Solange (2) – When I Get Home
Label: |
Saint Records (6) – 19075944041 |
|---|---|
Format: |
|
Country: |
USA & Canada |
Released: |
|
Genre: |
Funk / Soul |
Style: |
Contemporary R&B |
Tracklist
| A1 | Things I Imagined | 1:59 | |
| A2 | S McGregor (Interlude) | 0:16 | |
| A3 | Down With The Clique | 3:42 | |
| A4 | Way To The Show | 2:55 | |
| A5 | Can I Hold The Mic (Interlude) | 0:21 | |
| A6 | Stay Flo | 2:55 | |
| A7 | Dreams | 2:28 | |
| A8 | Nothing Without Intention (Interlude) | 0:23 | |
| A9 | Almeda | 3:56 | |
| B1 | Time (Is) | 3:39 | |
| B2 | My Skin My Logo | 2:55 | |
| B3 | We Deal With The Freak'n (Interlude) | 0:31 | |
| B4 | Jerrod | 3:02 | |
| B5 | Binz | 1:51 | |
| B6 | Beltway | 1:41 | |
| B7 | Exit Scott (Interlude) | 1:01 | |
| B8 | Sound Of Rain | 3:05 | |
| B9 | Not Screwed! (Interlude) | 0:22 | |
| B10 | I'm A Witness | 1:51 |
Companies, etc.
- Phonographic Copyright ℗ – Columbia Records
- Record Company – Sony Music Entertainment
- Pressed By – United Record Pressing
Credits
- Lacquer Cut By – Joe Nino-Hernes
Notes
Group of copies sent out on Initial Release Date (6/28/19), rest to be sent out on the new date (7/24/19)
℗ 2019 Columbia Records, a Division of Sony Music Entertainment
"S McGregor (interlude)" contains a sample from "Superstars & Their Moms," used courtesy of and under license from Debbie Allen, Dick Clark Productions, and Phylicia Rashad.
"Can I Hold the Mic (interlude)" contains a sample from "BTS Crime Mobb Footage" (aka "Diamond and Princess of Crime Mob Uncut!"), used courtesy of and under license from Diamond and Princess.
"Nothing Without Intention" (interlude) contains a sample from "Florida Water For Cleansing and Clearing," used courtesy of and under license from Goddess Lula Belle.
"We Deal With the Freak'n" (intermission) Contains samples from "Turn Me On," as performed by Rotary Connection. Written by Sidney Barnes and Greg Perry. Published by Chevis Publishing Corp. / EMI Blackwood Music Inc. (BMI). Used courtesy of Universal Music Enterprises.
"We Deal With the Freak'n" (intermission) Contains samples from "Sperm Power 2," used courtesy of and under license from Alexyss K. Tylor.
"Binz" Contains samples from "Didn't Want To Have To Do It," as performed by Rotary Connection. Written by John Sebastian. Published by Alley Music Corp./Round Hill Music (BMI) and Trio Music Company/BMG Bumblebee/BMG Rights Management (US) LLC (BMI). Used courtesy of Universal Music Enterprises.
"Binz" contains samples of "Vagina Power: Halloween Show," used courtesy of and under license from Alexyss K. Tylor.Panda Bear appears courtesy of Domino Recording Company Limited.
"Beltway" contains a portion of the composition "I Hope You Really Love Me," written by Charles Simmons, Jr. Published by The istration MP, Inc. (BMI).
"Exit Scott" (interlude) contains samples from "Poem To Ann #2," as written and performed by Pat Parker. Published by Sinister Wisdom. Used courtesy of Sinister Wisdom and The Olivia Companies.
"Exit Scott" (interlude) contains samples from "I Hope You Really Love Me," as performed by Family Circle. Written by Charles Simmons, Jr. Published by The istration MP., Inc. (BMI). Used courtesy of The Numero Group.
℗ 2019 Columbia Records, a Division of Sony Music Entertainment
"S McGregor (interlude)" contains a sample from "Superstars & Their Moms," used courtesy of and under license from Debbie Allen, Dick Clark Productions, and Phylicia Rashad.
"Can I Hold the Mic (interlude)" contains a sample from "BTS Crime Mobb Footage" (aka "Diamond and Princess of Crime Mob Uncut!"), used courtesy of and under license from Diamond and Princess.
"Nothing Without Intention" (interlude) contains a sample from "Florida Water For Cleansing and Clearing," used courtesy of and under license from Goddess Lula Belle.
