Spiritualized®*Ladies And Gentlemen We Are Floating In Space

Label:

Fat Possum Records – FP1753-3

Series:

Vinyl Me, Please. Essentials – E093

Format:

2 x Vinyl , LP, Album, Club Edition, Reissue, Remastered , Blue [Deep Space], 180g, Gatefold

Country:

US

Released:

Genre:

Rock

Style:

Indie Rock

Tracklist

A1 Ladies And Gentlemen We Are Floating In Space
A2 Come Together
A3 I Think I'm In Love
B1 All Of My Thoughts
B2 Stay With Me
B3 Electricity
B4 Home Of The Brave
C1 The Individual
C2 Broken Heart
C3 No God Only Religion
C4 Cool Waves
D1 Cop Shoot Cop…

Companies, etc.

  • Exclusive RetailerVinyl Me, Please
  • Recorded AtMoles Studio
  • Mixed AtMoles Studio
  • Recorded AtThe Church, London
  • Mixed AtThe Church, London
  • Recorded AtRooster Studios
  • Mixed AtRooster Studios
  • Recorded AtStrongroom
  • Mixed AtStrongroom
  • Recorded AtHouse Of Blues, Memphis
  • Mixed AtHouse Of Blues, Memphis
  • Recorded AtThe Hit Factory
  • Mixed AtThe Hit Factory
  • Recorded AtA&M Studios
  • Mixed AtA&M Studios
  • Mastered AtWhitfield Street Recording Studios
  • Published ByRedemption Songs Ltd.
  • Phonographic Copyright ℗Sony Music Entertainment UK
  • Copyright ©Sony Music Entertainment UK
  • Licensed ToFat Possum Records
  • Lacquer Cut AtAlchemy Mastering
  • Pressed ByGZ Media – 209800E
  • Remastered AtAlchemy Mastering

Credits

  • AccordionAngel Corpus Christi
  • Arranged By [Choir Arranged By]Irreverend J. Spaceman*
  • Arranged By [Horns Arranged By]Tim Sanders
  • Arranged By [Strings Arranged By]J. Spaceman
  • Artwork [Original Artwork - Print]Spaceman*
  • Bass [Fender Jazzbass], HarmonicaSean Cook
  • CelloSophie Harris
  • ChoirThe London Community Gospel Choir*
  • Co-producerJohn Coxon (tracks: B2)
  • DesignSpaceman*
  • Design ConceptFarrow Design
  • Drums [Gretsch Round Badge], Percussion, Bells, TimpaniDamon Reece
  • Electric Organ [Hammond]Andy Davis
  • Engineer [Assistant Engineers]Patrick McGovern
  • Engineer [Mix Engineers]Trevor Curwen
  • Engineer [Recording Engineers]Trevor Curwen
  • Flute, Baritone SaxophoneSimon Clarke (2)
  • French HornTim Jones*
  • Guitar [Gibson Firebird, Fender Jaguar], Melodica, Synthesizer [JD 800]John Coxon
  • Keyboards [Vox Continental, Farfisa Compact, Roland D20], Piano, VocalsKate Radley
  • Lacquer Cut ByBazza*
  • ManagementRough Trade*
  • Mastered ByRay Staff
  • Pedal Steel GuitarB.J. Cole*
  • Photography ByPete Millson (2)
  • Piano, VocalsDr. John
  • Post Production, Edited ByMads Bjerke
  • Producer, Arranged By, Mixed ByJ. Spaceman
  • Remastered By [Uncredited]Barry Grint
  • Tenor SaxophoneTim Sanders
  • TromboneNeil Sidwell
  • Trumpet, FlugelhornRoddie Lorimer*
  • ViolaKathy Burgess
  • ViolinEd Coxon*
  • Vocals, Guitar [Fender Telecaster, Fender Jaguar, Vox Starstreamer, Gibson Firebird], Piano, Dulcimer [Hammer Dulcimer], AutoharpSpaceman*
  • Written-ByJ. Spaceman

Notes

Packaged in a gatefold, tip-on sleeve.
Includes an obi strip, an art print, a folded insert with credits, and custom inner sleeves.

℗ & © 1997 Sony Music Entertainment UK.
Under exclusive license to Fat Possum Records.
P.O. Box 1923, Oxford, MS 38655. USA.

Recorded and mixed at Moles Studio - Bath, The Church, Rooster and The Strongroom Studios - London, House of Blues - Memphis, The Hit Factory - New York and A&M - Los Angeles.

Mastered at Whitfield Street [...]

Lacquers - Cut at Alchemy Mastering [...]

Although not declared, this release is remastered per email correspondence with Bazza: track one contains audio not on the original release, because sample clearance didn’t come through in time. The back-up of the mastered audio was corrupt, so Bazza remastered the whole release, albeit with the brief to match to the original as much as possible. Uncredited remastering studio.

