CamelThe Snow Goose

Label:

Gama (3) – SKL-R.5207

Format:

Vinyl , LP, Album, Stereo , Laminated

Country:

UK

Released:

Genre:

Rock

Style:

Prog Rock

Tracklist

A1 The Great Marsh
A2 Rhayader
A3 Rhayader Goes To Town
A4 Sanctuary
A5 Fritha
A6 The Snow Goose
A7 Friendship
A8 Migration
A9 Rhayader Alone
B1 Flight Of The Snow Goose
B2 Preparation
B3 Dunkirk
B4 Epitaph
B5 Fritha Alone
B6 La Princesse Perdue
B7 The Great Marsh

Companies, etc.

  • Record CompanyThe Decca Record Company Limited
  • Phonographic Copyright ℗Gama Records Ltd.
  • Printed ByRobert Stace
  • Printed BySenol Printing Ltd.
  • Recorded AtIsland Studios
  • Overdubbed AtDecca Studios
  • Mixed AtIsland Studios
  • Published ByCopyright Control
  • Published ByPeter Bardens
  • Published ByRak Publishing Ltd.
  • Lacquer Cut AtDecca Studios
  • Pressed ByDecca Record Co. Ltd., Pressing Plant, UK.

Credits

  • Arranged By [Orchestral Arrangements]David Bedford
  • Bass, Other [Duffle Coat]Doug Ferguson
  • CoordinatorGeoff Jukes
  • Design [Sleeve Design By]Modula (2)
  • Drums, Vibraphone [Vibes], Percussion [Varispeed Percussion]Andy Ward (2)
  • Electric Guitar, Acoustic Guitar, Slide Guitar, Flute, Vocals [Vocalist]Andy Latimer*
  • Engineer [Assistant, Decca Studios]Paul Cooper (4)
  • Engineer [Assistant, Island Studios]Rod Thear
  • Engineer [Re-Mix, Island Studios]Rhett Davies
  • Engineer [Recording, Decca Studios]John Burns (2)
  • Engineer [Recording, Island Studios]Rhett Davies
  • EquipmentSkin (24)
  • Lacquer Cut ByW (12)
  • Organ, Synthesizer [Mini Moog, Arp Odyssey], Electric Piano, Organ [Pipe Organ], Piano [Acoustic]Peter Bardens
  • Other [Ginseng]Allan Mason
  • Other [Sanity By]Max Hole, Richard Thomas
  • Photography By [Group Photographs]John Anunziato
  • Producer [Produced By]David Hitchcock
  • Written-By [All Titles]Peter Bardens

Notes

Original UK release in a fully laminated sleeve with pinched spine endings, printed by Robert Stace, including a paper insert with credits/photos printed on one side only by Senol Printing Ltd..
Dark blue Decca labels with typo in B1 publishing, appearing as "C. Contorol" instead of "C. Control". This was corrected on later issues.
Polylined standard Decca inner sleeve.
First & 2nd cat.# on cover & insert, 3rd & 4th on labels.

℗ 1975, Gama Records Ltd.

On front cover: "CAMEL music inspired by The Snow Goose".
Sleeve printed in England by Robert Stace.
Printed in England by Senol Printing Limited
Made in England

Publishing:
• C. Control/P. Bardens - A1, A3, A6, A9, B1, B6, B7.
• P. Bardens/Rak - A2, A4, A5, A7, A8, B2 to B5.

Publication date as recorded in the book "Camel, every album, every song" by Hamish Kuzminski. SonicBond, 2021.
"The Snow Goose" was inspired by a short story of the same title, written by [Uncredited] Paul Gallico in 1941.

Runouts are stamped.

