Deep Purple – Slaves And Masters
Tracklist
| A1 | King Of Dreams | 5:30 | |
| A2 | The Cut Runs Deep | 5:42 | |
| A3 | Fire In The Basement | 4:43 | |
| A4 | Fortuneteller | 5:45 | |
| B1 | Truth Hurts | 5:14 | |
| B2 | Love Conquers All | 3:47 | |
| B3 | Breakfast In Bed | 5:16 | |
| B4 | Too Much Is Not Enough | 4:19 | |
| B5 | Wicked Ways | 6:35 |
Companies, etc.
- Record Company – Bertelsmann Music Group
- Marketed By – BMG
- Distributed By – BMG Records
- Distributed By – BMG Ariola
- Phonographic Copyright ℗ – BMG Music
- Copyright © – BMG Music
- Pressed By – Sonopress – D-7419
- Printed By – TOPAC
- Published By – Blackmore Music Ltd.
- Published By – Rugged Music Ltd.
- Published By – Thames Overtures Ltd.
- Published By – Screen Gems-EMI Music Ltd.
- Recorded At – Greg Rike Productions
- Mixed At – Power Station
- Mastered At – Sterling Sound
Credits
- Artwork [Art Enhancement] – Ralph Wernli
- Artwork [Cover Painting] – Thierry Thompson
- Drums, Other [Centre Foward] – Ian Paice
- Electric Guitar, Other [Winger] – Ritchie Blackmore
- Engineer, Mixed By, Other [Goalie] – Nick Blagona
- Management [Chief, Personal Manager, Right Wing] – Colin Hart (2)
- Management [Road Manager Defender] – Artie Hoar
- Management [Road Manager Goalie] – Charlie Lewis (4)
- Mastered By – Greg Calbi
- Mixed By [Powerstation] – Dan Gellert
- Organ, Keyboards, Arranged By [String] – Jon Lord
- Photography By – Dieter Zill*
- Producer [Assistant], Other [Defender] – Raymond D'Addario
- Producer, Mixed By, Bass Guitar, Keyboards [Additional], Art Direction, Other [Defender] – Roger Glover
- Recorded By [Additional Powerstation] – M. Lamonica*
- Recorded By [Additional Sountec Studios] – P. Hodgson*
- Recorded By [Greg Rike Productions] – Wally Walters
- Vocals, Other [Midfield] – Joe Lynn Turner
- Written-By – Turner*
Notes
Recorded at Greg Rike Productions, Orlando
Addt'I Recording: Sountec Studios, PowerStation.
Mixed at PowerStation, NY.
All songs published by Blackmore Music Ltd., Rugged Music Ltd., and istered by Thames Overtures Ltd. except "Too Much Is Not Enough" published by EMI Screen Gems.
℗ & © 1990 BMG Music.
Marketed by BMG / Made in
Distributed in the UK by BMG Records.
Distribué Een Europe par BMG Ariola. Vertrieb in Europa durch BMG Ariola.
A Bertelsmann Music Group Company
Printed in by TOPAC.
Issued with a double-sided printed innersleeve with lyrics
Runouts are stamped, except for the ending roman numbers which are etched.
Addt'I Recording: Sountec Studios, PowerStation.
Mixed at PowerStation, NY.
All songs published by Blackmore Music Ltd., Rugged Music Ltd., and istered by Thames Overtures Ltd. except "Too Much Is Not Enough" published by EMI Screen Gems.
℗ & © 1990 BMG Music.
Marketed by BMG / Made in
Distributed in the UK by BMG Records.
Distribué Een Europe par BMG Ariola. Vertrieb in Europa durch BMG Ariola.
A Bertelsmann Music Group Company
Printed in by TOPAC.
Issued with a double-sided printed innersleeve with lyrics
Runouts are stamped, except for the ending roman numbers which are etched.
Barcode and Other Identifiers
- Barcode: 0035629 053519
- Label Code: LC 0316
- Pressing Plant ID (Side B label, embossed): 𝄢
- Price Code (D): SE
- Price Code (F): RC270
- Price Code (UK): HH
- Rights Society (Boxed): BIEM
- Rights Society (Boxed): GEMA
- Matrix / Runout (Variant 1: A side runout): 009 DMD-7419 A-2 II
- Matrix / Runout (Variant 1: B side runout): 009 DMD-7419 B-2 C III
- Matrix / Runout (Variant 2: A side runout,): 009 DMD-7419 A-2
- Matrix / Runout (Variant 2: B side runout): 009 DMD-7419 B-1 C
- Matrix / Runout (Variant 3: A side runout): 009 DMD-7419 A-2
- Matrix / Runout (Variant 3: B side runout): 009 DMD-7419 B-2 C
- Matrix / Runout (Variant 4: A side runout): 009 DMD-7419 A-2 III
- Matrix / Runout (Variant 4: B side runout): 009 DMD-7419 B-1 C III
- Matrix / Runout (Variant 5: A side runout): 009 DMD-7419 A-2 II
- Matrix / Runout (Variant 5: B side runout): 009 DMD-7419 B-1 C
- Matrix / Runout (Variant 6: A side runout): 009 DMD-7419 A-2 II
- Matrix / Runout (Variant 6: B side runout): 009 DMD-7419 B-1 C II
Other Versions (5 of 106)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Slaves And Masters (CD, Album) | RCA | PD 90535 | Europe | 1990 | |||
| Slaves And Masters (Cassette, Album) | RCA | 7H PK 90535 | Spain | 1990 | |||
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Recently Edited
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Slaves And Masters (LP, Album) | MMC Records (2) | PL MMC 9006, PL 90535 | Hungary | 1990 | ||
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Recently Edited
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Slaves And Masters (LP, Album, Stereo) | RCA | PL 90535 (5F) | Spain | 1990 | ||
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Recently Edited
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Slaves And Masters (Cassette, Album) | RCA | PK 90535 | Italy | 1990 |
Recommendations
Reviews
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Slaves and Masters only has one good song, “Fire In The Basement”. The song is fast , and Blackmore’s guitar playing is full on shred!! Joe Lynn Turners vocals are superlative as well!! This song is so GREAT, that it alone, is better than all the Deep Purple songs that had Steve Morse on guitar on them!
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I got used to a LP order of tracks and can't accept the CD's one! The great LP, one of my favourites in vinyl times but I can't listen to it from CD because of different order of tracks that ruines otherwise magnificent album! Hoped that a remaster will have the RIGHT order but in vain. Running Wild's Under Jolly Roger CD was hated by group's fans because of the same reasons untill it was rereleased with the LP order of tracks. Why has no-one rereleased this album the same way? It was an atraction of the first CD years to issue albums on CD different to LP: different order of tracks, longer versions, bonus tracks, etc. Though it's not difficult to programm the playing order but still it's irritating thing to do. Also a pity that the next JLT-Purple album was erased, Ritchie Blackmore stated that it was a great one and I believe him!
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Never opened covered in plastic thanks to all who let me know what is in the unopened plastic. -
Edited 13 years agoNot typical Deep Purple, but neither was Come Taste the Band, and since this Mark version contained more of the classic Mark II than the Tommy Bolin-driven album did, it can be said to be more legitimate. But it has been unfairly been maligned, I believe. Although the sound has more in common with my least favorite version of Rainbow, it is still a good rock album and fun to pop on the player every once in a while. While it can't compare to the best Ian Gillan-led platter, fans of "Radio" Rainbow should enjoy.
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