Various – Electronic Music Winners
Label: |
Columbia Odyssey – Y 34139 |
|---|---|
Series: |
Modern American Music Series |
Format: |
Vinyl
, LP, Album, Stereo
|
Country: |
US |
Released: |
|
Genre: |
Classical |
Style: |
Electroacoustic |
Tracklist
| A1 | Maurice Wright– | Electronic Composition | 5:22 |
| A2 | Joel Gressel– | Points In Time | 7:07 |
| A3 | Daria Semegen– | Electronic Composition No. 1 | 5:47 |
| A4 | Menachem Zur– | Chants, For Magnetic Tape | 3:55 |
| B1 | Richard Cann– | Bonnylee | 1:25 |
| B2 | Arthur Kreiger– | Short Piece | 2:37 |
| B3 | Paul Lansky– | Mild Und Leise | 18:20 |
Companies, etc.
- Record Company – CBS Inc.
- Recorded At – Princeton University
- Recorded At – Columbia-Princeton Electronic Music Center
- Recorded At – Columbia University
- Copyright © – CBS Inc.
- Phonographic Copyright ℗ – CBS Inc.
- Manufactured By – Columbia Records
Credits
- Artwork [Printed Circuit Assembled By] – Lars Berg (2)
- Cover [Cover Design], Design [Cover Design] – Paula Scher
- Cover [Cover Photo], Photography By [Cover Photo] – Arthur Maillet*
- Sleeve Notes – Richard Cann
Notes
Winners of an International Electronic Music Competition organized by The League of Composers-International Society for Contemporary Music, U.S. Section, in the autumn of 1974. Competition judged by Hubert Howe.
A1 (1973) (BMI)
A2 (1974) The realization was completed in February 1974 at the Princeton University Computer Center.
A3 (1971/1972) (BMI) The work was realized in 1971-72 at the Columbia-Princeton Electronic Music Center.
A4 (1974) (ASCAP) Realized in the electronic studio of Columbia University in March 1974.
B1 (1972) This song was sung by an IBM 360 model 91.
B2 (1974) Realized at the Columbia-Princeton Electronic Music Center, where it was completed in November of 1974.
B3 (1973/1974) (ASCAP) Written and synthesized during 1973-74 using the IBM 360/91 computer at Princeton University and the Music 360 synthesis program written by Barry Vercoe.
© 1976 ℗ 1976
A1 (1973) (BMI)
A2 (1974) The realization was completed in February 1974 at the Princeton University Computer Center.
A3 (1971/1972) (BMI) The work was realized in 1971-72 at the Columbia-Princeton Electronic Music Center.
A4 (1974) (ASCAP) Realized in the electronic studio of Columbia University in March 1974.
B1 (1972) This song was sung by an IBM 360 model 91.
B2 (1974) Realized at the Columbia-Princeton Electronic Music Center, where it was completed in November of 1974.
B3 (1973/1974) (ASCAP) Written and synthesized during 1973-74 using the IBM 360/91 computer at Princeton University and the Music 360 synthesis program written by Barry Vercoe.
© 1976 ℗ 1976
Barcode and Other Identifiers
- Other (Library of Congress catalog card number): 76-750186
- Matrix / Runout (Side A label): AL 34139
- Matrix / Runout (Side B label): BL 34139
- Matrix / Runout (Side A runout): MAL 34139-1A
- Matrix / Runout (Side B runout): MBL 34139-1B
- Rights Society: BMI
- Rights Society: ASCAP
Other Versions (1)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Electronic Music Winners (LP, Album, Compilation, Promo) | Columbia Odyssey | Y 34139 | US | 1976 |
Recommendations
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1967 USVinyl —LP, Stereo
Reviews
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Fascinating early experimental electronic works on this compilation. Apparently, these compositions and electronic music experiments were a major influence to Radiohead's electronic turn for Kid A / Amnesiac and Yorke's later electronic work. Can def hear the influence! I believe track B3 was sampled for Kid A.
http://paul.myanel.princeton.edu/radiohead.ml.html -
A really nice selection of experimental electronic pieces. Honestly, the whole record flows together so nicely I would never guess it was all by different composers. The general mood is somewhere between free jazz and ambient music if that makes any sense.
Recommended for those who enjoy the sounds of early synthesis.
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