Barcode and Other Identifiers

  • Matrix / Runout (A runout, "209800E1/A1" stamped): VMP-E093-A'/FP1753-3-A' BAZZA ALCHEMY 209800E1/A1
  • Matrix / Runout (B runout, "209800E2/A" stamped): VMP-E093-B'/FP1753-3-B' 209800E2/A
  • Matrix / Runout (C runout, "209800E3/AA" stamped): VMP-E093-C'/FP1753-3-C' 209800E3/AA
  • Matrix / Runout (D runout, "209800E4/A" stamped): VMP-E093-D'/FP1753-3-D' 209800E4/A

Other Versions (5 of 47)

View All
Title (Format) Label Cat# Country Year
Ladies And Gentlemen We Are Floating In Space (CD, Album) Dedicated DEDCD 034A UK & Europe 1997
Recently Edited
Ladies And Gentlemen We Are Floating In Space (CD, Album) Dedicated 07822-18974-2 US 1997
Recently Edited
Ladies And Gentlemen We Are Floating In Space (CD, Album) Dedicated 74321 54165 2, DEDCD 034 Europe 1997
Recently Edited
Ladies And Gentlemen We Are Floating In Space (CD, Album, Promo) Dedicated DEDCD 034P UK 1997
Recently Edited
Ladies And Gentlemen We Are Floating In Space (12×CD, Mini, Album, Box Set, Limited Edition) Dedicated DEDCD 034S UK 1997

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Reviews

  • Jkel913's avatar
    Jkel913
    I guess I got lucky…listening for first time and my copy doesn’t have any standouts tics, a bit surface noise here and there (but surprisingly not on the quiet parts) and I haven’t cleaned it yet. Better than average for VMP for me, I have definitely had serious issues with a few of their pressings in the past, but this copy is pretty great.
    • awroe's avatar
      awroe
      I'm really pleased with this. The packaging is on the whole superb although I'm not sure what the thinking was behind basic die cut paper inners as well as shiny printed inners. I've ditched the paper ones and slipped poly bags into the printed inners. The gatefold cover is made from very sturdy board and has a lovely gloss and some subtle foil detailing. The pressing is to my ears very good. I steered clear of the repress a few years ago (the one which bizarrely changed the iconic cover art to something completely different and inferior imo) because it was widely criticised. It would be interesting to now do a side by side comparison of the two because this sounds great.
      • coffeeboss's avatar
        coffeeboss
        Finally got my VMP copy as I have always loved this album since release. It's definitely a mixed bag - the presentation is great apart from those unlined paper sleeves and the mastering sounds good but mine is also a bit noisy with some of the clicks in spots as mentioned here. Records are all nice and flat. Overall if you're not over-paying for this one I think it's worthwhile just don't expect it to be flawless.
        • Jjanuhowski's avatar
          Jjanuhowski
          Got lucky with a super well kept copy as well as one that seems to have turned out alright. Gave mine a light clean and the only fault I can find is some light surface noise toward the end of the C side. Otherwise remarkable presentation of the music and very glad to not have the more recent reissue’s artwork
          • ShrimplyPibbles28's avatar
            The term "organized chaos" is probably what best describes this album. Quiet peaceful ages like exterior shots from 2001 Space Odyssey alternate with explosive climaxes with the force of volcanic eruptions. The album has you glued to the edge of your chair the whole time, waiting to see what happens next. The way the songs build up the tension is unique. They usually lull you gently until you feel safe, until they suddenly throw you out of the open car door at 200 km/h. The listener is in a constant state of positive tension. For me, the album is pure entertainment and musical enjoyment. One of my absolute favorite albums of all time!

            The conversion to vinyl is also very well done. No surface noise, vinyl pressed flat and centered, not cut off with sharp edges and the punched hole is the right size.
            • ethelenjoyer's avatar
              ethelenjoyer
              Found this version at a record store yesterday! So glad I got this version. Sounds incredible, for an equally incredible record ♡
              • laughriot's avatar
                laughriot
                My copy sounds pretty close to perfect. Quiet, clean, dynamic. No pops and ticks, no static or hums. The jacket is really solid feeling and looks great.
                • Cardiff_Giant's avatar
                  Cardiff_Giant
                  A missed opportunity, truly. I know this was supervised by J Spaceman himself, which makes it all the more frustrating. I had really hoped for a restoration of the original vinyl pressing, on which the tracks were re-ordered slightly to flow better across four vinyl sides. "Stay With Me" was relocated to Side 3, so that the seamless transition between "Home Of The Brave" and "The Individual" could be maintained uninterrupted. Art Vinyl did a reissue in 2012, which is reportedly amazing, and properly kept the original vinyl track sequence. When I saw VMP was doing this, I hoped they would do the right thing and not repeat what Plain Recordings did, simply mimicking the CD track order on vinyl. So, that transition between "Home Of The Brave" and "The Individual" just cuts abruptly at the end of Side 2 and then starts up (no fade out or fade in) on Side 3. So classless and lazy. Sound quality wise, save for a couple of tracks it honestly doesn't really beat the original 1997 CD.
                  • bibshorts1972's avatar
                    bibshorts1972
                    Can’t speak to the pressing quality yet but just today opened a brand new copy to find that it contains 2 copies of the second disc…no disc one. Any one else have this problem?!
                    • Technicsfanboy's avatar
                      Technicsfanboy
                      Just received my VMP copy a few weeks ago. Agree with below comments that this is overall a pretty noisy pressing, with some recurrent ticks on a few tracks, including Broken Heart (which also has a few loud pops). LP 2 even has a fairly large chip in the outer edge of the vinyl. I'm reaching the end of my tether on returning vinyl (especially since I live in Switzerland), so I'll probably just stick with this one, but I am starting to lose confidence in VMP lately...

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