Tracklist
Q Loop | 5:28 | ||
Remake (Basic Reshape) | 6:08 | ||
Mutism | 5:57 | ||
Quadrant Dub I (Edit) | 6:57 | ||
Radiance III (Edit) | 9:21 | ||
Lyot Remix (Edit) | 6:28 | ||
Presence (Edit) | 8:17 | ||
Q1.1 | 1:03 | ||
Q1.2 | 4:58 | ||
Radiance I (Edit) | 7:57 | ||
Radiance II | 3:48 |
Notes
Compilation of full length tracks and edits of tracks released previously on vinyl under different aliases on the on vinyl and as s in 2014
The first print run came in cardboard sleeve:
A limited number sold by Hard Wax (2) came with wine red front sticker with mirrored tracklisting.
Regular copies either came either with mirrored or non-mirrored (regular) tracklisting on the front sticker but printed in black.
Subsequent issues were released in metal boxes:
First without hinges, then with hinges.
Pressed by either BOD or later DADC.
Later issues were distributed by EFA.
Reissued again in 2003 in a Digipak.
Please note:
Due to specific font used and typical for Basic Channel's 'low quality" print some tracks are often mislabeled (for example on Amazon websites, some amateur discography websites, some webstores):
1. Q Loop is mislabeled as "Q Pop" ("Lo" printed behind graphic element, causing visual distortion and problem with interpreting of chars)
2. Mutism is mislabeled as "Cutisc" (specific shape of "m", strongly resembling rectangular-shaped "c")
3. Lyot Remix is mislabeled as "Not Recix" ("Ly" partially shadowed by graphic element and erroneously treated as single character "N" + again specific shape of "m").
The first print run came in cardboard sleeve:
A limited number sold by Hard Wax (2) came with wine red front sticker with mirrored tracklisting.
Regular copies either came either with mirrored or non-mirrored (regular) tracklisting on the front sticker but printed in black.
Subsequent issues were released in metal boxes:
First without hinges, then with hinges.
Pressed by either BOD or later DADC.
Later issues were distributed by EFA.
Reissued again in 2003 in a Digipak.
Please note:
Due to specific font used and typical for Basic Channel's 'low quality" print some tracks are often mislabeled (for example on Amazon websites, some amateur discography websites, some webstores):
1. Q Loop is mislabeled as "Q Pop" ("Lo" printed behind graphic element, causing visual distortion and problem with interpreting of chars)
2. Mutism is mislabeled as "Cutisc" (specific shape of "m", strongly resembling rectangular-shaped "c")
3. Lyot Remix is mislabeled as "Not Recix" ("Ly" partially shadowed by graphic element and erroneously treated as single character "N" + again specific shape of "m").
Versions
Filter by
7 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
|
Version Details | Data Quality | |||
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BCD
CD, Compilation, Mirrored Front Art, Cardboard Cover
|
Basic Channel – BCD | 1995 | — 1995 | |||||
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BCD
CD, Compilation, Red Print Cardboard Cover
|
Basic Channel – BCD | 1995 | — 1995 |
Recently Edited
|
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BCD
CD, Compilation, Cardboard Sleeve
|
Basic Channel – BCD | 1995 | — 1995 | |||||
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BCD
CD, Compilation, Reissue, Metal Case
|
Basic Channel – BCD | 1996 | — 1996 | |||||
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BCD
CD, Compilation, Repress, Metal Box
|
Basic Channel – BCD | 1997 | — 1997 | |||||
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BCD
CD, Compilation, Reissue, Metal Box
|
Basic Channel – BCD | 1999 | — 1999 |
Recently Edited
|
||||
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BCD
CD, Compilation, Reissue, Digipak
|
Basic Channel – BCD | 2003 | — 2003 |
Recently Edited
|
Recommendations
Reviews
-
-
referencing BCD (CD, Compilation, Reissue, Metal Case) BCD
Some of the finest electronic music made in the 90s is on this cd. But unfortunately the metal case cracks the CD, as the CD centre is pushed onto the metal case and the tolernace will ineviatbilty crack the cd. Nice idea and great music but flawed case. Store the CD seperately if you find one not cracked. -
Edited 2 years agoif there a holy spirit of techno somewhere it must dwell on this piece of wax. . a timeless classic, makes it to the desert island actually polar ice-land bin
-
referencing BCD (CD, Compilation, Reissue, Digipak) BCD
strange how nobody makes any remarks on the sound quality of this CD, at least in relation, I don't say to the vinyls, but to the digital versions or to BCD2 -
Edited 7 years ago
referencing BCD (CD, Compilation, Reissue, Metal Box) BCD
Basic Channel? It is what the World is missing... the new/young beatmakers simply don't know the history. Yet they can still learn. Push the bass. -
referencing BCD (CD, Compilation, Reissue, Metal Box) BCD
is the E2E4 reference to the great manuel gottsching album? does anyone know?
trance music of a different type. -
-
I'll keep it simple. This is the only way for the hardcore and headstrong to chill out. The Basic Channel.
-
referencing BCD (CD, Compilation, Reissue, Digipak) BCD
I don't think i'm going out on a limb here when I say that this is THE dub techno album to own... Well in any case, if you see it fit to only own 1 dub techno CD then I would beg you to make this your choice. I'm a fan of newer artists like Deepchord/Echospace, Murmur and Quantec but lets face it, this is where it all began. These tracks are from the early to mid 90's and it doesn't even show in the sound in my opinion. We have the hidden techno beat in e2e4 Basic Reshape and then there's the lovely static of Mutism. Well actually.. Every track is is pretty hypnotic and a classic by any means. If you're new to dub techno then I can do nothing more then suggest Basic Channel's "BCD" as your starting point for the genre. -
As a CD collector, I was happy to find this compilation of Basic Channel artists. Yeah, I have a turntable and I like vinyl, but I rarely sit down to listen to music that way, so I end up having to rip to CD before I can do stuff like listen in the car or at the gym. It's just inconvenient. Luckily, we can now get some of Basic Channel's awesome dub-techno on CD directly.
The atmosphere is minimal and austere. There aren't a whole lot of gee-whiz sounds on here, but the few sounds these artists use are important and interesting. Anytime I listen to such sparse music, I must focus on the minor details in a way that's nearly impossible with the ADD music of, say Kid606. I like both styles, but they achieve drastically different effects.
There's not much in the way of melody here - just pure groove drenched in reverb and echo. Most tracks start off with a basic idea, develop a bit, grow in intensity, and then fade back out to where they started. It's a simple formula and it risks becoming inundated with a lot of hack non-artists, but fortunately these are all winners.
Fans of minimal techno will dig this. I'm not sure if I could recommend it to any but the most adventurous IDM fans - you wouldn't be turned off, but it may not hold much interest. The slowly evolving, atmospheric nature of these tracks make certain demands on the listener. You need to either concentrate fully, or they'll become background noise, easily ignored.
While the appeal may be limited due to the nature of dub-techno as a style, this is probably as good as it gets. I recommend listening to some samples online. If you like what you hear, you can expect about four to six more minutes of it per track. I think it's worth spending a little time to find the buried secrets of this album.
Master Release
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Data Correct
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14 copies from $17.05