Tracklist
| A1 | Untitled | 4:17 | |
| AA1 | Untitled | 6:03 | |
| AA2 | Untitled | 4:40 |
Notes
A side - 45 RPM. AA side - 33 RPM.
Barcode and Other Identifiers
- Matrix / Runout (A): CURVE PUSHER PLAYER 003 A PUT SOME CLOTHS ON THAT ARSE
- Matrix / Runout (AA): CURVE PUSHER PLAYER 003 AA PUT SOME CLOTHS ON THAT ASS
Other Versions (3)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Player Three (12", 33 ⅓ RPM, 45 RPM, White Label) | Player | PLAY003 | UK | 2000 | ||
|
Recently Edited
|
Player 3 (Ignition Technician & Phil Walls Remixes) (12") | Infamous Player | PREMIX007 | UK | 2006 | ||
|
New Submission
|
Player Three (3×File, WAV, Reissue) | Infamous Player | none | UK | 2011 |
Recommendations
Reviews
-
Absolute BOMB, and the best opener I have in my library. Nothing makes the room yours quite like that opener on B1. -
Cop the Digital here...
https://player.bandcamp.com/album/player-three
Original Remaster...
https://player.bandcamp.com/track/player-three-original-remaster
More Player shizz here...
https://player.bandcamp.com
https://soundcloud.com/infamous-player
-
In case you just want to get the ultra nice track and dont want to speculate:
https://discogs.librosgratis.biz/release/26430467-Player-Wilko-Presents-MVP-Player-3 -
This was used as an opener by Billy nasty for his essential mix 2001... Sad to see the prices and the want numbers..... a repress would be good ? -
Absolute classic, and the best opener I have in my library. Nothing makes the room yours quite like that opener on B1.
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-
Were you to invest money in one, only one Player release, your funds would be well placed on the third installment of the series. For no other reason but Respect Yourself. The tune kicks off with a sample from NYC's MC Jeru The Damaja's tune Ya Playin' Yaself. Giving a chin check to all the posers, actors, and what not, the vocal part is dropped acapella. The intro is followed by typically chunky beats provided by the Nuccle / Humphries combo. By far one of the most effective and memorable combinations of rugged mid nineties hip hop lyricism and tough techno beats. It's also the tune that the remainder of the label's output is measured against.
Pumping percussion, chopped up vocal excerpts and a beefed up bass line for maximum dance floor impact. As already mentioned by a fellow review here, this was used as the opening tune to many a techno sets back in its day... Just sit back and imagine. Lasers, smoke filled room, hundreds await for the needle to drop, and then, suddenly, some random dude rapping about keeping it real. What?
Drop the bass. The room is yours. -
Release
See all versions
Recently Edited
Recently Edited
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6 copies from €88.00