Tracklist
The Sunday Show Introduced By John Peel Recorded On 5th February, 1970: | |||
Amsterdam | 3:32 | ||
God Knows I'm Good | 3:36 | ||
Buzz The Fuzz | 3:27 | ||
Karma Man | 4:11 | ||
London Bye, Ta-Ta | 3:21 | ||
An Occasional Dream | 3:23 | ||
The Width Of A Circle | 5:54 | ||
Janine | 4:01 | ||
Wild Eyed Boy From Freecloud | 4:43 | ||
Unwashed And Somewhat Slightly Dazed | 6:28 | ||
Fill Your Heart | 3:11 | ||
The Prettiest Star | 3:18 | ||
Cygnet Committee | 9:18 | ||
Memory Of A Free Festival | 3:43 | ||
The Looking Glass Murders Aka Pierrot in Turquoise: | |||
When I Live My Dream | 3:38 | ||
Columbine | 1:34 | ||
Harlequin | 1:29 | ||
Threepenny Pierrot | 1:57 | ||
When I Live My Dream (Reprise) | 1:56 | ||
The Singles: | |||
The Prettiest Star (Alternate Mix) | 3:11 | ||
London Bye, Ta-Ta | 2:41 | ||
London Bye, Ta-Ta (1970 Stereo Mix) | 2:40 | ||
Memory Of A Free Festival (Single Version Part 1) | 4:04 | ||
Memory Of A Free Festival (Single Version Part 2) | 3:35 | ||
Holy Holy | 3:13 | ||
Sounds Of The 70s: Andy Ferris Show Recorded On 25th March, 1970: | |||
Waiting For The Man | 5:44 | ||
The Width Of A Circle | 5:39 | ||
Wild Eyed Boy From Freecloud | 4:45 | ||
The Supermen | 3:22 | ||
The 2020 Mixes: | |||
The Prettiest Star (2020 Mix) | 3:34 | ||
London Bye, Ta-Ta (2020 Mix) | 2:42 | ||
Memory Of A Free Festival (2020 Mix) | 5:23 | ||
All The Men (Single Edit - 2020 Mix) | 3:28 | ||
Holy Holy (2020 Mix) | 3:29 |
Credits (50)
- David Bowie12-String Acoustic Guitar [12 String Guitar]
- Tony ViscontiArranged By
- Lesley DuncanBacking Vocals
- Mick RonsonBacking Vocals
- Sue GloverBacking Vocals
- Sunny LeslieBacking Vocals
Notes
Parlophone will issue what they are calling a ‘companion piece’ to Metrobolist, last year’s Rykodisc-era bonus tracks, BBC live recordings and new mixes, all from 1970.
The first CD features 14 tracks performed by John Peel’s The Sunday Show in February 1970 (the label are claiming that six of these are unreleased) while the second disc is very much an ‘odds and sods’ collection of material. It includes some bonus material first heard on CD back in 1989/1990 when Rykodisc began their Bowie reissue campaign.
Such tracks include 1970 single A-side ‘Holy Holy’, the single mix of ‘The Prettiest Star’ (although it’s included here in unreleased alternate mix form – “created for promotion in the US market”), both mono and stereo mixes of ‘London Bye Ta-Ta’ and the A and B-side mixes of ‘Memory of A Free Festival’.
In addition, this CD offers five tracks from a play (“The Looking Glass Murders aka Pierrot in Turquoise”) and five 2020 stereo mixes of some of the non-album material remixed by Tony Visconti. Four of those five are also available on a special 10-inch single (also called The Width of a Circle).
All this activity is to mark the 50th anniversary of the UK release of The Man Who Sold The World and to top it off, Parlophone are also putting out a picture disc of the standard album using artwork from RCA’s 1972 reissue. A picture disc with alternative artwork was previously issued for 2016’s Record Store Day.
The first CD features 14 tracks performed by John Peel’s The Sunday Show in February 1970 (the label are claiming that six of these are unreleased) while the second disc is very much an ‘odds and sods’ collection of material. It includes some bonus material first heard on CD back in 1989/1990 when Rykodisc began their Bowie reissue campaign.
Such tracks include 1970 single A-side ‘Holy Holy’, the single mix of ‘The Prettiest Star’ (although it’s included here in unreleased alternate mix form – “created for promotion in the US market”), both mono and stereo mixes of ‘London Bye Ta-Ta’ and the A and B-side mixes of ‘Memory of A Free Festival’.
In addition, this CD offers five tracks from a play (“The Looking Glass Murders aka Pierrot in Turquoise”) and five 2020 stereo mixes of some of the non-album material remixed by Tony Visconti. Four of those five are also available on a special 10-inch single (also called The Width of a Circle).
All this activity is to mark the 50th anniversary of the UK release of The Man Who Sold The World and to top it off, Parlophone are also putting out a picture disc of the standard album using artwork from RCA’s 1972 reissue. A picture disc with alternative artwork was previously issued for 2016’s Record Store Day.