"We Deal With the Freak'n" (intermission) Contains samples from "Turn Me On," as performed by Rotary Connection. Written by Sidney Barnes and Greg Perry. Published by Chevis Publishing Corp. / EMI Blackwood Music Inc. (BMI). Used courtesy of Universal Music Enterprises.
"We Deal With the Freak'n" (intermission) Contains samples from "Sperm Power 2," used courtesy of and under license from Alexyss K. Tylor.
"Binz" Contains samples from "Didn't Want To Have To Do It," as performed by Rotary Connection. Written by John Sebastian. Published by Alley Music Corp./Round Hill Music (BMI) and Trio Music Company/BMG Bumblebee/BMG Rights Management (US) LLC (BMI). Used courtesy of Universal Music Enterprises.
"Binz" contains samples of "Vagina Power: Halloween Show," used courtesy of and under license from Alexyss K. Tylor.Panda Bear appears courtesy of Domino Recording Company Limited.
"Beltway" contains a portion of the composition "I Hope You Really Love Me," written by Charles Simmons, Jr. Published by The istration MP, Inc. (BMI).
"Exit Scott" (interlude) contains samples from "Poem To Ann #2," as written and performed by Pat Parker. Published by Sinister Wisdom. Used courtesy of Sinister Wisdom and The Olivia Companies.
"Exit Scott" (interlude) contains samples from "I Hope You Really Love Me," as performed by Family Circle. Written by Charles Simmons, Jr. Published by The istration MP., Inc. (BMI). Used courtesy of The Numero Group.
Barcode and Other Identifiers
- Barcode (scanned): 190759440414
- Matrix / Runout (Side A): A19075944041 JN-H STERLING
- Matrix / Runout (Side B): B19075944041 JN-H STERLING
Other Versions (3)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
When I Get Home (19×File, AAC, Album, 256 kbps) | Columbia | none | 2019 | |||
|
New Submission
|
When I Get Home (LP, Album, Clear) | Sony Music | 19075944041 | Europe | 2019 | ||
|
New Submission
|
When I Get Home (CDr, Album, Unofficial Release) | Saint Records (15) | SOLANGECD007 | 2019 |
Recommendations
Reviews
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maybe i got lucky with this copy but my copy doesn’t have any skips or anything and the energy on this album is amazing -
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Edited one year agoClear Vinyl plays well on both sides no pops or skipping :) love Solonge and this body of work ! -
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The quality control of this release is extremely bad. The record has label residues from overlapping labels; the disc is covered in label shreds; the first three songs on each side are scratched with loud pops. The mastering is decent tho.
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Incredible album, bad pressing (or at least invariably so). My copy has skips during Stay Flow, Almeda, and Binz. Depending on how bad skips can be usually determines whether or not I would seek out another copy, and unfortunately the skips here do get in the way of being able to enjoy it and are hard to ignore. I’ll try another copy but be warned. -
This album has aged so well !! Others have also mentioned being tepid about his album when it first came out, but it is truly a grower!! The behind the scene features are ridiculous - includes Steve Lacy, Panda Bear, Playboi Carti, Metro Boomin, Earl Sweatshirt... sounds just as fresh as the day it came out. My clear copy came with some paper specks from the inner liners, but after a cleaning, sounds loud & clear to me. Grab it if ya see it!
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Like others stated, this album is very hit or miss concerning the quality of the pressing. My first purchase was from UO back when it came out, and though it’s entirely possible I played the album with an incorrectly calibrated counterweight (I don’t recall), track 1 was completely unlistenable and skipped constantly. Even with the correct weight on the 2nd play it was horrible. Luckily I was able to grab a copy months later, again at UO, and it plays beautifully. Although I sorta wish I returned the first one immediately, at least I have some cool wall art now.
Love this woman, after listening and buying “A Seat At The Table” I was stoked to hear the following album. Initially I wasn’t very enthusiastic, but over time this album has REALLY grown on me, so much so that I find myself listening to it more often than ASATT. It features a few songs that are more sonically focused than lyrically (though the lyrics are great nonetheless) compared to the prior album’s entire track listing. For example, “Binz” and “Almeda” have a bit more energy and a more “accessible” sound. Both albums are incredible, but there are differences. Can’t recommend this artist enough, truly one of a kind in today’s world. -
Got an absolute shit copy, but the album itself is a work of ART. Such a vast difference from ASATT, and all for the better. Besides the record, the inner sleeve and simplistic and nice as usual. Really sucks though.
Release
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