KrustCoded Language

Label:

Talkin' Loud – 546 687-2

Format:

CD , Album

Country:

UK & Europe

Released:

Genre:

Electronic

Style:

Downtempo

Tracklist

1 High Plains 3:55
2 Re-Arrange 8:40
3 Tribute 6:00
4 Excuses 7:50
5 Interlude 0:23
6 Overture 2:32
7 Coded Language
Engineer [Additional]Russell Kearney
Featuring, VocalsSaul Williams
Written-ByWilliams*
8:49
8 One Moment 5:57
9 Guilty
Engineer [Mix Engineer]Luke Gordon
4:21
10 Spoils Of War 7:56
11 Soldiers
Engineer [Additional]Dave Amso
5:29
12 Noble Assassins 7:34
13 Second Movement 6:05

Companies, etc.

  • Phonographic Copyright ℗Mercury Records Ltd.
  • Copyright ©Mercury Records Ltd.
  • Recorded AtDrum Tek Studios
  • Recorded AtAngel Studios
  • Mixed AtChannel House Studios
  • Produced AtChannel House Studios
  • Mixed AtMilo Studios
  • Mixed AtStudio Drum
  • Published ByCopyright Control
  • Published BySaulohm Music
  • Produced AtDrum Tek Studios
  • Mixed AtDrum Tek Studios
  • Made ByUniversal M & L,

Credits

  • Arranged By [Strings], Conductor [Strings]Simon Hale (tracks: 5, 8, 9, 11)
  • BassSi John (tracks: 2, 13)
  • DrumsYuval Gabay (tracks: 1 to 3, 7, 11 to 13)
  • EngineerGary Thomas (4) (tracks: 5, 8, 9, 11)
  • GuitarMike Crawford (tracks: 2, 6, 11 to 13)
  • KeyboardsMike Crawford (tracks: 10, 12)
  • ManagementSimon Goffe
  • Producer, Mixed ByKrust
  • VocalsMorgan (3) (tracks: 2, 4, 6, 9, 11)
  • Written-ByMorgan (3) (tracks: 2, 4, 6, 9, 11)

Notes

Issued in a standard clear tray jewel case with an 8-page fold out booklet with artwork and credits.

1 to 4, 9 to 13: Published by copyright control. Recorded at Drum Tek Studios.
5: Published by copyright control. Strings recorded at Angel Studios.
6: Published by copyright control. Produced & mixed at Drum Tek Studios.
7: Published by copyright control, Saulohm Music/Sesac. Recorded at Drum Tek Studios. Additional mixing at Channel House Studios. Saul Williams appears courtesy of American Recordings / Sony Music.
8: Published by copyright control. Produced & mixed at Channel House Studios. Strings recorded at Angel Studios.
9: Strings recorded at Angel Studios. Engineered at Milo Studios.
11: Strings recorded at Angel Studios. Additional mixing at Studio Drum.

℗ 1999 Mercury Records Ltd. (London)
© 1999 Mercury Records Ltd. (London)
Made in the EU.

Barcode and Other Identifiers

  • Barcode: 7 31454 66872 9
  • Matrix / Runout: 07314 546 687-2 01 +
  • Matrix / Runout (Mould hub, variants 1 & 3): MADE IN BY M & L YB
  • Matrix / Runout (Mould hub, variant 2): MADE IN BY UNIVERSAL M & L B
  • Matrix / Runout (Mould hub, variant 4): MADE IN BY UNIVERSAL M & L YA
  • Mastering SID Code (Variants 2,3,4): IFPI L002
  • Mould SID Code (Variant 2): IFPI 0117
  • Mould SID Code (Variant 3): IFPI 01BI
  • Mould SID Code (Variant 4): IFPI 01M7
  • Label Code: LC / 06521
  • Rights Society: BIEM / MS
  • Price Code: UN / 900

Other Versions (5 of 13)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Coded Language (6×12", Album, 33 ⅓ RPM) Talkin' Loud 562 399-1 UK 1999
Recently Edited
Coded Language (CD, Album, Promo, Cardboard Sleeve) Mercury KR 1 Europe 1999
Coded Language (CD, Album) Talkin' Loud PHCW 1056, PHCW-1056 Japan 1999
Recently Edited
Limited Edition Continuous Mix (CDr, Album, Mixed, Limited Edition) Island Records none UK 1999
Recently Edited
Coded Language (CD, Album) Talkin' Loud 314 546 687-2 US 1999

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Reviews

  • alphaTECH-'s avatar
    alphaTECH-
    Edited 2 years ago
    Not a very enjoyable album. The best way I can describe it is it feels like Krust has just thrown a bunch of shit at the wall and kept what didn't slide down. None of it really flows or works together, from the samples to the vocals to the tracks themselves. I wanted to turn it off early on but kept going in the hopes that it gets better; it does a *little* bit when the strings start coming in later on but not enough to warrant another listen in short order.

    A review further down cites this album as being "inaccessible". I have to whole-heartedly agree with that sentiment. If I was going to introduce someone to DnB this album would not be the way to do it. Not because it's for hardcore genre fans, but because it's just rubbish.

    On the upside I did enjoy the drum samples and programming.
    • EKM's avatar
      EKM
      Edited 18 years ago
      Many people don't give nearly enough credit to the overall musicality of this album. Granted, it's fairly inaccesible, being almost entirely very dark Techstep. But that doesn't mean it isn't worth it! As per Krust standard, every song is meticulously crafted, and most contain original recorded drums: a rarity in Drum n Bass. For the record (no pun intended), a lot of this album wouldn't really classify as true-to-form Drum n Bass, as it leans more to the experimental side. But there is at least one gem among the bunch; Guilty. It's a downtempo trip-hop sort of affair, and features the vocals of Morgan (There's no second name listed in the booklet)It's along the same lines as True Stories, though wanders into slightly darker territory. The intro is absoultely brilliant, but also deceiving; the rest of the song takes on a much more menacing vibe. Overall though, I find it to easily be one of Krust's better works. Maybe one of these days we'll be fortunate enough to behold an uptempo Drum n Bass remix...

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