Barcode and Other Identifiers

  • Matrix / Runout (Label side A in forward slashes): XZAL.13718P
  • Matrix / Runout (Label side B in forward slashes): XZAL.13719P
  • Matrix / Runout (Runout side A, variant 1): XZAL-13718.P-2W
  • Matrix / Runout (Runout side B, variant 1): XZAL-13719.P-2W
  • Matrix / Runout (Runout side A, variant 2): XZAL-13718.P-1W
  • Matrix / Runout (Runout side B, variant 2): XZAL-13719.P-3W
  • Matrix / Runout (Runout side A, variant 3): XZAL-13718.P-2W A 2B
  • Matrix / Runout (Runout side B, variant 3): XZAL-13719.P-3W 1 1
  • Matrix / Runout (Runout side A, variant 4): XZAL-13718.P-1W A U B CC
  • Matrix / Runout (Runout side B, variant 4): XZAL-13719.P-1W C E B CF
  • Matrix / Runout (Runout side A, variant 5): XZAL-13718.P-2W 2B
  • Matrix / Runout (Runout side B, variant 5): XZAL-13719.P-3W 4D
  • Matrix / Runout (Runout side A, variant 6): XZAL-13718.P-1W DC 1
  • Matrix / Runout (Runout side B, variant 6): XZAL-13719.P-1W BH 2B
  • Matrix / Runout (Runout side A, variant 7): XZAL-13718.P-1W C N M 6 C
  • Matrix / Runout (Runout side B, variant 7): XZAL-13719.P-1W B II C 7 C
  • Matrix / Runout (Runout side A, variant 8): XZAL-13718.P-2W C A 2 D
  • Matrix / Runout (Runout side B, variant 8): XZAL-13719.P-3W U C 2 D
  • Matrix / Runout (Runout side A, variant 9): XZAL-13718.P-2W 11 4D
  • Matrix / Runout (Runout side B, variant 9): XZAL-13719.P-3W 11 4D
  • Matrix / Runout (Runout side A, variant 10): XZAL-13718.P-1W 3 5 B K N
  • Matrix / Runout (Runout side B, variant 10): XZAL-13719.P-1W D 1 1 C F
  • Matrix / Runout (Runout side A, variant 11): XZAL-13718.P-1W B M 5 C
  • Matrix / Runout (Runout side B, variant 11): XZAL-13719.P-1W B C 7 6
  • Matrix / Runout (Runout side A, variant 12): XZAL-13718.P-2W A 2B
  • Matrix / Runout (Runout side B, variant 12): XZAL-13719.P-3W C 1
  • Matrix / Runout (Runout side A, variant 13): XZAL-13718.P-2W A D C C 5C
  • Matrix / Runout (Runout side B, variant 13): XZAL-13719.P-3W DDC 5C

Other Versions (5 of 123)

View All
Title (Format) Label Cat# Country Year
Recently Edited
The Snow Goose (LP, Album, Stereo) Gama (3) P-SKL 5207 Portugal 1975
Music Inspired By The Snow Goose (LP, Album, Stereo) Nova (6) 6.22250 1975
Recently Edited
The Snow Goose (LP, Album) North American Records NA 020 Canada 1975
Recently Edited
The Snow Goose (LP, Album) Janus Records JXS 7016 US 1975
The Snow Goose (LP, Album) Gama (3) 278.136 1975

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Reviews

  • pgross's avatar
    pgross
    Edited one year ago
    what a great album . almost all the tracks are sublime . indeed this and pink floyd are a perfect progressive journey
    • nopussyfooting's avatar
      nopussyfooting
      This is one of those albums that I don't really "get"... And I'm not talking down on the music, I just think something about it doesn't strike me. It's not that I don't understand the music either. I'm well versed on different styles and prog and all that, and musically it's not that far out. Some segments sound great, others a bit more pedestrian, but the flow of the movements doesnt seem to work that well, particularly on side 1. The pieces don't seem to flow exceptionally well in and out of each other, and the order in which the musical movements are arranged doesn't always seem to make much sense. To put it simply: The material is there, but the modality isn't.
      With all that criticism in mind, it's still a good album and I enjoy it. Maybe it'll click after more listens, maybe it won't. Either way it's not one to discard.
      • goranarog's avatar
        goranarog
        It's just one of the best progressive rock album I own beside Pink Floyd's master piece Wish you where here. It's just a great flow music which webbed together.

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