Tetragrammacide – Third World Esoterrorism
Label: |
Iron Bonehead Productions – IBP431 |
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Format: |
Vinyl
, LP, Compilation, Limited Edition
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Country: |
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Released: |
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Genre: |
Rock |
Style: |
Noise |
Tracklist
A1 | Menstrual Penetration Of Swarming Intolerance | |
A2 | Wolves Of Nuklear Impalement | |
A3 | Magnetized Excremental Cannibalism | |
A4 | Tetragrammacidal Oration | |
B1 | Baneful Abortion Of The Cosmic Fetus | |
B2 | Wrathful Deities Of Sinister A.I.-Chara | |
B3 | Enochian Esoteric Electrical Engineering | |
B4 | Chao-Gnostic Meta-Scientists Of Saucerian Tantra | |
B5 | Pulsating Sudarshan Gammadion Of Aiwasstronic Fishnu |
Companies, etc.
- Recorded At – Hidden Bunkers Of Kalighat
- Recorded At – Nava-Swastika Lodge
- Manufactured By – XVINYLX.COM
- Pressed By – GZ Media – 189036E
Credits
- Performer [Technician] – U.Eliminator* (tracks: B1 to B5)
Notes
Limited to 500 copies. Housed in a gatefold jacket with a double-sided 12x12" insert.
Tracks A1 to A4 were originally released as the Tetragrammacidal Oration cassette.
Track B1 was originally released as a bonus track on the vinyl version of the Infernal Sacrament.
Tracks B2 to B5 were previously unreleased.
Tracks A1 to A4 were recorded in fall 2013 at Hidden Bunkers of Kalighat.
Tracks B1 to B5 were recorded at the Nava-Swastika Lodge, Kalikshetra, between mid 2014 - fall 2015.
Tracks A1 to A4 were originally released as the Tetragrammacidal Oration cassette.
Track B1 was originally released as a bonus track on the vinyl version of the Infernal Sacrament.
Tracks B2 to B5 were previously unreleased.
Tracks A1 to A4 were recorded in fall 2013 at Hidden Bunkers of Kalighat.
Tracks B1 to B5 were recorded at the Nava-Swastika Lodge, Kalikshetra, between mid 2014 - fall 2015.
Barcode and Other Identifiers
- Matrix / Runout (Side A, stamped): XVINYLX.COM 189036E1/A
- Matrix / Runout (Side B, stamped): XVINYLX.COM 189036E2/A
Other Versions (3)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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New Submission
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Third World Esoterrorism (CD, Compilation, Limited Edition) | Iron Bonehead Productions | IBP-431 | 2019 | |||
New Submission
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Third World Esoterrorism (LP, Compilation, Limited Edition, Repress, Galaxy) | Iron Bonehead Productions | IBP431 | 2023 | |||
New Submission
|
Third World Esoterrorism (LP, Compilation, Limited Edition, Repress) | Iron Bonehead Productions | IBP431 | 2023 |
Reviews
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Iron Bonehead is set to repress this record this coming February 2023, can't wait to snag a copy for a regular price.
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Pretty much same subgenre as, for example, Konflict (which is ok) and Intolitarian (which I don't value). Not to comment this particular project or release but the subgenre: seems to be fashionable at the moment, if I've understood correctly. That I definitely do not understand. Perhaps to many, the quality of the noise elements is not a thing but rather the fact that some album is "noisy" is enough by itself... Again, that comment is not aimed at this particular band but the subgenre in general.
Then about the record. The first four songs, which are the Tetragrammacidal Oration promo, have a totally boring sound. Extremely overdriven and quite treble-oriented. Very noisy, but there's really nothing of interest for me in the texture of that noise. If the sound is noisy it definitely does not equal being fierce or powerful. The playing is fierce, yes (actually it would be nice to hear what these songs would've sounded like with different production), but the sound pretty much makes it quite tame (yes, you read that one right). The sound eats the power and effectiveness of the instruments. I'd much rather listen to some quality noisecore. The fourth song is a longer one and pretty much the only one of these four that doesn't invoke the thought "yeah yeah next song please". It has some good parts and more variety. It's not super good either, but not as bad as the previous three.
Track five, which has previously been released as a vinyl-only bonus song, on the other hand, is much better than the promo's tracks, and it also raises hope of better stuff for the rest of the compilation. One essential difference is that the lower frequencies kick much better. Not a masterpiece, but not bad either! Could be the contrast caused by the previous ones, though, heh. Anyway, much better sound, and in this kind of stuff the sound is one of the most important factors, because the riffs aren't that memorable or even distinguishable (which is not a bad thing per se, I like noisecore for example). Not bad!
Tracks 6-9 are some previously unreleased songs. Much better than the promo tracks, but maybe a bit worse than track 5. Not great nor bad, quite all right, worth listening to.
But yeah, I don't see a point in owning this release with three boring songs, 5 ok songs and one pretty good song. And that's not because this would be too harsh or too noisy, but about the quality of the noisiness - like said, especially the first three tracks sound too tame to me. Amount of distortion does not equal brutality. But there's some promise in track 5 for example, and perhaps other records from this band are better...
The cool cover art catches the eye. The graphics look nice overall.
3- / 5
Release
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