any other pressing, but my ears like what they hear.

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