Versions
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5 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Version Details | Data Quality | |||
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The Width Of A Circle
2×CD, Compilation, Stereo, Mono, Digibook
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Parlophone – 0190295082260 | Worldwide | 2021 | Worldwide — 2021 | ||||
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The Width Of A Circle
34×File, MP3, Compilation, Remastered, Stereo, Mono, VBR
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Parlophone – none | US | 2021 | US — 2021 |
New Submission
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The Width Of A Circle
2×CD, Compilation, Stereo, Mono, Digibook
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Parlophone – CDWOAC 50 | Japan | 2021 | Japan — 2021 |
Recently Edited
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The Width Of A Circle
34×File, FLAC, Compilation, Remastered, Stereo, Mono
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Parlophone – none | Europe | 2021 | Europe — 2021 |
New Submission
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The Width Of A Circle
2×CD, Compilation, Remastered, Unofficial Release, Stereo, Mono, Digibook
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Parlophone (2) – 0190295082260 | China | China |
New Submission
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Recommendations
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2018 USA & EuropeVinyl —LP, Album, Record Store Day, Limited Edition
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2020 WorldwideVinyl —LP, Album, Record Store Day, Limited Edition, Stereo
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2020 WorldwideVinyl —LP, Album, Record Store Day, Limited Edition, Stereo
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2020 WorldwideVinyl —LP, Album, Reissue, Stereo
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Reviews
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The world has bigger problems, but I really wish they had made this a 4-disc set that included Metrobolist and a hi-res Blu-ray, and released it in a large box that could sit on the shelf between Conversation Piece and Divine Symmetry.
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2-14 comes up as "The Wild Eyed Boy From Freeload" in the car, but comes up spelled correctly on my PC
Rather odd -
An early vocal take of 'Saviour machine' survives in some horders collection, I believe it was auctioned in the 90's and disappeared. Also there is a pressing with the beginning of the said track tacked onto the end of another track (eludes me!) released somewhere - may have made a more interesting additional track.
Still nice to have a decent version of the 'Sunday Show' even if it appears to be composite of 2 or more sources! -
I bought this (quite cheaply!) on Amazon because I wanted the whole Sunday Show broadcast, which had been edited of some of the weaker tracks on the official Beeb release. I'd only ever had the '80s boot, which was not a great listen. This one is still from a cassette taping of the radio broadcast (complete with high-pitched whine, distortion, and some obvious tape damage), but it's been sweetened as much as possible in post — I'm still unsure how much Tony Visconti was involved. Hearing John Peel's dry introductions in full is also entertaining. It's definitely for fans only, but by itself worth the equivalent of $17.45 USD that I paid for the whole thing. Bootleg CDs could go for $30 back in the day.
On the second disc, they seem to be clearing the vaults. Not everything is a treasure. I had never heard "The Looking Glass Murders" stuff before. Not too exciting, as it was part of a fairly weird stage performance and presented here without context. You can hear some of his riffs from other songs in the rare songs that are here. The singles, you've probably heard before on Ryko or other special releases. Sounds Of The 70s as well, was covered on the Beeb. I already had the exclusive 10" LP of the 2020 remix tracks. They sound good.
A really odd thing about this release is its smell. I assume it has something to do with how the book was printed, but it has a faint but sickeningly sweet smell. Like perfume samplers in a 1980s teen girl magazine. No idea what that's about.
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I wish I had waited to buy this only until after the tracklisting and further info had been published. Otherwise, I probably wouldn't have bothered with it. I love Bowie, but after all the large box sets that've been showing up for market, I feel plenty of buyer's remorse after this one and I'm frankly a bit exhausted and frustrated. Not everything he's recorded is gold and worthy of re-release, and this is kind of a bottom of the barrel situation, in my opinion.
I for one would love to replace one of three different versions of 'London Bye, Ta-Ta' for just one 'Lightning Frightening,' which I think would fit this collection's timeline perfectly.
Between the poor quality sound of the live stuff and the repetition of the myriad of versions made available, it's a great collection of material, but not one I'm bound to listen to more than once or twice. But I'd still argue that it's worth the price for the book; it's a good read and a nice display item (typically I buy music for the music, not to read or stare at on a shelf, but hey that's just me). -
Personally I love these archival packages. Ala - Conversation Piece. I hope they continue to make more of these. So much thought goes into it. From the text, the image research, the packaging... Please keep releasing these. I wish other artists would get similar treatment.
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I agree with django below. It's a "nice little oddity". It is interesting to hear the radio bits of dialogue / banter between the musical pieces and I am glad they retained them. It frames the pieces, gives the music its historical context and contributes to the lightness of the whole affair.
But musically, these recording don't hold too much of genuine inspiration or beauty. Some radio performances / bootlegs out there are wonderful to have as they may happen upon a bit of magical interpretation, so the weakness isn't due to it being a radio performance. Bluntly, this Width of a CIrlce is not one of the best. It may grow on me . . .
It is produced beautifully, with the little hardcover book. For Bowie completist fans. -
A nice oddity but not much more than a bootleg dressed in a nice frock, I do wish that they would polish the recordings slightly
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