ピンク・フロイド*The Dark Side Of The Moon = 狂気

Label:

EMI – EMS-80324

Format:

Vinyl , LP, Album, Repress , Gatefold

Country:

Japan

Released:

Genre:

Rock

Style:

Prog Rock

Tracklist

A1 Speak To Me
Written-ByMason*
1:08
A2 Breathe
Written-ByWaters*
2:48
A3 On The Run
Written-ByWaters*
3:36
A4 Time
Written-ByWaters*
7:01
A5 The Great Gig In The Sky
VocalsClare Torry
Written-ByWright*
4:36
B1 Money
SaxophoneDick Parry
Written-ByWaters*
6:22
B2 Us And Them
SaxophoneDick Parry
Written-ByWaters*
7:46
B3 Any Colour You Like
Written-ByWright*
3:25
B4 Brain Damage
Written-ByWaters*
3:48
B5 Eclipse
Written-ByWaters*
2:03

Companies, etc.

  • Record CompanyEMI
  • Record CompanyToshiba EMI Ltd
  • Phonographic Copyright ℗The Gramophone Co. Ltd.
  • Recorded AtAbbey Road Studios
  • Manufactured ByToshiba EMI Ltd

Credits

  • Artwork [Sleeve Art, Stickers Art]George Hardie
  • Backing VocalsLiza Strike
  • Bass, Vocals, Synthesizer [Vcs3], Tape [Effects], Lyrics ByRoger Waters
  • Design, Photography ByHipgnosis (2)
  • EngineerAlan Parsons
  • Engineer [Assistant]Peter James
  • Keyboards, Vocals, Synthesizer [Vcs3]Richard Wright
  • Mixed ByChris Thomas
  • Percussion, Tape [Effects]Nick Mason
  • Producer, Music ByPink Floyd
  • Vocals, Guitar, Synthesizer [Vcs3]David Gilmour

Notes

℗1973 The Gramophone Company Limited
Manufactured by Toshiba EMI, Ltd., Japan

Third Japan pressing.
All rights of the Manufacturer and of the Owner of the Recorded Work are Reserved. Unauthorized Public Performance, Broadcasting and Copying of the Record prohibited."

東芝EMI株式会社
Made in Japan Ⓘ
¥2,500

Includes a 32 page booklet with liner notes images and lyrics in English and Japanese.
Also includes 2 giant fold-out posters and a double-sided color post-card.

Note on Credits:
Though not detailed in the liner notes, Barry St. John, Doris Troy, Lesley Duncan, and Liza Strike perform backing vocals only on tracks A4, B2, B4, and B5.

Barcode and Other Identifiers

  • Other (Price): ¥2,500
  • Rights Society: JASRAC
  • Matrix / Runout (Variant 1 - Runout side A): SHVL-804-A 1S3 16 X-L
  • Matrix / Runout (Variant 1 - Runout side B): SHVL-804-B 1S3 8
  • Matrix / Runout (Variant 2 - Runout side A, stamped): S ₣HVL-804-A 1S3 12 〄 7-L
  • Matrix / Runout (Variant 2 - Runout side B, stamped - deleted 3): SHVL-804-B 1S=34 5 〄
  • Matrix / Runout (Variant 3 - Runout side A, stamped): SHVL-804-A 1S2 89 〄 43-4 55
  • Matrix / Runout (Variant 3 - Runout side B, stamped): SHVL-804-B 1S3 23 〄
  • Matrix / Runout (Variant 4 - Runout side A, stamped): SHVL-804-A 1S2 88 〄 2- 5
  • Matrix / Runout (Variant 4 - Runout side B, stamped, "3" of "1S34" scratched out): SHVL-804-B 1S34 35 〄
  • Matrix / Runout (Variant 5 - Runout side A, stamped): SHVL-804-A 1S2 82 〄 2-138
  • Matrix / Runout (Variant 5 - Runout side B, stamped): SHVL-804-B 1S3 22 〄
  • Matrix / Runout (Variant 6 - Runout Side A, stamped): SHVL-804-A 1S2 17 〄
  • Matrix / Runout (Variant 6 - Runout Side B, stamped): SHVL-804-B 1S3 3 〄
  • Matrix / Runout (Variant 7 - Runout Side A, stamped): SHVL-804-A 1S2 11 〄
  • Matrix / Runout (Variant 7 - Runout Side B, stamped): SHVL-804-B 1S2 59 〄
  • Matrix / Runout (Variant 8 - Runout Side A, stamped): SHVL-804-A 1S2 13 〄 6-Y
  • Matrix / Runout (Variant 8 - Runout Side B, stamped): SHVL-804-B 1S2 47 〄
  • Matrix / Runout (Variant 9 - Runout Side A, stamped): SHVL-804-A 2S 76 ZZ 2356 XZ
  • Matrix / Runout (Variant 9 - Runout Side B, stamped): SHVL-804-B 1 S3 27 〄

Other Versions (5 of 1434)

