The Misfits* – Static Age
Label: |
Caroline Records – CAROL 7520-1 |
|---|---|
Format: |
Vinyl
, LP, Album, Repress
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Punk |
Tracklist
| A1 | Static Age | 1:47 | |
| A2 | TV Casualty | 2:23 | |
| A3 | Some Kinda Hate | 2:01 | |
| A4 | Last Caress | 1:57 | |
| A5 | Return Of The Fly | 1:36 | |
| A6 | Hybrid Moments | 1:42 | |
| A7 | We Are 138 | 1:41 | |
| A8 | Teenagers From Mars | 2:50 | |
| B1 | Come Back | 5:00 | |
| B2 | Angelfuck | 1:37 | |
| B3 | Hollywood Babylon | 2:20 | |
| B4 | Attitude | 1:30 | |
| B5 | Bullet | 1:37 | |
| B6 | Theme For A Jackal | 2:40 | |
| B7 | She | 1:24 | |
| B8 | Spinal Remains | 1:27 | |
| B9 | In The Doorway | 1:24 |
Companies, etc.
- Recorded At – C.I. Recording Studios
- Mixed At – West West Side Music
- Mastered At – West West Side Music
- Lacquer Cut At – Trutone Mastering Labs
- Copyright © – Caroline Records, Inc.
- Phonographic Copyright ℗ – Caroline Records, Inc.
- Pressed By – Rainbo Records – S-35838
- Pressed By – Rainbo Records – S-35839
Credits
- Artwork By, Design – Pete Ciccone
- Bass – Jerry Only
- Drums – Mr. Jim
- Guitar – Franché Coma
- Lacquer Cut By – PA*
- Mastered By – Alan Douches
- Mixed By – Tom Bejgrowicz (tracks: B7 to B9)
- Producer, Engineer, Liner Notes – Dave Achelis
- Reissue Producer, Coordinator, Liner Notes – Tom Bejgrowicz
- Vocals, Songwriter [All Songs Written By] – Glenn Danzig
Notes
Repress with first and last digits of barcode level above other numbers.
Issued with a matte printed inner sleeve including liner notes.
Darker cardstock is used for the outer sleeve and the center labels are flat.
Recorded in January/February 1978 at C.I. Recordings in New York City.
Tracks B7 to B9 mixed on February 24, 1997 at West West Side Music.
Mastered at West West Side Music.
℗&© 1997 Caroline Records, Inc.
Runouts are etched, only MASTERED BY TRUTONE is stamped.
Issued with a matte printed inner sleeve including liner notes.
Darker cardstock is used for the outer sleeve and the center labels are flat.
Recorded in January/February 1978 at C.I. Recordings in New York City.
Tracks B7 to B9 mixed on February 24, 1997 at West West Side Music.
Mastered at West West Side Music.
℗&© 1997 Caroline Records, Inc.
Runouts are etched, only MASTERED BY TRUTONE is stamped.
Barcode and Other Identifiers
- Barcode (Printed): 0 1704-67520-1 5
- Barcode (Scanned): 017046752015
- Matrix / Runout (Side A runout): CAR-7520-A S-35838 MASTERED BY TRUTONE PA 6-97
- Matrix / Runout (Side B runout): CAR-7520-B S-35839 MASTERED BY TRUTONE PA 6-97
Other Versions (5 of 30)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Static Age (LP, Album) | Caroline Records | CAR 7520-1, CAROL 7520-1 | US | 1997 | ||
| Static Age (CD, Album, Stereo) | Virgin | CAROL 7520-2, VJ-25344 | Japan | 1997 | |||
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Recently Edited
|
Static Age (LP, Album, Red Translucent) | Caroline Records | CAR 7520-1, CAROL 7520-1 | US | 1997 | ||
|
Recently Edited
|
Static Age (LP, Album, Yellow Translucent) | Caroline Records | CAR 7520-1, CAROL 7520-1 | US | 1997 | ||
|
Recently Edited
|
Static Age (LP, Album, Purple Translucent) | Caroline Records | CAR 7520-1, CAROL 7520-1 | US | 1997 |
Recommendations
Reviews
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This pressing is actually a thicker pressing which I prefer to the first pressing which is flimsy in comparison
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Really glad to have this album, sounds really nice and so much better than the sh*t on Legacy. Nice solid pressing. Not going to change your life, but probably the best these songs have ever sounded.
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Can anyone with this pressing confirm that the actual ‘97 reissue has a matte paper inner (looks like it in the photo)? The copy I bought in 2020 has identical matrices and an identical barcode, but a glossy inner. It also has a bright white cardstock for the jacket much more in line with a recent reissue. I want to separate these two releases so there’s a recent reissue using the same metalwork as the original pressing that’s NOT the ‘97. -
have two copies of this and both are pressed slightly off-center and have same sound defect on the first track of side 'A'. i would not recommend this pressing.
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Anyone have a guess when this release started circulating? Surprised the release date isn't listed. -
I honestly LOVE how this record sounds. There’s so much more to hear on this album than on the Danzig overdubbed crap I’d been listening to for decades. Thank you to whoever got the ball rolling on finally bringing this record into the light of day for all of us to hear. Anyone complaining about a low quality sound either has a halfass stereo setup or has not spent much of their waking life listening to the Misfits. This shit blows the doors off of any crappy reissue or cd that pretty much everybody has been stuck with for most of their lives.
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My copy sounds pretty good. Mostly quiet. The lo-fi production is to be expected, so dynamics were bound to be subpar, but, to me, the vinyl sounds about as good as it can. -
Anyone notice that the deadwax etchings/stamps on this pressing is identical to the deadwax on the original pressing? Is it possible that the reissue was pressed from stampers made off of the original lacquers or master?
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Edited 5 years agoThis is likely pressed from a digital source. Yes, the lo-fi production is intentional on the bands part, but compare this record to the Spotify stream of this record and you'll notice a loss of audio quality on this pressing. That being said, it isn't horrible. But I am disappointed they didn't put in a little more effort on making this record sound better. But hey, it's all about cashing in on the vinyl resurgence, right?
Release
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