Tracklist
A1 | The Great Marsh | |
A2 | Rhayader | |
A3 | Rhayader Goes To Town | |
A4 | Sanctuary | |
A5 | Fritha | |
A6 | The Snow Goose | |
A7 | Friendship | |
A8 | Migration | |
A9 | Rhayader Alone | |
B1 | Flight Of The Snow Goose | |
B2 | Preparation | |
B3 | Dunkirk | |
B4 | Epitaph | |
B5 | Fritha Alone | |
B6 | La Princesse Perdue | |
B7 | The Great Marsh |
Companies, etc.
- Record Company – The Decca Record Company Limited
- Phonographic Copyright ℗ – Gama Records Ltd.
- Printed By – Robert Stace
- Printed By – Senol Printing Ltd.
- Recorded At – Island Studios
- Overdubbed At – Decca Studios
- Mixed At – Island Studios
- Published By – Copyright Control
- Published By – Peter Bardens
- Published By – Rak Publishing Ltd.
- Lacquer Cut At – Decca Studios
- Pressed By – Decca Record Co. Ltd., Pressing Plant, UK.
Credits
- Arranged By [Orchestral Arrangements] – David Bedford
- Bass, Other [Duffle Coat] – Doug Ferguson
- Coordinator – Geoff Jukes
- Design [Sleeve Design By] – Modula (2)
- Drums, Vibraphone [Vibes], Percussion [Varispeed Percussion] – Andy Ward (2)
- Electric Guitar, Acoustic Guitar, Slide Guitar, Flute, Vocals [Vocalist] – Andy Latimer*
- Engineer [Assistant, Decca Studios] – Paul Cooper (4)
- Engineer [Assistant, Island Studios] – Rod Thear
- Engineer [Re-Mix, Island Studios] – Rhett Davies
- Engineer [Recording, Decca Studios] – John Burns (2)
- Engineer [Recording, Island Studios] – Rhett Davies
- Equipment – Skin (24)
- Lacquer Cut By – W (12)
- Organ, Synthesizer [Mini Moog, Arp Odyssey], Electric Piano, Organ [Pipe Organ], Piano [Acoustic] – Peter Bardens
- Other [Ginseng] – Allan Mason
- Other [Sanity By] – Max Hole, Richard Thomas
- Photography By [Group Photographs] – John Anunziato
- Producer [Produced By] – David Hitchcock
- Written-By [All Titles] – Peter Bardens
Notes
Original UK release in a fully laminated sleeve with pinched spine endings, printed by Robert Stace, including a paper insert with credits/photos printed on one side only by Senol Printing Ltd..
Dark blue Decca labels with typo in B1 publishing, appearing as "C. Contorol" instead of "C. Control". This was corrected on later issues.
Polylined standard Decca inner sleeve.
First & 2nd cat.# on cover & insert, 3rd & 4th on labels.
℗ 1975, Gama Records Ltd.
On front cover: "CAMEL music inspired by The Snow Goose".
Sleeve printed in England by Robert Stace.
Printed in England by Senol Printing Limited
Made in England
Publishing:
• C. Control/P. Bardens - A1, A3, A6, A9, B1, B6, B7.
• P. Bardens/Rak - A2, A4, A5, A7, A8, B2 to B5.
Publication date as recorded in the book "Camel, every album, every song" by Hamish Kuzminski. SonicBond, 2021.
"The Snow Goose" was inspired by a short story of the same title, written by [Uncredited] Paul Gallico in 1941.
Runouts are stamped.
Dark blue Decca labels with typo in B1 publishing, appearing as "C. Contorol" instead of "C. Control". This was corrected on later issues.
Polylined standard Decca inner sleeve.
First & 2nd cat.# on cover & insert, 3rd & 4th on labels.
℗ 1975, Gama Records Ltd.
On front cover: "CAMEL music inspired by The Snow Goose".
Sleeve printed in England by Robert Stace.
Printed in England by Senol Printing Limited
Made in England
Publishing:
• C. Control/P. Bardens - A1, A3, A6, A9, B1, B6, B7.
• P. Bardens/Rak - A2, A4, A5, A7, A8, B2 to B5.
Publication date as recorded in the book "Camel, every album, every song" by Hamish Kuzminski. SonicBond, 2021.
"The Snow Goose" was inspired by a short story of the same title, written by [Uncredited] Paul Gallico in 1941.