View All
Title (Format) Label Cat# Country Year
Recently Edited
The Dark Side Of The Moon (LP, Album, Winchester Pressing, Wly Mastering, Gatefold) Harvest SMAS-11163 US 1973
Recently Edited
The Dark Side Of The Moon (LP, Album, Stereo, Circle On Back, Gatefold) EMI Electrola 1 C 062-05 249 1973
Recently Edited
The Dark Side Of The Moon (LP, Album, Stereo, Gatefold) Harvest 3C 064-05249 Italy 1973
The Dark Side Of The Moon (LP, Album, Stereo, Gatefold) Harvest 3C 064-05249 Italy 1973
Recently Edited
The Dark Side Of The Moon (LP, Album, Repress, Stereo, Gatefold) Harvest 5C 062-05249, 5C062-05249 Netherlands 1973

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Reviews

  • Frogger57's avatar
    Frogger57
    This 3rd Japanese pressing is truly the reference copy! 🙌
    • Krasavin's avatar
      Krasavin
      Impeccable quality. No "remaster", SACD, 180g, "anniversary", "from master tapes" gimmick can show even 50% of its greatness. The only exception being Alan Parson's quadraphonic mix, which is also definitely worth a listen, if you have a multichannel speaker system.
      • jgvdmark's avatar
        jgvdmark
        Very quiet vinyl and a very good pressing.
        Sounds very good to me....it sounds like a real Japanese pressing....i like it.
        I prefer this one instead of the BG remaster wich sounds also amazing
        • FrankChen111's avatar
          FrankChen111
          I would like to say this is a good pressing and you can see tan EMI as label sticker though it sounds too polite to me. Also Harvest and EMI logos on the top right of the cover.
          • RunStu's avatar
            RunStu
            It's already been said here many times. Quiet vinyl and a clarity that is just stunning. I have far too many copies of this including an OG UK and this is the one i keep pulling of the shelves to play.
            It's right on the 'Money'...as the sax kicks in you realise this is something else, as the guitar flies you just know.
            How this compares to the Japanese pro version, well I am yet to find out. Will update soon.
            • BRoald's avatar
              BRoald
              Edited one year ago
              This LP is just the cherry on the cake, best LP in my collection by far and its perfect in every single way.

              The details are so much clearer and better than a regular release. I can hear the footsteps in "on the run" very clear, for example which you cant hear on some pressings at all. Also the "Speak" To Me" with all the voices (just like Money) are perfectly optimized and feels really "alive"

              Yes this LP can be bloody expensive, but search with care and find atleast a NM condition. It took me several months to find a NM one for reasonable money. (Find one with an OBI, it makes it look fantastic)

              Its 50 years old, but it sounds better than the regular release, remasters and it blows the 50th anniversary edition away by a landslide.

              Mine did come with the OBI, Japanese booklet, posters and postcard.

              • iareburgman's avatar
                iareburgman
                Edited one year ago
                Glittering blackness. The quietest vinyl I own by far, wow.

                I had been after a Japanese pressing for many years as I had read much online about how quiet these are. It's true without a doubt. Highly dynamic at the same time with some excellent highlights I noticed for the first time:
                1. Amazing vocals on great gig where you can sense Clare Torry moving closer and further away from the microphone as she belts out her wails.
                2. Unbelievable blinding thru the mix guitar tone on gilmours solos in time and money. Time gave me gooseflesh and standing hairs before I headbanged uncontrollably.
                3. First time I had ever noticed either the use of a Hammond Leslie speaker on Ricks organ during the beginning of us and them or this is Parsons panning the channels back (I'm guessing it's a Leslie as the pan would be severely precise which is possible but very difficult)
                4. Multiple 4+ echoes of the vocals on the line "down and out" during Us and them which I had never noticed that many before.
                5. Absolute bazooka low bass fuzz by waters on any colour you like.
                6. Amazing mix of the backup vocals on eclipse without knocking the lead vocals somewhere else but the middle near the top.

                Honestly the only thing that I found potentially underwhelming is the cymbal crashes by mason during several different songs. I will have to compare these further to the 2016 remaster.

                I have never heard an original UK press as it's too rich for my blood but compared to a VG+/NM of this I don't know that you will get much more bang for your buck.

                I will say I think any pressing of this quality is very highly system dependent and you may find it lacking wondering what all the fuss is about. I had ran a mid tier system for about a decade before recently upgrading it significantly and then deciding to finally pick up some Japan Floyd presses.

                My brother for instance runs a much simpler lower end setup and I think the 2016 remaster sounds great on his system. But if you have that hifi setup this is an absolute must add to your collection. Plus you will still have enough cash leftover to make a stash.
                • FlatWaxAU's avatar
                  FlatWaxAU
                  Glorious pressing on all s. Well worth spending the time to track down a NM pressing - you will be well-rewarded. SQ is warm, detailed and spacious. Artwork glossy, and the bonus material is first-rate. Compares very favourably to the UK OG, so you don’t need to part with vast sums of cash to get something that sounds similar, and has a quieter background.
                  • mosariot's avatar
                    mosariot
                    The sound is just so great. I’m very happy to have this version in my collection. I’ve heard many good words about this pressing, and yes - it’s all true. Vinyl is as quiet as it can be.
                    • el_dixo's avatar
                      el_dixo
                      Hey everyone, I’ve just picked up this copy but I’m struggling to identify the matrix on side B, it is: SHVL-804-B 1S2 37. I can’t find a match on the archives, wondering if anyone can help. Thank you.

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