RJD2Deadringer

Label:

Definitive Jux – DJX35

Format:

CD , Album

Country:

US

Released:

Genre:

Funk / Soul

Style:

Trip Hop

Tracklist

1 The Horror 4:11
2 Salud 0:38
3 Smoke & Mirrors 4:26
4 Good Times Roll Pt. 2
Mixed ByJohn Chinn*
4:57
5 Final Frontier
FeaturingBlueprint
4:25
6 Ghostwriter 5:17
7 Cut Out To FL 3:42
8 F.H.H.
FeaturingJakki*
4:31
9 Shot In The Dark 1:21
10 Chicken-Bone Circuit 3:54
11 The Proxy 2:14
12 2 More Dead 5:17
13 Take The Picture Off 1:02
14 Silver Fox 3:31
15 June
FeaturingCopywrite
6:03
16a Work 3:38
16b Here's What's Left 5:58

Companies, etc.

  • Recorded AtDeathtrap
  • Mixed AtDeathtrap
  • Recorded AtIntalec's
  • Mixed AtWorkbook Studio
  • Mastered AtThe Lodge, New York
  • Copyright ©Definitive Jux
  • Distributed ByCaroline Distribution

Credits

  • Art Direction, DesignCassidy Gearhart
  • Mastered ByEmily Lazar
  • Mixed ByRJD2 (tracks: 1 to 3, 5 to 16)
  • Photography ByCorey Piehowicz*
  • Producer, Arranged By, PerformerRJD2

Notes

Produced for Rj's Electrical Connections (ASCAP); "JUNE" for Rj's Electrical Connections (ASCAP), Full Nelson (ASCAP). Copywrite appears courtesy of Eastern Conference Records. Recorded and mixed at Deathtrap except track 4, mixed at Workbook, and track 15, recorded at Intalec's. Mastered at The Lodge.
Art and design for Stat.ind.
Caroline distribution.

"Work" lasts 3:38, and is followed by silence until 5:41 when the hidden track "Here's What's Left" starts. The track is not mentioned on the release itself.

© 2002 Definitive Jux

Barcode and Other Identifiers

  • Barcode (Text): 6 00308 88582 0
  • Barcode (Scanned): 600308885820
  • Matrix / Runout: DJX35 1-1-1
  • Mastering SID Code: IFPI L044
  • Mould SID Code (Variant 1): IFPI 166D
  • Mould SID Code (Variant 2): IFPI 166L
  • Mould SID Code (Variant 3): IFPI 163D
  • Mould SID Code (Variant 4): IFPI 1636
  • Mould SID Code (Variant 5): IFPI 166A
  • Mould SID Code (Variant 6): IFPI 1667

Other Versions (5 of 17)

View All
Title (Format) Label Cat# Country Year
New Submission
Dead Ringer (CDr, Promo) Definitive Jux none US 2001
Deadringer (CD, Album, Reissue) Definitive Jux DJX35 US 2002
Recently Edited
Deadringer (2×LP, Album) Definitive Jux DJX35 US 2002
Recently Edited
Deadringer (CD, Album) Play It Again Sam [PIAS] DJX35CD, 088.0035.020 Europe 2002
New Submission
Deadringer (CD, Album) RJ's Electrical Connections RJEC004 UK 2002

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Reviews

  • ivoguy's avatar
    ivoguy
    I agree with others re: the vinyl. It sounds more bassy than the digital. The vocals sound less pronounced on Ghostwriter. The problem isn't the clicks and pops that are supposed to be part of the song. It's just a weird pressing and sounds cheaply made with too much "boom."
    • dysodil's avatar
      dysodil
      Without all the speech, it would be terrific for me
      • scoundrel's avatar
        scoundrel
        RJD2's debut, DEADRINGER, made a huge splash... and how could it not, with such a gripping, spooky and funky opener as "The Horror"? But as he moves into the moody blues of "Smoke & Mirrors" and the soul of "Good Times Roll Pt.2," he begins to show his range. "Ghostwriter" takes a mellow folk path while the spaghetti western interlude of "Shot In The Dark" pops in momentarily to make itself known, as does the shiny "The Proxy." All throughout, there's plenty of dexterous scratching to accompany the more straightforward tracks, and it all comes together in a powerful package. Indeed, the closer, "Work" carries an ache to it, and the hidden track, "Here's What's Left" is a lovely slice of instrumental soul. A powerful debut.

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