SeesselbergSynthetik 1.

Label:

Not On Label (Seesselberg Self-released) – S 1

Format:

Vinyl , LP, Limited Edition, Stereo

Country:

Released:

Genre:

Electronic

Style:

Minimal

Tracklist

A1 Ouvertüre - "Jeder Ist Heutzutage Glücklich" - If Someone Survives, We Will Have A Return - Match. (Konditionsmusik - 1972) 3:41
A2 Eintrachtkreis-Paranoia (Die 200jahrfeier Findet Nicht Statt - Kondominatsmusik - 1973) 1:02
A3 Verhütungsfreudenwalzer (Kontinenzmusik Für Eine Akademie 1973) 1:27
A4 Speedy Achmed (Verhaltensanweisung 1973) 3:46
A5 Studentenzucker - "Tue Gern, Was Du Tun Mußt!" (Konfektionsmusik 1973) 0:36
A6 "Die Menschen Sind Glücklich, Sie Kriegen, Was Sie Begehren, Und Begehren Nichts, Was Sie Nicht Kriegen Können - Laubsägebastler, Briefmarkensammler Und Brieftaubenzüchter Bilden Das Rückgrat Der Menschheit" (Kondolenzmusik 1973) 10:42
B1 Phönix - 1972 (Filmmusik Zum Film "Phönix" von W.-J. Seesselberg) 10:14
B2 "Was Dir Heute Freude Macht, Das Verschieb Nicht Über Nacht!" (Kondensmusik Aus Einem Konzert Im Gallery-House London - 1973) 4:16
B3 Auszug Aus Einem Konzert In Der Düsseldorfer Kunsthalle 1971 7:45

Companies, etc.

  • Recorded AtGallery House, London
  • Recorded AtKunsthalle Düsseldorf
  • Manufactured BySchallplattenfabrik Pallas GmbH

Credits

  • ElectronicsWolf-J. Seesselberg

Notes

Alle Titel von Wolf und Eckart Seesselberg, produziert und aufgenommen in Hamburg und Düsseldorf 1973. [All titles by Wolf and Eckart Seeselberg, produced and recorded in Hamburg and Düsseldorf in 1973.]

The synthesizer used was developed by Eckart Seesselberg in the years 1965-1971.

The labels list the titles differently.

Limited to 1000 copies.

Some copies have a sticker on the back cover which states 'printed in SYN 1'

Barcode and Other Identifiers

  • Rights Society: GEMA
  • Matrix / Runout (Side A label): S 1 a
  • Matrix / Runout (Side B label): S 1 b
  • Matrix / Runout (Side A runout, stamped): ST S 1-A¹
  • Matrix / Runout (Side B runout, stamped): ST-S 1-B

Other Versions (5)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Synthetik 1 (CD, Album, Reissue) Plate Lunch PL 22 2002
Synthetik 1 (CDr, Album, Limited Edition, Reissue, Unofficial Release) Creel Pone 112 US 2010
Recently Edited
Synthetik 1 (LP, Album, Limited Edition, Reissue) Wah Wah Records LPS126 Spain 2013
New Submission
Synthetik 1 (LP, Album, Limited Edition, Reissue, Unofficial Release) PERV Perv 1 2014
New Submission
Synthetik 1. (LP, Limited Edition, Unofficial Release) Not On Label none UK Unknown

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Reviews

  • iggi_unpop's avatar
    iggi_unpop
    - It's neither "Eckhart" nor "Eckhard"! It's ECKART Seesselberg! -
    • saucer-people's avatar
      saucer-people
      Edited 3 years ago
      Synthetik 1 is in every sense possible, an extraordinary album and very much at the experimental end of the German kosmische/electronic milieu. The metal machine aesthetic of the artwork is in perfect alignment with the sounds welded within.
      Though the synthesizer pioneers Eckart and Wolf-J. Seesselberg were relatively well-known in German cultural circles for their live performances in academic and art gallery settings as well as taking the occasional soundtrack commission, this solitary self-released, limited edition 1973 artefact, comprised of nine tracks is so far the totality of released recordings: which in an age that will release and/or reissue just about anything that seventies analogue West put down on tape or vinyl, makes you wonder if that is all there is?
      There is definitely sub-cultural capital for an album that features on both the NWW List and in 2010 enjoyed a Creel Pone Unofficial CD Reissue and a 2013 vinyl reissue by the 'ultra-cool' Spanish label and record shop, Wah Wah Records.
      While it's inevitable that this album would be framed within the Conrad Schnitzler and Cluster nexus (which as places go, it's an honoured space) it doesn't begin to describe its singularity - while I could immerse myself in every single track, strewn between the advanced radiophonics and spatial drones, there are a couple that just beg for attention. 'Speedy Achmed' and the catchily titled 'Was Dir Heute Freude Macht, Das Verschieb Nicht Über Nacht!' are two examples of avant-garde techno before techno at a time when most synthesisers were twiddled by men in capes.
      You can incredibly still pick up a cheap copy of the Plate Lunch CD reissue (thanks Green Brain!) and the Wah Wah vinyl reissue for not so cheap, though even the original version goes for a relative song, given its low 1000 copy run and NWW/Creel Pone cache.

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      Recently Edited

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