Tracklist
| So What | 11:59 | ||
| Spring Is Here | 4:01 | ||
| No Blues | 11:55 | ||
| Oleo | 7:21 | ||
| Someday My Prince Will Come | 2:43 | ||
| The Meaning Of The Blues / Lament / New Rhumba | 8:34 |
Credits (11)
Joe EulaArtwork [cover]
Gil Evans And His 21-Piece Orchestra*Featuring
Hank MobleyFeaturing
Jimmy CobbFeaturing
Paul Chambers (3)Featuring
Wynton KellyFeaturing
Notes
Release Date: Jul 16, 1962
Recorded live at Carnegie Hall, New York City, May 19, 1961
Label: Columbia Records
Miles Davis, Trumpet
Ernie Royal, Trumpet
Bernie Glow, Trumpet
Johnny Coles, Trumpet
Louis Mucci, Trumpet
Jimmy Knepper, Trombone
Dick Hixon, Trombone
Frank Rehak, Trombone
Julius Watkins, French Horn
Paul Ingraham, French Horn
Bob Swisshelm, French Horn
Bob Tricarico, Bassoon, Clarinet, Flute
Bob Rosengarden, Percussion
Bill Barber, Tuba
Romeo Penque, Clarinet, Flute
Jerome Richardson, Clarinet, Flute
Eddie Caine, Clarinet, Flute
Danny Bank, Clarinet, Flute
Janet Putnam, Harp
Elvin Jones, Percussion
Gil Evans, Arranger, Conductor
Hank Mobley, Tenor Saxophone
Wynton Kelly, Piano
Paul Chambers, Bass
Jimmy Cobb, Drums
Teo Macero, Producer
5th Annual GRAMMY Awards, May 15, 1963
Nominated for Best Jazz Performance - Large Group (Instrumental)
This is the abridged version with 8 tracks (first published 1962). For the complete concert (first published 1998) see: Miles Davis At Carnegie Hall - The Complete Concert
Recorded live at Carnegie Hall, New York City, May 19, 1961
Label: Columbia Records
Miles Davis, Trumpet
Ernie Royal, Trumpet
Bernie Glow, Trumpet
Johnny Coles, Trumpet
Louis Mucci, Trumpet
Jimmy Knepper, Trombone
Dick Hixon, Trombone
Frank Rehak, Trombone
Julius Watkins, French Horn
Paul Ingraham, French Horn
Bob Swisshelm, French Horn
Bob Tricarico, Bassoon, Clarinet, Flute
Bob Rosengarden, Percussion
Bill Barber, Tuba
Romeo Penque, Clarinet, Flute
Jerome Richardson, Clarinet, Flute
Eddie Caine, Clarinet, Flute
Danny Bank, Clarinet, Flute
Janet Putnam, Harp
Elvin Jones, Percussion
Gil Evans, Arranger, Conductor
Hank Mobley, Tenor Saxophone
Wynton Kelly, Piano
Paul Chambers, Bass
Jimmy Cobb, Drums
Teo Macero, Producer
5th Annual GRAMMY Awards, May 15, 1963
Nominated for Best Jazz Performance - Large Group (Instrumental)
This is the abridged version with 8 tracks (first published 1962). For the complete concert (first published 1998) see: Miles Davis At Carnegie Hall - The Complete Concert
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Miles Davis At Carnegie Hall
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Columbia – CS 8612 | US | 1962 | US — 1962 |
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CBS – BP 153 005 | 1963 | — 1963 |
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Columbia – PC 8612 | US | 1975 | US — 1975 |
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Майлс Дэвис В Карнеги Холле
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Мелодия – C60 05763-4 | USSR | 1975 | USSR — 1975 |
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CBS/Sony – 23AP 651 | Japan | 1977 | Japan — 1977 |
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CBS/Sony – 18AP 2059 | Japan | 1981 | Japan — 1981 |
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CBS/Sony – 23AP 2559 | Japan | 1983 | Japan — 1983 |
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Recommendations
Reviews
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Absolutely incredible sound. The vinyl is very heavy and durable, just like the cover. even a VG is worth it with this pressing because the sound will blow you away. Very loud and clear mix, none of the instruments overwhelming each other. This was my first Columbia double-eye pressing and certainly not my last! -
The sound quality on the 1963 two-eye Stereo pressing far exceeded my expectations and certainly does sound incredible. This absolutely destroys any CD version that’s out there.
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Haven’t heard a mono press, so I can’t compare it to that but I must say, hot damn…this performance is hot. Talk about a group firing on all cylinders…
Fidelity wise, this is a pretty good, not excellent. That’s due to the source recording - it could be better., but hey, it’s a 1961 live recording.
Overall, you can hear all the instruments clearly, the horns are out front as they should be, but the bass and drums need more depth and prominence in the mix. The recording needs more defined bottom end and there’s some clipping in the big climatic parts. Overall though, the record’s an absolute pleasure to listen to and the entire group absolutely smokes this performance. -
Si eres fan de Miles Davis querrás tener todos sus registros es indudable, para mi está en la cumbre de mis músicos favoritos, pero el sonido también me importa aunque no sea la fundamental y esta grabación tiene momentos muy molestos donde la trompeta satura y hace daño a los oidos. En definitiva las composiciones, interpretaciones etc perfectas, que decir del elenco de músicos, pero la toma de sónido deja mucho que desear, al menos en mi copia. -
referencing Miles Davis At Carnegie Hall (LP, Album, Reissue, Stereo, Terre Haute (Columbia) Pressing) CS 8612
Variant: Pressing Plant ID (Columbia Records Pressing Plant, Terre Haute): T
Matrix / Runout (Side A Runout): XSM-56273-1AE T
Matrix / Runout (Side B Runout): XSM-56274-1AK AJ |||||| -
Edited 3 years agoIt's a great set. Too bad the recording quality isn't all that great. But it comes through enough that you get a good sense of what Miles was doing in 1961. "So What" is at its most blaring here, with big-bandish arrangements coming from Gil Evans, though it never feels cheesy. -
Just bought this today. The performance is good and worth having. The recording is unlistenable at points. When Miles plays loud, the recording is oversaturated and highly distorted. I don't know if I will listen to this much -- a shame because it is such a great cast of musicians.
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Such as powerful performance. Recently rediscovered my cassettes and it sounds just as great as it always has. -
Legendary performance and such a big sound coming off a 55 yr old pressing is just the coolest. I have the purple label mono unfortunately in less than VG shape and unable to compare the pressings. -
Does anyone know about the Mono 6 eye Canada press?
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