Concord Music Group, Inc.

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Record Company.

The Concord Music Group (CMG) was formed in November 2004 with the merger of Concord Records and Fantasy Records. It is a privately held company based in Beverly Hills, California. Distribution is largely by the Universal Group since 2006. Any release with a long numerical cat # (often led by several zeroes and then either 25 or 86/88 numbers) or a Universal reference is 2006 or later.

Owner of the Rounder, Vanguard, post-Atlantic Stax, Prestige, Riverside, Vee-Jay, Specialty, Telarc, Volt, Fantasy, Takoma, Kicking Mule, Hightone and Bandit catalogs and/or labels, among others.

Corporate chronology:
CA company number: 1015871
Incorporated: 22 January 1981 as 'Fantasy/Prestige/Milestone/Stax, Inc.'
First name change: 8 July 1981 to Fantasy, Inc.
Second name change: 3 December 2004 - this page (24 November 2004 for Delaware legal entity)

Sublabels:

White Whale Record Co. Inc., ...

Info:

Concord Music Group, Inc.
100 North Crescent Drive, Suite 275
Beverly Hills, CA 90210

Links:

concord.com , Pinterest , MySpace , Wikipedia , Soundcloud

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Reviews

  • patientot's avatar
    patientot
    One of the most frustrating label groups around. They seem not to give a toss about quality and buying anything released by them these days is a total crapshoot.

    On the CD front, they started pres many classic jazz albums (originally released through the Original Jazz Classics imprint) as CDRs. No notice is provided to the consumer either. These releases are sold through major online retailers and smaller independent shops. If you buy any sealed OJC CDs look at them very carefully. Many of them look like CDs but are in fact CDRs, and you can't really tell until you open them. I'd rather the label group just sell these as reasonably priced (e.g. $10 or less) FLAC s than con us into buying CDRs when we're paying for real CDs.

    On the vinyl front, they've stopped licensing their releases to specialty audiophile labels so AAA reissues of these classic albums are no more. Instead they release stuff themselves, almost always cut from a digital master, then pressed at whatever plant happens to have the capacity. These range from pretty good plants like RTI and QRP to lower tier plants like United and Rainbo, so pressing quality is all over the place even if you're okay with digitally sourced vinyl.

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