RJD2 – Deadringer
Label: |
Definitive Jux – DJX35 |
---|---|
Format: |
CD
, Album
|
Country: |
US |
Released: |
|
Genre: |
Funk / Soul |
Style: |
Trip Hop |
Tracklist
1 | The Horror | 4:11 | |
2 | Salud | 0:38 | |
3 | Smoke & Mirrors | 4:26 | |
4 | Good Times Roll Pt. 2 | 4:57 | |
5 | Final Frontier | 4:25 | |
6 | Ghostwriter | 5:17 | |
7 | Cut Out To FL | 3:42 | |
8 | F.H.H. | 4:31 | |
9 | Shot In The Dark | 1:21 | |
10 | Chicken-Bone Circuit | 3:54 | |
11 | The Proxy | 2:14 | |
12 | 2 More Dead | 5:17 | |
13 | Take The Picture Off | 1:02 | |
14 | Silver Fox | 3:31 | |
15 | June | 6:03 | |
16a | Work | 3:38 | |
16b | Here's What's Left | 5:58 |
Companies, etc.
- Recorded At – Deathtrap
- Mixed At – Deathtrap
- Recorded At – Intalec's
- Mixed At – Workbook Studio
- Mastered At – The Lodge, New York
- Copyright © – Definitive Jux
- Distributed By – Caroline Distribution
Credits
- Art Direction, Design – Cassidy Gearhart
- Mastered By – Emily Lazar
- Mixed By – RJD2 (tracks: 1 to 3, 5 to 16)
- Photography By – Corey Piehowicz*
- Producer, Arranged By, Performer – RJD2
Notes
Produced for Rj's Electrical Connections (ASCAP); "JUNE" for Rj's Electrical Connections (ASCAP), Full Nelson (ASCAP). Copywrite appears courtesy of Eastern Conference Records. Recorded and mixed at Deathtrap except track 4, mixed at Workbook, and track 15, recorded at Intalec's. Mastered at The Lodge.
Art and design for Stat.ind.
Caroline distribution.
"Work" lasts 3:38, and is followed by silence until 5:41 when the hidden track "Here's What's Left" starts. The track is not mentioned on the release itself.
© 2002 Definitive Jux
Art and design for Stat.ind.
Caroline distribution.
"Work" lasts 3:38, and is followed by silence until 5:41 when the hidden track "Here's What's Left" starts. The track is not mentioned on the release itself.
© 2002 Definitive Jux
Barcode and Other Identifiers
- Barcode (Text): 6 00308 88582 0
- Barcode (Scanned): 600308885820
- Matrix / Runout: DJX35 1-1-1
- Mastering SID Code: IFPI L044
- Mould SID Code (Variant 1): IFPI 166D
- Mould SID Code (Variant 2): IFPI 166L
- Mould SID Code (Variant 3): IFPI 163D
- Mould SID Code (Variant 4): IFPI 1636
- Mould SID Code (Variant 5): IFPI 166A
- Mould SID Code (Variant 6): IFPI 1667
Other Versions (5 of 17)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission
|
Dead Ringer (CDr, Promo) | Definitive Jux | none | US | 2001 | ||
Deadringer (CD, Album, Reissue) | Definitive Jux | DJX35 | US | 2002 | |||
Recently Edited
|
Deadringer (2×LP, Album) | Definitive Jux | DJX35 | US | 2002 | ||
Recently Edited
|
Deadringer (CD, Album) | Play It Again Sam [PIAS] | DJX35CD, 088.0035.020 | Europe | 2002 | ||
New Submission
|
Deadringer (CD, Album) | RJ's Electrical Connections | RJEC004 | UK | 2002 |
Recommendations
Reviews
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I agree with others re: the vinyl. It sounds more bassy than the digital. The vocals sound less pronounced on Ghostwriter. The problem isn't the clicks and pops that are supposed to be part of the song. It's just a weird pressing and sounds cheaply made with too much "boom."
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-
RJD2's debut, DEADRINGER, made a huge splash... and how could it not, with such a gripping, spooky and funky opener as "The Horror"? But as he moves into the moody blues of "Smoke & Mirrors" and the soul of "Good Times Roll Pt.2," he begins to show his range. "Ghostwriter" takes a mellow folk path while the spaghetti western interlude of "Shot In The Dark" pops in momentarily to make itself known, as does the shiny "The Proxy." All throughout, there's plenty of dexterous scratching to accompany the more straightforward tracks, and it all comes together in a powerful package. Indeed, the closer, "Work" carries an ache to it, and the hidden track, "Here's What's Left" is a lovely slice of instrumental soul. A powerful debut.
Release
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