Runouts are stamped.
Barcode and Other Identifiers
- Matrix / Runout (Label side A in forward slashes): XZAL.13718P
- Matrix / Runout (Label side B in forward slashes): XZAL.13719P
- Matrix / Runout (Runout side A, variant 1): XZAL-13718.P-2W
- Matrix / Runout (Runout side B, variant 1): XZAL-13719.P-2W
- Matrix / Runout (Runout side A, variant 2): XZAL-13718.P-1W
- Matrix / Runout (Runout side B, variant 2): XZAL-13719.P-3W
- Matrix / Runout (Runout side A, variant 3): XZAL-13718.P-2W A 2B
- Matrix / Runout (Runout side B, variant 3): XZAL-13719.P-3W 1 1
- Matrix / Runout (Runout side A, variant 4): XZAL-13718.P-1W A U B CC
- Matrix / Runout (Runout side B, variant 4): XZAL-13719.P-1W C E B CF
- Matrix / Runout (Runout side A, variant 5): XZAL-13718.P-2W 2B
- Matrix / Runout (Runout side B, variant 5): XZAL-13719.P-3W 4D
- Matrix / Runout (Runout side A, variant 6): XZAL-13718.P-1W DC 1
- Matrix / Runout (Runout side B, variant 6): XZAL-13719.P-1W BH 2B
- Matrix / Runout (Runout side A, variant 7): XZAL-13718.P-1W C N M 6 C
- Matrix / Runout (Runout side B, variant 7): XZAL-13719.P-1W B II C 7 C
- Matrix / Runout (Runout side A, variant 8): XZAL-13718.P-2W C A 2 D
- Matrix / Runout (Runout side B, variant 8): XZAL-13719.P-3W U C 2 D
- Matrix / Runout (Runout side A, variant 9): XZAL-13718.P-2W 11 4D
- Matrix / Runout (Runout side B, variant 9): XZAL-13719.P-3W 11 4D
- Matrix / Runout (Runout side A, variant 10): XZAL-13718.P-1W 3 5 B K N
- Matrix / Runout (Runout side B, variant 10): XZAL-13719.P-1W D 1 1 C F
- Matrix / Runout (Runout side A, variant 11): XZAL-13718.P-1W B M 5 C
- Matrix / Runout (Runout side B, variant 11): XZAL-13719.P-1W B C 7 6
- Matrix / Runout (Runout side A, variant 12): XZAL-13718.P-2W A 2B
- Matrix / Runout (Runout side B, variant 12): XZAL-13719.P-3W C 1
- Matrix / Runout (Runout side A, variant 13): XZAL-13718.P-2W A D C C 5C
- Matrix / Runout (Runout side B, variant 13): XZAL-13719.P-3W DDC 5C
Other Versions (5 of 123)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
The Snow Goose (LP, Album, Stereo) | Gama (3) | P-SKL 5207 | Portugal | 1975 | ||
Music Inspired By The Snow Goose (LP, Album, Stereo) | Nova (6) | 6.22250 | 1975 | ||||
Recently Edited
|
The Snow Goose (LP, Album) | North American Records | NA 020 | Canada | 1975 | ||
Recently Edited
|
The Snow Goose (LP, Album) | Janus Records | JXS 7016 | US | 1975 | ||
The Snow Goose (LP, Album) | Gama (3) | 278.136 | 1975 |
Recommendations
Reviews
-
Edited one year agowhat a great album . almost all the tracks are sublime . indeed this and pink floyd are a perfect progressive journey
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This is one of those albums that I don't really "get"... And I'm not talking down on the music, I just think something about it doesn't strike me. It's not that I don't understand the music either. I'm well versed on different styles and prog and all that, and musically it's not that far out. Some segments sound great, others a bit more pedestrian, but the flow of the movements doesnt seem to work that well, particularly on side 1. The pieces don't seem to flow exceptionally well in and out of each other, and the order in which the musical movements are arranged doesn't always seem to make much sense. To put it simply: The material is there, but the modality isn't.
With all that criticism in mind, it's still a good album and I enjoy it. Maybe it'll click after more listens, maybe it won't. Either way it's not one to discard. -
It's just one of the best progressive rock album I own beside Pink Floyd's master piece Wish you where here. It's just a great flow music which webbed together.
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